Live data from Hacker News

Standard Ebooks: Public Domain Day 2026 in Literature

standardebooks.org

31–40 of 60 posts

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#31

I’m a contributor – I did Kafka’s The Castle , Agatha Christie’s Giant’s Bread , and Stella Benson’s The Faraway Bride for this launch – and I’m happy to answer any questions about Standard Ebooks.

I could not find out if there are outstanding todos that I could assign myself to as a newcomer. I'd like to contribute, but don't know where to start. Is there an issue board somewhere with missing books, or something else?

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#32

The title makes it look like Public Domain is universal, while the article does mention that this list is only about the USA. > On January 1, 2026, books published in 1930 enter the U.S. public domain. The Copyright laws are different in each country, and it's a non-sense in the modern world. A few years ago, I was searching for books written by Alexandra David-Neel. I found them on a Canadian (IIRC) website, but dow…

AIUI the Canadian law change did not reinstate copyright status for works that had lapsed into the public domain, though it did extend duration of existing copyright.

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#33
post #8

I’m a contributor – I did Kafka’s The Castle , Agatha Christie’s Giant’s Bread , and Stella Benson’s The Faraway Bride for this launch – and I’m happy to answer any questions about Standard Ebooks.

Do you think the things that makes an edition special goes missing while converting to e.g. Standard Ebooks. I remember both the The Castle and Das Schloss like they had typesetting that helped me in perceiving the feel of the book. Is there anyway to preserve that feeling and still keep within the bounds of standardisation you adhere to? (I did a quick look through my copy and it does not seem to be much that makes…

I seem to remember that they had some very opinionated rules at the beginning regarding allowed spelling and typography. Some of them felt distinctly American to me. I don't know if that's still the case.

Apart from that, they produce nice editions.

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#34

I’m a contributor – I did Kafka’s The Castle , Agatha Christie’s Giant’s Bread , and Stella Benson’s The Faraway Bride for this launch – and I’m happy to answer any questions about Standard Ebooks.

I could not find out if there are outstanding todos that I could assign myself to as a newcomer. I'd like to contribute, but don't know where to start. Is there an issue board somewhere with missing books, or something else?

Yep! Have a look at our contribution page that lists a bunch of different options, including a list of good first books. https://standardebooks.org/contribute

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#35
post #8

Earlier quoted context omitted.

Do you think the things that makes an edition special goes missing while converting to e.g. Standard Ebooks. I remember both the The Castle and Das Schloss like they had typesetting that helped me in perceiving the feel of the book. Is there anyway to preserve that feeling and still keep within the bounds of standardisation you adhere to? (I did a quick look through my copy and it does not seem to be much that makes…

I seem to remember that they had some very opinionated rules at the beginning regarding allowed spelling and typography. Some of them felt distinctly American to me. I don't know if that's still the case. Apart from that, they produce nice editions.

It’s en-US typography (flavoured by the Chicago Manual of Style). Spelling is based on the original book, though some modernisations are made. Commits with these always start with [Editorial] for easy later reference, and are typically things like to-day -> today.

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#36

I’m a contributor – I did Kafka’s The Castle , Agatha Christie’s Giant’s Bread , and Stella Benson’s The Faraway Bride for this launch – and I’m happy to answer any questions about Standard Ebooks.

How did you get these ready for release on Public Domain Day without breaking copyright law during the production process? I am not a lawyer, so I have only a surface understanding.

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#37
post #36

I’m a contributor – I did Kafka’s The Castle , Agatha Christie’s Giant’s Bread , and Stella Benson’s The Faraway Bride for this launch – and I’m happy to answer any questions about Standard Ebooks.

How did you get these ready for release on Public Domain Day without breaking copyright law during the production process? I am not a lawyer, so I have only a surface understanding.

I’m not based in the US and have no intention of travelling there, so I don’t count myself in much danger for US copyright law.

Regardless, my understanding of copyright is that people broadly get annoyed when you infringe by distribution. In this case the distribution didn’t happen until the copyright had expired. People preparing these projects for later launch do it purely on their own machines, and nothing arrives at Standard Ebooks until the day of release.

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#38

The title makes it look like Public Domain is universal, while the article does mention that this list is only about the USA. > On January 1, 2026, books published in 1930 enter the U.S. public domain. The Copyright laws are different in each country, and it's a non-sense in the modern world. A few years ago, I was searching for books written by Alexandra David-Neel. I found them on a Canadian (IIRC) website, but dow…

[deleted]

Re: Standard Ebooks: Public Domain Day 2026 in Literature

#40

I’m a contributor – I did Kafka’s The Castle , Agatha Christie’s Giant’s Bread , and Stella Benson’s The Faraway Bride for this launch – and I’m happy to answer any questions about Standard Ebooks.

What’s the approach to embedding fonts in standard ebooks’ epubs? Curious whether there’s a set of fonts that producers are allowed to embed in finished books, or whether there’s project consciously avoids embedding fonts, and if so why.

I tried to find a policy page on this via a standardebooks.org site search but nothing looked relevant.

I’m asking after realizing that some of my favorite books were books where the ebook had intentional font choices, for example different fonts for chapter titles vs body text, fonts that matched the vibe of the book (historical, more modern, etc.) It would be nice if more ebook readers made it easy to import more than the ~8 fonts they include by default but the next best thing is when the book itself includes a great font.

Post reply on HN