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Infinite Gangnam Style

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Re: Infinite Gangnam Style

#51
post #21
post #17

Earlier quoted context omitted.

That might just be the first time Steve Reich has been mentioned in relation to Gangnam Style! ps To the author/s (if you end up seeing this): was there a reason you didn't center the content on the page? Might look a little better. Just a suggestion :)

magenta - I spent about 10 minutes trying to center it all, but I couldn't get Raphael.js to behave, so since it was a weekend hack, I moved on. But yes, it would look much nicer if it was centered, even more so if a designer did the design ...

body { width: 730px; margin: 0 auto; }

does the trick.

Re: Infinite Gangnam Style

#53
post #29
post #8

This is really awesome. They cut the entire song into one-beat segments of sound and video, and then categorized each beat by similarity to other beats in the song, and then after each beat there's a random chance that, instead of playing the next beat, the playback will transition to a different but similar-sounding beat from elsewhere in the song. More info at the author's blogpost: http://musicmachinery.com/2012/1…

Nice! If you want to explore the structure, you can control-click on a beat and it will only play the related beats. From what I can tell, the color indicates the number of beats in the jump set. Black: 1, Blue: 2, and then more the redder it gets. I can't figure out how to get out of that mode, though, other than to stop and restart it.

Just press the right arrow key once, and it will start playback again. Similarly, pressing the left arrow key will cause it to play beats in "reverse", which sounds like a totally different song in some sections.

Re: Infinite Gangnam Style

#54
post #8

This is really awesome. They cut the entire song into one-beat segments of sound and video, and then categorized each beat by similarity to other beats in the song, and then after each beat there's a random chance that, instead of playing the next beat, the playback will transition to a different but similar-sounding beat from elsewhere in the song. More info at the author's blogpost: http://musicmachinery.com/2012/1…

Seems like a similar technique to "motion graphs" in showing motion capture data (http://research.cs.wisc.edu/graphics/Gallery/kovar.vol/MoGra...).

Re: Infinite Gangnam Style

#55
post #34

Earlier quoted context omitted.

What's unique about Gangnam Style is that it's a cultural meme in America that isn't in English. It would be really interesting to see what sort of different sentiment this project would inspire if applied to a song where Americans could actually understand the lyrics and cultural references, or if it was shown to a South Korean audience.

>cultural meme in America that isn't in English Yep, it would be interesting to read about things we miss - lyrics, and meaning of obvious references we don't get. For example, I think that dude in the elevator is an actor I saw in some movie, but I don't know if I'm correct. Obviously scene in sauna has some humorous meaning, but, again without lyrics it's unclear.

Another great link for context: http://seoulspace.co.kr/2012/09/03/understanding-gangnam-sty...

Re: Infinite Gangnam Style

#56
post #33

I would be interested to see what happens when you do this to other types of music.

I clicked through to his blog, and apparently, it was inspired by "James Brown Forever"

http://nest.echonest.com/post/526547218/james-brown-forever-...

I don't know his music well enough to tell it's a mix. Maybe you can.

Re: Infinite Gangnam Style

#57
post #14
post #8

This is really awesome. They cut the entire song into one-beat segments of sound and video, and then categorized each beat by similarity to other beats in the song, and then after each beat there's a random chance that, instead of playing the next beat, the playback will transition to a different but similar-sounding beat from elsewhere in the song. More info at the author's blogpost: http://musicmachinery.com/2012/1…

such a simple concept resulting in nearly endless fun :)

[deleted]

Re: Infinite Gangnam Style

#58
post #8

This is really awesome. They cut the entire song into one-beat segments of sound and video, and then categorized each beat by similarity to other beats in the song, and then after each beat there's a random chance that, instead of playing the next beat, the playback will transition to a different but similar-sounding beat from elsewhere in the song. More info at the author's blogpost: http://musicmachinery.com/2012/1…

That makes me think of "Scrambled Hackz"[1] in a feedback loop. Very cool stuff but I'm not sure if he ever released the source to the program, sadly.

[1] http://hackaday.com/2006/03/22/scrambled-hackz/

Re: Infinite Gangnam Style

#59
post #16

This is a very clever hack and I adore it for that, but it's also a sneaky statement about meaning, and I adore that too. It's like the literature world's cut-up/exquisite corpse work: if you can disassemble an original like this and put it back together in a way that we humans are inclined to extract meaning from, does that change the meaning that you perceive in the original work?

What's unique about Gangnam Style is that it's a cultural meme in America that isn't in English. It would be really interesting to see what sort of different sentiment this project would inspire if applied to a song where Americans could actually understand the lyrics and cultural references, or if it was shown to a South Korean audience.

que sera sera.

c'est la vie.

There are lots of cultural memes in America that aren't in English. You can restrict to "recent pop culture", but even in straight music, 99 luftballoons was big 25 years ago. I'm sure there are many other examples.

Re: Infinite Gangnam Style

#60

My 4 year old sat and watched and sung along with this in delight for about 30 minutes (when we turned it off, cause like, enough already...) Someone should analyze why this song is so catchy.

Actually, this is a fairly unusual song, in music theoretical terms. Almost all pop songs use the I, ii, IV, V, and VI chords, with popular progressions including I-IV-V, ii-V-I, and I-V-VI-IV. Since this is tonal music, it obviously includes the I chord. It does use only four chords, but they are uncommon. Most of the song uses the I chord (G major in this case), but during the buildup, it uses an surprising I-II-II…

I think I have to a disagree with your analysis. The verse is in a minor key judging by the looping riff. This is interrupted once in a while by a iv-v-i cadence, and then the verse continues. Then the build-up, which happens in the parallel key III: IV-V-VI-VI IV-V-III-III-III and then back to the minor key for the chorus.
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