Earlier quoted context omitted.
Conversely, English has a joined form(cursive) that is nearly dead because mechanical text assistance devices (first typewriters, now computers) work much better with the block form. While sad in a cultural loss sort of way the joined form only really makes sense when the text is hand written. I am not familiar with the history of Arabic typography, but I sort of assume there was an archaic block form and their curre…
Another wrinkle with Arabic is linguistic conservatism. Due to Islamism and the idea that Arabic is the language of of God (the Quran was written in Arabic by the supposedly illiterate prophet), Arabic has lagged behind other languages in terms of innovation. Hebrew is a closely related semitic language that simply adopted a block and cursive form. It has also been greatly simplified and friendlier towards loanwords,…
The experience of rendering Arabic typography and its technical debt
41–50 of 87 posts
Re: The experience of rendering Arabic typography and its technical debt
#42Earlier quoted context omitted.
Conversely, English has a joined form(cursive) that is nearly dead because mechanical text assistance devices (first typewriters, now computers) work much better with the block form. While sad in a cultural loss sort of way the joined form only really makes sense when the text is hand written. I am not familiar with the history of Arabic typography, but I sort of assume there was an archaic block form and their curre…
Another wrinkle with Arabic is linguistic conservatism. Due to Islamism and the idea that Arabic is the language of of God (the Quran was written in Arabic by the supposedly illiterate prophet), Arabic has lagged behind other languages in terms of innovation. Hebrew is a closely related semitic language that simply adopted a block and cursive form. It has also been greatly simplified and friendlier towards loanwords,…
Re: The experience of rendering Arabic typography and its technical debt
#43Earlier quoted context omitted.
Another wrinkle with Arabic is linguistic conservatism. Due to Islamism and the idea that Arabic is the language of of God (the Quran was written in Arabic by the supposedly illiterate prophet), Arabic has lagged behind other languages in terms of innovation. Hebrew is a closely related semitic language that simply adopted a block and cursive form. It has also been greatly simplified and friendlier towards loanwords,…
Muslims don’t believe Arabic is the language of God. They believe that the Quran was revealed in Arabic (true). Thinking the creator of the heavens and earth only speaks one language is absurd. It also kind of implies that Muslims believe in a superiority of Arabs which is also not true. Weird to say Arabic hasn’t innovated or evolved considering the wild variety of dialects spoken in the modern world. Conflating the…
> Weird to say Arabic hasn’t innovated or evolved considering the wild variety of dialects spoken in the modern world.
I didn't say Arabic has not innovated or evolved; only that it "has lagged behind other languages in terms of innovation". My belief is that that is due to linguistic conservatism, and linked to Islamism (or, at minimum, the centrality of Islam in Arab culture). Also related to this is the existence of Fusha, its place in Arab culture, and its branding as "modern standard Arabic".
I didn't conflate anything. While a script and a language are not the same, it's not a coincidence that Arabic is often written today in a script that is very close to Quranic script. And -- to really kick the hornet's nest -- it's also not a coincidence that there have been so few outstanding Arab writers (in Arabic) in the past 100 years. One novelist and a couple poets.
Re: The experience of rendering Arabic typography and its technical debt
#44I'd like to see some more mainstream usage of disconnected fonts for Arabic, for example like these: https://www.arabaddigital.com/en/article/2100-Quarantining-o...
Unfortunately it died
Re: The experience of rendering Arabic typography and its technical debt
#45Is this a small typo? > The relevant rule, W2 of UAX #9, reclassifies a digit as an ARABIC NUMBER if any of the previous strong characters in the paragraph were Arabic letters, and as a EUROPEAN NUMBER otherwise. Both render their internal digits left-to-right, which is correct: numbers everywhere on Earth are read most-significant-first. Does the author mean most-significant-on-the-left? The statement as written is…
This is a thing I have wondered about. are arabic numbers little endian when embeded in arabic text? The text is read right to left. But the numbers are the same as we put them in our left to right text where they are big-endian(read big to small). so are numbers in original arabic little-endian? read small to large. with the interesting side effect that numbers are universal.
Re: The experience of rendering Arabic typography and its technical debt
#46Re: The experience of rendering Arabic typography and its technical debt
#47This article is wonderful. It's interesting, it's captivating, full with detail, and to think I never gave much thought about Arabic rendering before. This part nearly had me chuckle audibly: He says yes. The result is "Simplified Arabic": initial fused into medial, final into isolated, ligatures dropped. It conquers the Arab newsroom in a generation. Mrowa is assassinated at his desk eight years later, by an unrelat…
AI also brought you this "wonderful" article, I would note.
Re: The experience of rendering Arabic typography and its technical debt
#48Earlier quoted context omitted.
This is a thing I have wondered about. are arabic numbers little endian when embeded in arabic text? The text is read right to left. But the numbers are the same as we put them in our left to right text where they are big-endian(read big to small). so are numbers in original arabic little-endian? read small to large. with the interesting side effect that numbers are universal.
I think least significant first is the most natural order for written numbers (and it makes addition easier.) I had always assumed that was what was intended with Arabic numbers, only silly Europeans made a mistake when they borrowed the positional system and forgot Arabic is written the other way. (Or perhaps intentionally avoided mirroring the digits for ease of communication?) But the author of this article makes…
Re: The experience of rendering Arabic typography and its technical debt
#49I'd like to see some more mainstream usage of disconnected fonts for Arabic, for example like these: https://www.arabaddigital.com/en/article/2100-Quarantining-o...
This was once attempted, and in a way such that each letter needed only one character no matter it's position in the word Unfortunately it died https://worksthatwork.com/6/unified-arabic
Re: The experience of rendering Arabic typography and its technical debt
#50Earlier quoted context omitted.
Both Latin and Chinese have been modified by the technology used to write them. When carved in stone the lines are much straighter. When written with brush or pen they became semi-cursive. When printing was introduced, they became grid-like and regular. What westerners who are passingly familiar would think of as the standard Chinese typeface - the strict square grid with straight-line characters - arises in part fro…
what selective pressures against oldstyle numerals with ascenders/descenders existed that wouldn't have equally applied to letterforms with those same features? (aha i have found the answer to my own question: miniaturization for fractions in phototypesetting)