Talent
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Talent
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Re: Talent
#2Re: Talent
#3Haruki Murakami describes a similar discovery in his memoir "Novelist as a Vocation." He didn't set out knowing he had talent for writing, he discovered it through consistent practice. Only by writing his first novel did he realize he might have aptitude for it. Talent wasn't something he was born knowing about, but something he uncovered through action.
Re: Talent
#4However, my motivating factor was my interest in the subject, not my innate strength in it, and that has pushed me to study it and become strong enough that I can (hopefully, I'm still in college!) succeed in that space.
There are subjects where I could probably succeed if I tried harder and effusively sweated blood (probably pure math related). Pure math is one of those things I just suck at. But the difference is that I don't find it personally interesting, and so the burden of learning and building talent feels infinitely more overwhelming.
Sometimes I wonder if interest influences not just my motivation, but my capacity for learning and talent. Sometimes I also wonder if my "lack of innate talent" is that actually "I generally learn more slowly." But maybe learning more slowly helps me learn things more deeply as well. Who knows.
* As a side note, the quote I was told is "if you want to be known as a dog killer, you should kill dogs."
Re: Talent
#5The author concludes that "I should make sure I sweated blood working on a strength, [and] do more of what comes naturally." Something I found was that sometimes the things I have the most passion and interest for are _not_ the things that are strengths. But they have become strengths. Today, I would consider myself to be an OS and systems programmer person. It was abjectly _not_ something that came to me naturally.…
Re: Talent
#6This reminds me of Oliver Burkeman's insight in "Meditations for Mortals" that we can only control quantity, not quality. He suggests we focus on what's within our control: showing up consistently and doing the work, rather than obsessing over outcomes. Another piece of his advice is to choose pursuits where you have a natural aptitude. Otherwise, there's too much friction. People enjoy being competent. Haruki Muraka…
Re: Talent
#7The author concludes that "I should make sure I sweated blood working on a strength, [and] do more of what comes naturally." Something I found was that sometimes the things I have the most passion and interest for are _not_ the things that are strengths. But they have become strengths. Today, I would consider myself to be an OS and systems programmer person. It was abjectly _not_ something that came to me naturally.…
Well, the absolutely best-case scenarios is when you both have an innate talent for something and deep interest/obsession about it; I think that the article encourages you to find exactly that and then focus on it, because once you combine innate talent + obsession, you do have unfair advantage over the others
If your parents present you with your first computer when you're five years old, and it drops you to a bash prompt, and that's all you have, then you'll probably know considerably more than everyone else just from that being your only choice for a computing environment.
So sometimes it's hard to quantify whether or not being more successful and growing faster is about the luck of exposure. There are times when I have switched textbooks for learning something or changed my learning style and suddenly catapaulted myself to having the highest scores in classes or understanding a topic infinitely better. People said assembly was easy for them, but maybe spending a year aimlessly typing "si" into GDB was not the most effective way to learn assembly.
But having access to all these resources for exposure allows people to develop their interests and find their talents. It's just hard to say sometimes if that's innate talent and aptitude or just interest and being exposed before everyone else.
Re: Talent
#8* Don't work in power-law / winner-take-all industries, unless you are truly remarkable (and even then, you need a lot of luck). Entertainment is the most obvious example of such an industry.
* No shit talent exists. Just look at basketball players. Presumably nobody thinks Wemby is 7'5" because he just trained harder at growing tall than anyone else? Why would any other characteristic be different?
Re: Talent
#9"Like all of Erdös's friends, Graham was concerned about his drug-taking. In 1979, Graham bet Erdös $500 that he couldn't stop taking amphetamines for a month. Erdös accepted the challenge, and went cold turkey for thirty days. After Graham paid up--and wrote the $500 off as a business expense--Erdös said, "You've showed me I'm not an addict. But I didn't get any work done. I'd get up in the morning and stare at a blank piece of paper. I'd have no ideas, just like an ordinary person. You've set mathematics back a month." He promptly resumed taking pills, and mathematics was the better for it."
Re: Talent
#10Two things: * Don't work in power-law / winner-take-all industries, unless you are truly remarkable (and even then, you need a lot of luck). Entertainment is the most obvious example of such an industry. * No shit talent exists. Just look at basketball players. Presumably nobody thinks Wemby is 7'5" because he just trained harder at growing tall than anyone else? Why would any other characteristic be different?
Is it? Consider the case of nepo babies: often no extreme talent (or perhaps any at all), yet extreme luck.