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Ntsc-rs – open-source video emulation of analog TV and VHS artifacts

ntsc.rs

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Re: Ntsc-rs – open-source video emulation of analog TV and VHS artifacts

#3
I do love that this is an area of such active development. But I'm curious to see what the artifact simulation crowd thinks of it. I most often encounter them as shaders for emulators and such, but of course this kind of structure degradation of a pristine video is also in high demand these days for video production. Producers want that 90s-camcorder look but crews can't actually use the clunky 90s-camcorder hardware and formats.

Re: Ntsc-rs – open-source video emulation of analog TV and VHS artifacts

#6

I do love that this is an area of such active development. But I'm curious to see what the artifact simulation crowd thinks of it. I most often encounter them as shaders for emulators and such, but of course this kind of structure degradation of a pristine video is also in high demand these days for video production. Producers want that 90s-camcorder look but crews can't actually use the clunky 90s-camcorder hardware…

I'm actually surprised there isn't much of a scene for authentic camcorder footage - directors love to bust out real black and white film cameras for stuff?

Re: Ntsc-rs – open-source video emulation of analog TV and VHS artifacts

#7
I once tried to fully analyze the amazing NTSC emulation used in OpenEmulator. I went down a rabbit hole that involved losing motivation several lessons in to a signal processing class on YouTube, but for those interested, I did at least pull quite a lot of it apart here: https://observablehq.com/@zellyn/apple-ii-ntsc-emulation-ope...

I also ported it to JavaScript (linked from above page)

Re: Ntsc-rs – open-source video emulation of analog TV and VHS artifacts

#8
post #6

I do love that this is an area of such active development. But I'm curious to see what the artifact simulation crowd thinks of it. I most often encounter them as shaders for emulators and such, but of course this kind of structure degradation of a pristine video is also in high demand these days for video production. Producers want that 90s-camcorder look but crews can't actually use the clunky 90s-camcorder hardware…

I'm actually surprised there isn't much of a scene for authentic camcorder footage - directors love to bust out real black and white film cameras for stuff?

Film is a fun, interesting, authentic, and useful medium for filmmakers, and there are established workflows for it. A camcorder writing interlaced video to miniDV may have its charms (I still have a great old Panasonic 3CCD one) but as a filmmaking tool it would be really inconvenient. Shooting in an ordinary digital workflow and adding the effect later is a no brainer production-wise.

That said, I would not be surprised to see camcorders, DV or VHS or whatever, rise up as a Polaroid-like alternative to smartphone cameras! Old digital point and shoots are already popular that way.

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