Earlier quoted context omitted.
> Why do you need diverse skin tones for your art? > It's your art, you can choose whatever skin tones you wish. This is pretty self evident, no?
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Show HN: Simple algorithm and color space to generate diverse skin tones
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Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#72Pete Shirley (author of Ray Tracing In One Weekend) is also a part time color scientist, and he clued me into the fact that if you crank the saturation to 100% of pictures of people of any race, the skin color comes out orange. I think I heard that some face detectors may work on this principle, but I don’t remember where I heard that.
Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#73Earlier quoted context omitted.
> Why do you need diverse skin tones for your art? > It's your art, you can choose whatever skin tones you wish. This is pretty self evident, no?
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Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#74When you’re actually painting, skin can really be any color. Blue is a perfectly valid (and fairly common) skin color - just look at someone in the moonlight. It takes two to tango, and the other dancer is the light source.
Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#75Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#76Earlier quoted context omitted.
I've heard that the so-called "yellowish" skin color that non-tanned East Asians tend to have, is due to relative abundance of subcutaneous fat. If that's true, is that captured by the haemoglobin dimension or is it a yet another degree of freedom?
All skin is slightly translucent, and color/tones forms a gradient across the surface of the skin. Your upper cheeks and forehead are usually slightly reddish, and the chin/neck are slightly bluish. People only turn yellow if they have kidney or liver damage. However, some distinctive features like Lucy Liu's natural freckles are tough to draw right. We looked around a lot for a procedural texture/shader to help make…
Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#77> What colors are we? The short answer is maybe something like “brown” and the long answer is very, very long. Pete Shirley (author of Ray Tracing In One Weekend) is also a part time color scientist, and he clued me into the fact that if you crank the saturation to 100% of pictures of people of any race, the skin color comes out orange. I think I heard that some face detectors may work on this principle, but I don’t…
Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#78Re: Show HN: Simple algorithm and color space to generate diverse skin tones
#79Earlier quoted context omitted.
All skin is slightly translucent, and color/tones forms a gradient across the surface of the skin. Your upper cheeks and forehead are usually slightly reddish, and the chin/neck are slightly bluish. People only turn yellow if they have kidney or liver damage. However, some distinctive features like Lucy Liu's natural freckles are tough to draw right. We looked around a lot for a procedural texture/shader to help make…
I didn't know chin/neck are slightly bluish, can we make it more explicit without side effects?
The "The Ultimate Blender 3D Sculpting Course" covers several sculpting techniques, and while this course has a number of challenges it does cover several basics. Probably wise to wait for a sale event if interested.
https://www.udemy.com/course/blender-3d-sculpting-course/
Best of luck =3