I’m an arts graduate from a well-ranked public Canadian university where domestic/in-state students are heavily subsidized by public funds (domestic students pay only 20-30% of the real cost of enrollment[1]), and I’m probably more sympathetic to this rule than a lot of people in this thread.
A lot of my peers fell behind financially after graduation, struggled to find work relevant to their interests, and then concluded that they needed a master’s degree to become competitive. But in many cases the real problem was not that they lacked another credential or the right credential. They were aimless, had no clear professional direction, and were using more school to postpone dealing with that. They got into $200-300k CAD of debt because Canadian universities are built to enroll at scale and no real meaningful filter exists to weed out people who have no business going down this path. [2]
Universities encourage this because they want to have it both ways. They market the degree as a path to professional opportunity, admit at enormous scale, and charge enough to sustain constantly growing faculties (with the majority of those costs being borne by the public ledger). Then, when graduates struggle, they retreat to “education was never about earnings” and “you learned lots of useful soft skills that employers want, it's your fault for not marketing them better.”
An arts degree should at least certify some meaningful level of writing ability, judgment, discipline, and intellectual competence. In my experience, the same credential was awarded to excellent students and to people who could barely construct an argument. Some of the dumbest arguments I heard during my degree were in fourth-year seminar courses.
Anecdotally, most of the international students I knew were very capable and competent, which made sense given how much they were paying to be there (some families went into extreme debt by Global South standards to get them there).
Meanwhile, the domestic admissions system felt largely non-selective and seemed designed around educating as many people as possible. That may be a defensible public policy goal, but it also means the credential itself becomes a pretty weak signal and a lot of people were never there for educational enrichment or to pursue Liberal Arts as a meaningful field, but because their parents made them - and they thought they must have a degree to be successful because people without degrees are surely crude barbarians.
Earnings are a crude metric, but “trust us, they became better thinkers” is not accountability. And funneling underemployed graduates into master’s programs and aimless paths are not a solution.
Arts educations should be gated, not necessarily based on funds, either with difficult trials to prove competency or real life experience. For example, theatre programs should admit people with existing experience in background acting and community theatre. North America can adopt 3 year degrees similar to Europe, make the breadth year optional, and actually weed out the incompetent by the first year if we insist on having zero admission standards amidst rising grade inflation. (NC programs produce credible credential signals despite being open admission).
[1] https://www.statcan.gc.ca/o1/en/plus/1896-who-pays-universit...
[2] The sad irony is that pretty much everyone I know (n=5) who took 2+ years between graduating high school and starting post-secondary got jobs or snazzy PhD offers shortly after graduating post-secondary, on top of having to pay nothing for tuition because parental contributions aren't expected for "independent" students for Canadian student aid. I think making more students discover themselves in the real world before letting them do post-secondary could genuinely yield better results in way-finding and independence that's critical for post-grad outcomes.