> The LLM generated writing obviously felt significantly better than my own writing. A general pattern for LLMs is that they look really good at things you are bad at. What that means is that if you find yourself thinking of its output as significantly better than yours in a particular domain, there's a high chance that you are not equipped to judge that quality effectively.
Honestly, I can't fathom thinking that LLM writing is even remotely passable. People that think this should honestly read more. One book a month is hardly an aspirational goal. You don't even have to read Melville or Hemingway or Chaucer or Shakespeare, just pick up any popular NYT best seller, and it'll be significantly better than anything an LLM can generate.
However, in fiction I’ve found it a useful collaborator. There have been more than a few occasions when, given some notes of how I want a character’s arc to develop in a particular scene, that the LLM gives some excellent pointers and ‘new’ ideas I hadn’t considered.
As far as editing my prose, I use it as a ‘thesaurus of phrases.’ When lazy, I can give it a rough sketch of the paragraph, giving it the gist of what I want, and have it generate a dozen or so versions. I usually can find nuggets of good phrases therein that are useable… much as I would refer to Roget’s to find a more precise word.
That said, one has to resist tbe temptation of using a chunk of generated text verbatim; no matter how good it sounds in isolation, the repetitive grammatical structure and other LLM-smells add up quick and become nauseatingly obvious if used frequently.
In any case, I think LLM’s get a bad wrap for writing… when used correctly, it is incredibly useful. And, it’s tiresome to hear pretentious snobs assume that an author who uses LLM simply lacks the taste to appreciate how bad the prose sounds. Not true in all cases.