501–510 of 881 posts
Earlier quoted context omitted.
AceStep XL is a music generation model trained on an open dataset. is the content generated with that one okay with you then?
What dataset? (Honest question! What's in it?)
I don't mind that Opus and Codex were trained on my code.
I don't mind that Seedance and Veo were trained on my YouTube videos.
I benefit from the models.
Curious to see if this will apply to music. YouTube seems to be filled with AI music these days - just do a search for "focus music" or the like, and you'll see creators pushing new 1-hr tracks every few days with no mention of where the music came from or the fact it is AI generated. People praising it in the comments seem none the wiser (or perhaps they're also bots).
I can easily create a 1 hour track in Ableton and have some minor variations every say 48 measures. It's basically just copy paste with some parameter variation which can be scripted. So not everything like that is necessarily AI generated!
What's the difference with AI doing it instead of your script ?
Curious to see if this will apply to music. YouTube seems to be filled with AI music these days - just do a search for "focus music" or the like, and you'll see creators pushing new 1-hr tracks every few days with no mention of where the music came from or the fact it is AI generated. People praising it in the comments seem none the wiser (or perhaps they're also bots).
A friend of mine who is a very non-technical dermatologist listens exclusively to Suno songs she made. All in genres and styles of songs from her era, the 80s and 90s. Who else is going to make new songs for her? New music almost always targets young people.
Hard disagree, there is just music people make because it's what they want to make, if all you're looking at is the top 10/pop radio music, yes it will be tailored for the largest market but by no means is there a conspiracy to only accomodate the 'young people'.
Last weekend a group of friends and I sat by the lake. One had a guitar, and we were all singing off-key to old classics and dancing to salsa and reggaeton. We were doing it together, and it was great. Much more fun than listening alone or caring about the authenticity of the music or not. It was the participation, not the product, that was the key. Something went wrong with music and culture in recent times. Partici…
Last weekend a group of friends and I sat by the lake. One had a guitar, and we were all singing off-key to old classics and dancing to salsa and reggaeton. We were doing it together, and it was great. Much more fun than listening alone or caring about the authenticity of the music or not. It was the participation, not the product, that was the key. Something went wrong with music and culture in recent times. Partici…
> If AI music allows someone with less formal musical skills to feel like they are joining in and making something, then maybe it has its value. An emphatic no. What we need to do is to stop comparing every hobby performance, whether it's music or dancing, with the top 10 artists in their field. We need people to learn, and try, and feel safe to be visible and thus vulnerable in group situations without fear of being…
As live music enjoyer and person that was commonly around safe spaces in the techno scene I cant agree more. Fuck filming people.
Last weekend a group of friends and I sat by the lake. One had a guitar, and we were all singing off-key to old classics and dancing to salsa and reggaeton. We were doing it together, and it was great. Much more fun than listening alone or caring about the authenticity of the music or not. It was the participation, not the product, that was the key. Something went wrong with music and culture in recent times. Partici…
> If AI music allows someone with less formal musical skills to feel like they are joining in and making something, then maybe it has its value. An emphatic no. What we need to do is to stop comparing every hobby performance, whether it's music or dancing, with the top 10 artists in their field. We need people to learn, and try, and feel safe to be visible and thus vulnerable in group situations without fear of being…
If I see a performance from Lang Lang, I don't just perceive the sound, it is the expression of memory, discipline and attention. Learning an instrument is more than attaining the skill of producing the correct notes in the correct order. It shapes attention, perspective, patience, discipline, sensitivity and so much more. You can't replace that with effortless simulation. I mean you could, but it's practically meaningless.
Curious to see if this will apply to music. YouTube seems to be filled with AI music these days - just do a search for "focus music" or the like, and you'll see creators pushing new 1-hr tracks every few days with no mention of where the music came from or the fact it is AI generated. People praising it in the comments seem none the wiser (or perhaps they're also bots).
Last weekend a group of friends and I sat by the lake. One had a guitar, and we were all singing off-key to old classics and dancing to salsa and reggaeton. We were doing it together, and it was great. Much more fun than listening alone or caring about the authenticity of the music or not. It was the participation, not the product, that was the key. Something went wrong with music and culture in recent times. Partici…
> But most people sat there watching, clearly wanting to take part but scared. People have learned that creativity and participation are not welcome. In my experience, a decent proportion of people have always been nervous about joining in. I'd wager that for many of the onlookers it isn't driven by a creativity/participation thing, it's just a (pretty normal) fear of embarrassing themselves. Scroll back 30 years and…
Earlier quoted context omitted.
Yeah people seem to forget that before AI music, there was already a huge amount of "slop" music out there - background music, muzak, mood music. Hell, Spotify was put in the spotlight not that long ago for commissioning music to mix into their own most popular mixes (the casual background listening ones), so that they own the rights themselves and don't need to pay artists as much. A lot of music is for mass consump…
Also the almost industrial score music machines: trailer music, like two steps from hell, even Zimmer. Those are also can be considered as slop, even worse - highly formulaic, almost standard (YouTube “heroic music chord progression”). And those were written by humans
“Slop” is specifically about AI content lacking in effort, quality, meaning. You may not like Zimmer, but saying it lacks in those areas seems a tad too much. “Formulaic” isn’t an indicator of slop either, most stories are formulaic following a variation of the hero’s journey. It’s especially not problematic when you’re someone like Zimmer who invents or popularises the formula.
Curious to see if this will apply to music. YouTube seems to be filled with AI music these days - just do a search for "focus music" or the like, and you'll see creators pushing new 1-hr tracks every few days with no mention of where the music came from or the fact it is AI generated. People praising it in the comments seem none the wiser (or perhaps they're also bots).
A friend of mine who is a very non-technical dermatologist listens exclusively to Suno songs she made. All in genres and styles of songs from her era, the 80s and 90s. Who else is going to make new songs for her? New music almost always targets young people.