Earlier quoted context omitted.
OASIS did that one when they announced their return tour. "We have no control over the ticket prices" Yeah you do, there's no show without you...
What incentive would Oasis have to help bring down the prices for their own shows anyway?
Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
131–140 of 250 posts
Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#132Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#133Earlier quoted context omitted.
OASIS did that one when they announced their return tour. "We have no control over the ticket prices" Yeah you do, there's no show without you...
What incentive would Oasis have to help bring down the prices for their own shows anyway?
And even if you explicitly want to charge as much as possible from your fans, why claim that you have no influence over the price?
Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#134I'm in Europe and i use DICE a lot, it's a great app. And most of the time tickets are on sale on multiple platforms at once here (eg DICE and Ticketmaster)
Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#135Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#136Many of the other commenters have explained how the ownership structure of Ticketmaster gives them near monopoly control because they also own the radio stations and the venues and the promoters. (I'm using "they" and "own" very liberally in this paragraph.) The simple fact that there's an ownership link between Ticketmaster and the scalper I mean totally legit resale sites is so wildly corrupt that, well, it's textb…
OASIS did that one when they announced their return tour. "We have no control over the ticket prices" Yeah you do, there's no show without you...
Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#137Earlier quoted context omitted.
OASIS did that one when they announced their return tour. "We have no control over the ticket prices" Yeah you do, there's no show without you...
What incentive would Oasis have to help bring down the prices for their own shows anyway?
Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#138Earlier quoted context omitted.
What incentive would Oasis have to help bring down the prices for their own shows anyway?
Idk about Oasis specifically, but there have been multiple examples of other bands fighting to keep the concert tickets affordable for their fans. Nirvana did that for example. And even if you explicitly want to charge as much as possible from your fans, why claim that you have no influence over the price?
Tickets price landscape radically changed in the last 30 years. They incremented between 3x to 5x (or even more) in that lapse of time, depending on the artist and venue, and accrued inflation doesn't explain it (quick search says that in the last 30 years in the Eurozone inflation grew ~85% and in the US ~110%)
Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#139Many of the other commenters have explained how the ownership structure of Ticketmaster gives them near monopoly control because they also own the radio stations and the venues and the promoters. (I'm using "they" and "own" very liberally in this paragraph.) The simple fact that there's an ownership link between Ticketmaster and the scalper I mean totally legit resale sites is so wildly corrupt that, well, it's textb…
Alerts when for when tickets go on sale, (almost one click!) buy for friends and share, bans if you sell over face value, and (for a lot of places) you can return tickets to the pool to resell if you can't go (so there's often last minute waitlist tickets). It's all super smooth and a genuinely delightful experience.
Rooting for them too!
Re: Ask HN: Why hasn't there been a real competitor to Ticketmaster yet?
#140https://pretix.eu is having some success in the EU market. But other sibling posts correctly point out this is… let's just say "overall shit situation".
We also have Eventim and many other local ticket shops. I usually get my tickets right at the venue's online shop, or maybe from the artist. They use all kinds of systems.
They captured like 90% of the German ticket market by closely watching Ticketmaster and basically repeating their playbook. Eventim also owns some venues, has exclusive contracts with many of them it doesn't outright own, hosts an official fan resale site, offers promotional services and generally integrates a lot of the business around large events vertically.
What's actually interesting is that it seems to be possible to compete with Ticketmaster only by copying their playbook on a large-enough scale, and Germany appears to be large enough. The Netherlands right next to Germany don't seem to have been large enough, as Ticketmaster basically controls them.