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Calvin and Hobbes and the price of integrity

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61–70 of 251 posts

Re: Calvin and Hobbes and the price of integrity

#61
post #50

I think about Bill Waterson a lot. I certainly don't blame Jim Davis for "selling out". He made a marketable character, and I don't blame him for trying to make his money because of it. I don't have a ton of artistic talent but if I created a lovable comic character and someone offered me a dumptruck full of money to sell toys and t-shirts and cartoons, I'm pretty sure I would take it, and I might even take it even i…

There's this quote from the 2010 interview with Waterson:

> If I had rolled along with the strip's popularity and repeated myself for another five, ten, or twenty years, the people now "grieving" for Calvin and Hobbes would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I'd be agreeing with them.

Re: Calvin and Hobbes and the price of integrity

#62

"A few weeks later, the project is finished. Watterson probably takes a moment to stand in the middle of the room and look up, contemplating the months of work, the tins of paint he went through, the things he learned about technique, about the joy of a job done for its own sake, about himself. Then he opens a tin of whitewash, climbs up the bed-chairs-table one last time, and paints over his work. He leaves the ceil…

> He leaves the ceiling white, empty, fresh.

Did anyone ever try and recover the painting/palimpsest?

Re: Calvin and Hobbes and the price of integrity

#63
post #11

Man, I always wonder what would have happened if Bill Watterson had been around for the era of webcomics. Much more creative freedom, and no editor or syndicate to tell you how to layout your panels. Would he have loved it? Or would he have hated it? He certainly wouldn't have wanted to build a website for it.

FYI Berke Breathed (Bill's contemporary, occasional collaborator and pen-pal) is still posting new Bloom County comics on his Patreon.

Re: Calvin and Hobbes and the price of integrity

#64
post #61
post #50

I think about Bill Waterson a lot. I certainly don't blame Jim Davis for "selling out". He made a marketable character, and I don't blame him for trying to make his money because of it. I don't have a ton of artistic talent but if I created a lovable comic character and someone offered me a dumptruck full of money to sell toys and t-shirts and cartoons, I'm pretty sure I would take it, and I might even take it even i…

There's this quote from the 2010 interview with Waterson: > If I had rolled along with the strip's popularity and repeated myself for another five, ten, or twenty years, the people now "grieving" for Calvin and Hobbes would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I'd be agreeing with them.

But don't we all feel sure he could have rolled along for three or two or one more year? Surely it's not like his creativity ran out suddenly on Jan 1 1996 and he had no more comic strips in him. And it's not like the quality of the strips had started a slow decline, so... couldn't we have got one more year of cartoons?

I'm kidding really. Bill Watterson doesn't owe us anything; if he was no longer enjoying creating the comics, why should we get to enjoy reading them? And we'd just have the same complaint if he quit after eleven years instead of ten, or worse, we'd be saying how the last couple of years it was clear his heart wasn't in it.

Re: Calvin and Hobbes and the price of integrity

#66
post #64
post #61

Earlier quoted context omitted.

There's this quote from the 2010 interview with Waterson: > If I had rolled along with the strip's popularity and repeated myself for another five, ten, or twenty years, the people now "grieving" for Calvin and Hobbes would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I'd be agreeing with them.

But don't we all feel sure he could have rolled along for three or two or one more year? Surely it's not like his creativity ran out suddenly on Jan 1 1996 and he had no more comic strips in him. And it's not like the quality of the strips had started a slow decline, so... couldn't we have got one more year of cartoons? I'm kidding really. Bill Watterson doesn't owe us anything; if he was no longer enjoying creating…

Doing a daily anything is hard. Garry Trudeau sort of did a good compromise by pivoting to just a Sunday entry--that is still pretty solid. But my general observation is that it's really hard to keep things flowing day-in and day-out as a cartoonist/columnist/etc.

Re: Calvin and Hobbes and the price of integrity

#67
post #40
post #5

What a brilliantly written piece. Maintaining one's integrity is unfortunately rare enough that it makes Watterson's story so remarkable. I completely respect and admire his dedication to doing something for its own sake, for holding himself to the highest standards imaginable, and from walking away from it all for his own reasons - even if selfishly I'd rather him keep writing so that there would be more to enjoy. T…

Was this the right choice, though? Interest in Calvin & Hobbes has fallen off a cliff. I don't see any references to it in public anymore, and it used to be everywhere. Kids today probably don't even know about it.

My teenage boys are hooked on Calvin & Hobbes.

Re: Calvin and Hobbes and the price of integrity

#70
post #11

Man, I always wonder what would have happened if Bill Watterson had been around for the era of webcomics. Much more creative freedom, and no editor or syndicate to tell you how to layout your panels. Would he have loved it? Or would he have hated it? He certainly wouldn't have wanted to build a website for it.

I think he would have enjoyed the creative freedom, run with it, and maybe even have managed to make some interesting new expression, say something along the lines of:

https://xkcd.com/1190/

(which won a well-deserved Hugo if memory serves)

I've been on something of a webcomic kick for a while now, and while I'd love to shill for _Girl Genius_ https://www.girlgeniusonline.com/comic.php?date=20021104 (oops, guess I just did), the artist whom I find most striking and who best epitomizes the evolution of webcomics (Kaja and Phil Foglio have their origin firmly planted in traditional print work) is "Tailsteak":

https://www.goodreads.com/author/show/6852154.Mason_Tailstea...

who has gone from: 1/0 https://www.undefined.net/1/0/?strip=1

to Leftover Soup: https://www.leftoversoup.com/first.php

and is now working on: https://forwardcomic.com/firstpage.html

where each is published once a week or so, with a story plotted out to run for 1,000 strips --- ~two decades each --- curiousity over what other such stories are out there has me searching/reading a lot, and a "Webcomics" browser bookmarks/favorites folder which is beginning to scroll....

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