Venetian Bridge Brawls in 17th and 18th Century Art
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Venetian Bridge Brawls in 17th and 18th Century Art
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Re: Venetian Bridge Brawls in 17th and 18th Century Art
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#6Great art is rooted in the hardest of human emotion. Is why we look back to ancient culture with reverance and sometimes nostalgia. We wouldn't want to be there in the midst of the brawl, most of us moderns would rather jump from the bridge. But our human spirit and memory recognizes the suffering and sacrifices of the ancestors. It's why there really isn't any "great art" anymore, at least in the classical sense, as…
This is a tautology, no? There's plenty of great art being made today by people feeling the same emotions as those in the past.
Re: Venetian Bridge Brawls in 17th and 18th Century Art
#7Great art is rooted in the hardest of human emotion. Is why we look back to ancient culture with reverance and sometimes nostalgia. We wouldn't want to be there in the midst of the brawl, most of us moderns would rather jump from the bridge. But our human spirit and memory recognizes the suffering and sacrifices of the ancestors. It's why there really isn't any "great art" anymore, at least in the classical sense, as…
> It's why there really isn't any "great art" anymore, at least in the classical sense This is a tautology, no? There's plenty of great art being made today by people feeling the same emotions as those in the past.
https://www.nytimes.com/2026/05/07/arts/design/venice-bienna...
Modern art and artists indeed do mirror the feeling of their age.
Re: Venetian Bridge Brawls in 17th and 18th Century Art
#8If anyone's played Assassin's Creed II (or any of the Ezio games) (these older games were produced with help from historians) Ezio's scar comes from a street fight on Ponte Vecchio in Venice: https://www.youtube.com/watch?v=VKTXd7L01pI2
Re: Venetian Bridge Brawls in 17th and 18th Century Art
#9Great art is rooted in the hardest of human emotion. Is why we look back to ancient culture with reverance and sometimes nostalgia. We wouldn't want to be there in the midst of the brawl, most of us moderns would rather jump from the bridge. But our human spirit and memory recognizes the suffering and sacrifices of the ancestors. It's why there really isn't any "great art" anymore, at least in the classical sense, as…