The depth of knowledge of Richard James surprises me every time I come across articles about him. No wonder Aphex Twin's music stands out the way it does. He's always a fair way ahead of the curve.
Yes, not to long ago I was looking into the Easter egg in Windowlicker, amazing. https://eeggs.com/items/34824.html
Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
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Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#12He still works for Korg! Leads their R&D branch in Berlin.
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#13The depth of knowledge of Richard James surprises me every time I come across articles about him. No wonder Aphex Twin's music stands out the way it does. He's always a fair way ahead of the curve.
Fun trivia: he was trolling the SuperCollider mailing list under the alias "eric hard jams" which is an anagram of Richard [D.] James. Some of his messages were truely horrendous and he got kicked out eventually. He is quite a character...
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#14"Aisatsana - Aphex Twin - Barbican, London 10th October 2012. It's a bit dark so it's probably difficult to tell but that's a grand piano being swung back and forth across the stage like a pendulum."
"Yeah, it's written for my wife. When I first did that, I did this installation-y art thing at the Barbican with a remote orchestra. [The song] was made on my Disklavier [controlled piano], which was swung from the roof at that gig, and there was this massive Doppler effect. It is pretty mental. There's a bad cameraphone version of it on YouTube, but in the flesh it's fucking amazing. To listen to this piano swinging, you almost see all the notes stretching out, so it'll hit you at different times. I never knew if it was going to work or not, and everyone was like, “What the fuck is he swinging a piano for?” But when we actually got it going, we were just like, “fucking hell.” It was so extreme. My friends were like, “Are the strings stretching?” The pitch deviation is that big, it sounds like the actual frame is contorting. Maybe it is, I don't know!" - Richard D. James
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#15Tangential: "Aisatsana - Aphex Twin - Barbican, London 10th October 2012. It's a bit dark so it's probably difficult to tell but that's a grand piano being swung back and forth across the stage like a pendulum." "Yeah, it's written for my wife. When I first did that, I did this installation-y art thing at the Barbican with a remote orchestra. [The song] was made on my Disklavier [controlled piano], which was swung fr…
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#16The depth of knowledge of Richard James surprises me every time I come across articles about him. No wonder Aphex Twin's music stands out the way it does. He's always a fair way ahead of the curve.
He is indeed a very technical and nerdy person. For example, he was an early adopter of the SuperCollider audio programming language. Fun trivia: he was trolling the SuperCollider mailing list under the alias "eric hard jams" which is an anagram of Richard [D.] James. Some of his messages were truely horrendous and he got kicked out eventually. He is quite a character...
How strange it is that we so easily forgive bad behavior from people we love.
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#17Tangential: "Aisatsana - Aphex Twin - Barbican, London 10th October 2012. It's a bit dark so it's probably difficult to tell but that's a grand piano being swung back and forth across the stage like a pendulum." "Yeah, it's written for my wife. When I first did that, I did this installation-y art thing at the Barbican with a remote orchestra. [The song] was made on my Disklavier [controlled piano], which was swung fr…
I know the year has just started but I vote this comment of the year 2026. Wow. Thank you. Seriously. Of all the things you could do with a piano this has to be the most crazy, and it just works.
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#18The depth of knowledge of Richard James surprises me every time I come across articles about him. No wonder Aphex Twin's music stands out the way it does. He's always a fair way ahead of the curve.
He is indeed a very technical and nerdy person. For example, he was an early adopter of the SuperCollider audio programming language. Fun trivia: he was trolling the SuperCollider mailing list under the alias "eric hard jams" which is an anagram of Richard [D.] James. Some of his messages were truely horrendous and he got kicked out eventually. He is quite a character...
Look at how easily a producer can make a pop song in Ableton https://youtube.com/watch?v=F5CPQ8LU36w
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#19Earlier quoted context omitted.
I know the year has just started but I vote this comment of the year 2026. Wow. Thank you. Seriously. Of all the things you could do with a piano this has to be the most crazy, and it just works.
I reluctantly decline and instead endorse https://news.ycombinator.com/item?id=46538574
Re: Richard D. James aka Aphex Twin speaks to Tatsuya Takahashi (2017)
#20https://web.archive.org/web/20141111015756/http://noyzelab.b...
https://web.archive.org/web/20141112205122/https://noyzelab....