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I’ve almost entirely given up on managing music. Just done with it. I listen to soma.fm and radioparadise.com .. I read one music magazine and listen to some of the music recommendations from there, but following any of it, over time, is a lost cause for me. I was just remarking to someone how music apps are the least interesting, personal, and innovative of all the things I live with. Examples: we still can’t manage…
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Named tickets, like airplane seats? Sorry, I only thought about this for 5 seconds, but there are markets where scalping doesn't cause issues. We could look at those.
On the other hand, airplane ticketing is also notorious for stuff like overbooking flights with the assumption people won't show up and then in the rare circumstances where too many do show up, forcing people to give up their seats (in some cases even by force). I don't disagree with your thinking, but I'm hesitant to consider "what airplane tickets do" a good model for just about anything.
They haven’t all universally built in overbooking as a critical part of their competitive price structure or whatever, and we can stop it before it starts.
EU version for flights: https://en.wikipedia.org/wiki/Air_Passengers_Rights_Regulati...
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music listening has been falling for a while now. no company public or not will choose to commit suicide out of purity principle
Spotify is welcome to go into all those other businesses, but why do they have to destroy their one valuable resource in an attempt to leverage it for all this other garbage? Doing one thing really good - so good that people will pay you for it - is not a "purity principle". It used to be the fundamental reason for existence for many companies.
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Standing in line is (today) a digital process that a scalper can trivially scale
It seems unlikely they'd continue to do do that if they weren't able to flip it at a higher price later
For those against this: I'm curious to hear your take on how you'd stop/mitigate scalping.
The only real solutions to scalping are to impact supply/demand by increasing supply (extra show in each city) or lower demand (raise prices). As a jazz fan I don’t know much about shows that sell out and attract scalpers, but I’m curious why the artists don’t double prices to cut out middlemen.
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Go back to the old way. Get in line physically and go get the tickets. This is one of those "technology should help here but actually makes the problem worse in weird ways" type of situations. Nine Inch Nails/Trent Reznor did this in 2018 and it was infinitely better (I also met a lot of people just standing in line—we recognized each other at the show later and ended up throwing each other around in the mosh pit—a g…
That excludes all fans who don't live in big cities. A lot of people travel just to go to shows.
Overall, that was the last really "old world" experience I had that reminded me why technology isn't always the right solution to a problem. Since then it's felt like this [1].
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I think its more complicated than that. An artist is pretty constrained by how many shows they can play in a given area which makes the total market for any given show really small and trivially manipulated for profit.
Then she should charge more.