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How to write English prose (2023)

thelampmagazine.com

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Re: How to write English prose (2023)

#51
post #5

Kept out of sight in this rogue essay is the classic question: Who's your audience? If you're writing for yourself (and maybe a very small number of equally erudite readers) cut loose! Embrace "anfractuous density and heedless flamboyance." But if you're trying to change people's minds, or share knowledge widely, everything in this essay is defiantly at odds with what's necessary to get the rest of the world to pay a…

That is the exact line where I stopped reading the article

Re: How to write English prose (2023)

#52
His em-dash usage is not clearly defined and distinct from other punctuation marks, it introduces a fair amount of unintended ambiguity. It is easy enough to understand but a few times I had to stop and try and figure out if there was some nuance and intent behind it all.

>And—well, here,

That was especially egregious. And! but—well, here, I guess, if I had to guess—which I don't(but I will)—the purpose of his essay seems to be, that; unintended ambiguity is good and really quite nice from an aesthetic standpoint. David Bently Hart seems to be the anti-McCarthy and falls into all the same traps as McCarthy, just walks into them backwards and blindfolded through a parentheses and a digression instead of jumping in head first.

Re: How to write English prose (2023)

#54
post #4

> A good part of our sleepes is peeced out with visions, Because of current slang, I read this as “peaced out” then realized it’s “pieced out”. Peace out

Any modern printing of old prose that used pre-standard-spelling should be updated to use modern spelling. It's simply too distracting to read otherwise.

Re: How to write English prose (2023)

#57
post #5

Kept out of sight in this rogue essay is the classic question: Who's your audience? If you're writing for yourself (and maybe a very small number of equally erudite readers) cut loose! Embrace "anfractuous density and heedless flamboyance." But if you're trying to change people's minds, or share knowledge widely, everything in this essay is defiantly at odds with what's necessary to get the rest of the world to pay a…

When I see what passes for modern writing, be it genre fiction, non-fic for the general audience, or even the literary, I'm not sure I want to appeal to, convince, or share knowledge with them.

Like casting pearls before swine.

Re: How to write English prose (2023)

#58

Look, I am in no position to seriously critique the author’s writing. He clearly has linguistic chops. But what kind of bunk is this? We get it, the flowery, overdrawn language of yore is more expressive. But that kind of writing gets in its own way. Words seem to trump concept. But reading that sort of writing feels like being in a museum; sure that Victorian gown looks pretty but does anyone actually want to wear i…

Simple words can create beautiful and precise prose, even that is lost today.

Re: How to write English prose (2023)

#60

As someone with english as my second language this style is just too much to bother. Sure, I get that it is elegant and precise. But for me it results in stilted reading. Hence I disagree with the "Never write for your audience" part of the essay.

It's less precise than it pretends, in my opinion. At least, it gleefully drops precision in favour of artful insinuation. For example, in reference to Orwell and Strunk & White it uses the word "decrees" to mean "advocates", implying a sort of pompous authority.
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