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Classical statues were not painted horribly

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11–20 of 351 posts

Re: Classical statues were not painted horribly

#11
post #2

I've literally never heard anyone say that classical statues were painted "horribly", and unless I missed it, there's no sources in this article that say that, either (just several links to the same New Yorker article talking about whiteness). What I've always heard is that classical statues were painted "brightly". So, is this something that's so well known in the study of antiquities that no source was required, or…

I believe the argument isn't that ancient statues were ugly, but rather that reconstructions are ugly (unfortunately this has been used to argue against the now ascertained fact that ancient statues were indeed painted). Purely subjective judgement from someone not trained in the arts: that photo of the Augusto di Prima Porta doesn't look like a great paint-job. The idea that, like the statue itself, the painting must instead have been a great work of art lost to time seems solid to me.

Re: Classical statues were not painted horribly

#12
post #2

I've literally never heard anyone say that classical statues were painted "horribly", and unless I missed it, there's no sources in this article that say that, either (just several links to the same New Yorker article talking about whiteness). What I've always heard is that classical statues were painted "brightly". So, is this something that's so well known in the study of antiquities that no source was required, or…

It made immediate sense to me, since the painted statues do, in fact, look gaudy and horrible. I think he was evoking a widely held feeling that is bot in common knowledge.

Re: Classical statues were not painted horribly

#14
I think the best explanation is that classicists are not makeup artists. I am reminded of reading some classicists' attempt to create garum in the kitchen by making some unpleasant horror of mashed fish or something back in the eighties or nineties. No one ever mentioned in those kinds of write-ups back then that they still make fish sauce in Italy. (I looked for the source I'm thinking of and it's drowned out by more credible modern attempts). There's a tendency the further north you go to think of the classical world as completely lost, discontinuous, and opaque to us, too, which adds to it.

Re: Classical statues were not painted horribly

#15
post #7

His final conclusion is terrible and spoils an otherwise excellent article. Unless he has really strong evidence of it, the specialists are very unlikely to be "trolling" the public. They are scientists and conservators doing their best, working away in museum backrooms.

"trolling" in this instance seems to be a nicer way of saying "misleading to create attention". It's hard to deny that "look at how garish these beautiful statures originally looked" created a lot more attention than a theoretical "Roman statues looked pretty nice, but with paint"

It's an unsubstantiated theory, but the author does go out of their way to say that this might not even be objectionable, if it happened at all

Re: Classical statues were not painted horribly

#16

I think the best explanation is that classicists are not makeup artists. I am reminded of reading some classicists' attempt to create garum in the kitchen by making some unpleasant horror of mashed fish or something back in the eighties or nineties. No one ever mentioned in those kinds of write-ups back then that they still make fish sauce in Italy. (I looked for the source I'm thinking of and it's drowned out by mor…

[deleted]

Re: Classical statues were not painted horribly

#17
I don't really buy the premise of this article, and honestly I'm not sure I want to. Even if the evidence ends up showing that most statues weren't actually that brightly colored, it seems like we should still favor the garish reconstructions anyway. The vivid, borderline-ugly versions tell a better story and a more useful one, societally. They force us to confront how contingent our tastes are, and how the austere white-marble ideal was elevated by centuries of patriarchal, gatekept taste-making that declared one narrow aesthetic "timeless" and everything else vulgar.

The idea that we should walk this back because the colors might have been subtler feels like missing the point. The educational value isn't in perfect historical accuracy down to the pigment saturation curve, it's in breaking the spell of the solid-white classical canon. The garish reconstructions do that effectively; tasteful, muted ones just slide back into the same old norms. If we end up concluding "actually, ancient art was basically compatible with modern elite taste" that's not just boring, it's actively harmful to diversity of ideas about beauty.

So yes, even if the evidence points the other way, I'd argue we should lean into the loud, uncomfortable versions. Sometimes a less "accurate" narrative is the more important corrective, especially when the alternative reinforces centuries of aesthetic dogma we should really be questioning.

Re: Classical statues were not painted horribly

#18
post #4

It seems a shame that there is a gap between the limits of what is possible to deduce from direct evidence, and what is likely possible given human ability. And further that the public viewing the reconstructions doesn't take away the subtleties of the difference. To me it's unlikely that some of these works weren't vastly better works of art created by what were likely master artists and craftsfolk of the day. One w…

If only there were some system that could start from some sparse and noisy observations and weave together a plausible completion...

Re: Classical statues were not painted horribly

#19
One issue: the paints/pigments available in times past were not the full range we have today. Sometimes they had to make things somewhat ugly to both our and their taste because that is all they have available. They would still have done their best, but there are limits.

We are hampered even more today because blues and greens tend to be sourced from organic materials that decay quick, while reds and browns are from minerals that don't decay (but flake off). Even in the best preserved art that we have there is still likely significant differences between what we see and what they saw because of this color change.

Re: Classical statues were not painted horribly

#20
post #4

It seems a shame that there is a gap between the limits of what is possible to deduce from direct evidence, and what is likely possible given human ability. And further that the public viewing the reconstructions doesn't take away the subtleties of the difference. To me it's unlikely that some of these works weren't vastly better works of art created by what were likely master artists and craftsfolk of the day. One w…

If only there were some system that could start from some sparse and noisy observations and weave together a plausible completion...

Generative AI exists, but it is very much dependent on the data it has been trained on. Not saying it would not be interesting, but a huge caveat is required.
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