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Stranger Things creator says turn off “garbage” settings

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Re: Stranger Things creator says turn off “garbage” settings

#292

Earlier quoted context omitted.

You know when something doesn't annoy you until someone points it out? It's so obvious in hindsight. Shows like the Big Bang theory, House and Scrubs I very rarely caught two episodes consecutively (and when I did they were on some release schedule so you'd forgotten half of the plot by next week). But they are all practically self contained with only the thread of a longer term narrative being woven between them. It…

I think this is less “Netflix vs old TV” and more episodic vs serialised, and the serialised form definitely isn’t new. Buffy is a great example: plenty of monster of the week episodes, but also season long arcs and character progression that rewarded continuity. The X-Files deliberately ran two tracks in parallel: standalone cases plus the mythology episodes. Lost was essentially built around long arcs and cliffhang…

> Streaming and especially season drops flip that constraint.

How does completely dropping a season flip that? Some shows with complicated licensing and rights have caused entire seasons to be dropped from a given streaming service and it’s very confusing when you finish season N and go right into season N+2.

Re: Stranger Things creator says turn off “garbage” settings

#293

Earlier quoted context omitted.

TV shows changed completely in the streaming age it seems. These days they really are just super long movies with glacial pacing to keep users subscribed.

You know when something doesn't annoy you until someone points it out? It's so obvious in hindsight. Shows like the Big Bang theory, House and Scrubs I very rarely caught two episodes consecutively (and when I did they were on some release schedule so you'd forgotten half of the plot by next week). But they are all practically self contained with only the thread of a longer term narrative being woven between them. It…

That was the principle many years ago, you had to leave the world exactly in the state you found it in.

If John dumped Jane at the beginning of the episode, they had to get back together at the end, otherwise the viewer who had to go to her son's wedding that week wouldn't know what was going on. There was no streaming, recaps were few and far between, and not everybody had access to timeshifting, so you couldn't just rely on everybody watching the episode later and catching up.

Sometimes you'd get a two-episode sequence; Jane cheated on John in episode 1 but they got back together in episode 2. Sometimes the season finale would permanently change some detail (making John and Jane go from being engaged to being married). Nevertheless, episodes were still mostly independent.

AFAIK, this changed with timeshifting, DVRs, online catchup services and then streaming. If viewers have the ability to catch up on a show, even when they can't watch it during first broadcast, you can tell a long, complex, book-sized story instead of many independent short-stories that just happen to share a universe.

Personally, I much prefer the newer format, just as I prefer books to short stories.

Re: Stranger Things creator says turn off “garbage” settings

#294

Earlier quoted context omitted.

Most of the issues (like "judder") that people have with 24fps are due to viewing it on 60 fps screens, which will sometimes double a frame, sometimes triple it, creating uneven motion. Viewing a well shot film with perfect, expressive motion blur on a proper film screen is surprisingly smooth. The "soap opera" feel is NOT from bad interpolation that can somehow be done right. It's inherent from the high frame rate.…

> Films are more like dreams than like real life. Yes! The other happy accident of movies that contribute to the dream-like quality, besides the lower frame rate, is the edit. As Walter Murch says in "In the Blink of an Eye", we don't object to jumps in time or location when we watch a film. As humans we understand what has happened, despite such a thing being impossible in reality. The only time we ever experience j…

I would say that cuts are something we get used to rather than something that is intrinsically “natural” to us.

I remember when I was very little that it was actually somewhat “confusing”, or at least quite taxing mentally, and I’m pretty sure I see this in my own very little children.

As we grow and “practice” watching plays, TV, movies, read books, our brains adapts and we become completely used to it.

Re: Stranger Things creator says turn off “garbage” settings

#296
post #245

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I toyed with the idea of making some kind of app for this but while it may work on desktop it seems less viable for smart tvs which is what I primarily use. Though I have switched to mostly using Plex, so maybe I could look into doing something there.

I was toying with the same thing for a bit - the hope was if it worked well you could build it into a little unit (audio or HDMI eARC) Doesn't solve for single units but could help with people who use soundbars or amps Abandoned though - was basically just multiband compression and couldn't find a way to make it adaptable enough (some media always ended up sucking) Would be super interested to hear what you tried!

Never really tried anything. Just thought about it but I don't know the first thing about audio programming and like I said it doesn't seem viable for smart tvs anyway so I never did anything with it.

Re: Stranger Things creator says turn off “garbage” settings

#297
post #148

Are there any creators that evolved and shoot at high frame rates that eliminate the need for motion interpolation and its artifacts or is the grip of the bad old film culture still too strong? (there are at least some 48fps films)

Most of the issues (like "judder") that people have with 24fps are due to viewing it on 60 fps screens, which will sometimes double a frame, sometimes triple it, creating uneven motion. Viewing a well shot film with perfect, expressive motion blur on a proper film screen is surprisingly smooth. The "soap opera" feel is NOT from bad interpolation that can somehow be done right. It's inherent from the high frame rate.…

24 fps looks like terrible judder to me in the cinema too. I'm not afraid to admit it even if it will ruffle the feathers of the old 24 fps purists. It was always just a compromise between film cost and smoothness. A compromise that isn't relevant any longer with digital medium. But we can't have nice things it seems, because some people can't get over what they're used to.

Re: Stranger Things creator says turn off “garbage” settings

#298
post #252

Earlier quoted context omitted.

I am floored that people really expect integrated TV speakers to be good.

Couldn't they be miles better if we allowed screens to be thicker than a few millimeters? I believe one could do some fun stuff with waveguides and beam steering behind the screen if we had 2 inch thick screens. Unfortunately decent audio is harder to market and showcase in a bestbuy than a "vivid" screen.

Anyone who cares about audio will have dedicated speakers, so it barely even makes sense to make TV speakers good.
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