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Teller on theft in magic

esquire.com

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Re: Teller on theft in magic

#32

Gerard Bakardy reuploaded his version http://www.youtube.com/watch?v=rkq4XfFgCYs The style couldn't be more different. The "effect" is the same, but the style is light years apart. I don't believe you should be able to copyright an effect, and it's likely he's not even using the same effect. I understand Teller wants to protect an idea he came up with, but I think it's protected simply by the grace and beauty of his…

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Re: Teller on theft in magic

#34

As staunch libertarians, I would have thought that Penn and Teller would be against such strong IP protection.

Libertarianism is rather diverse when it comes to IP. Some think there should be no IP (it infringes free speech). Some think there should be IP, but enforced through the market via contracts. And some, such as those who lean toward the Objectivist side of things, consider it essential.

Re: Teller on theft in magic

#36
I think the most common argument I hear against IP protections for software is that so much of it is obvious, or incremental. We have companies patenting and suing over techniques which are considered common knowledge by many programmers. How silly was it that Oracle's recent huge lawsuit ended up hinging on a range check function?

But is that the same as a masterful magic trick? And if not, should we treat it the same?

I don't think it's the same thing at all. A master magician might easily spend years practicing a trick -- the right mechanics, the right theatricality, anticipating the audience response, coming up with some new illusion -- and then, as the article describes, if that trick is self-contained enough, someone else might see it and work out how it's done and then sell the same trick to people who haven't invested anywhere near as much effort in practicing it.

So I don't think that we can say, well, this is just like software, it's an idea, and therefore we shouldn't protect it. I think that the very idea behind IP laws in the first place was to protect effort -- to safeguard someone's livelihood if they spent years developing an idea, so that someone else wouldn't simply come along immediately afterward and usurp the idea and rob that person of all of the effort that they invested in developing it.

There's this huge difference in effort between writing simple functions in software and developing masterful magic tricks, and we should recognize that.

Nor do I think that Penn & Teller are at all guilty of hypocrisy. I think it's enough to have just seen some episodes of Fool Us to see that they can have huge amounts of respect for magicians who copy their tricks, so long as those magicians add something unique to it. That's all they ask: take what we do, and do it better.

I can not imagine defending the reverse engineering and subsequent sale of someone else's unique illusion under the umbrella that "software patents are bad".

I am somewhat more dismayed that the article seemed to present a good enough case for this all on its own, but the discussion so far is ignoring it -- almost as if everyone just skimmed it.

Re: Teller on theft in magic

#37

Earlier quoted context omitted.

I understand Teller wants to protect an idea he came up with Given how much Penn & Teller built their careers on exposing the tricks of other magicians who had guarded their secrets for decades (and getting a lot of stage magicians made at the duo), it's pretty ironic for Teller to now decide he wants government protection for a trick of his. Disclaimer: esquire.com is not working for me right now so I haven't read t…

(When Penn & Teller have famously exposed a trick, they've almost always invented a ridiculously poetic method and built the trick around it; by making their art seem more intricate than it is, they force the audience to assume that the rest of their tricks are equally complex. Penn & Teller's exposures are really part of an elaborate con.) — The article.

That doesn't carry for me. For example, the famous trapdoor expose is trivial. The complexity is in the song-and-dressing, which most their tricks have.

Re: Teller on theft in magic

#38

As staunch libertarians, I would have thought that Penn and Teller would be against such strong IP protection.

Did you read the whole article? The ends suggests a twist.

That would be so tasteless as do undermine decades of respect Teller has earned as an artist and a person.

Penn, on the other hand, would tell you he is going to lie about it, lie about it, then tell you he lied about it, and you still wouldn't be sure if he was lying about lying.

Re: Teller on theft in magic

#39

I think the most common argument I hear against IP protections for software is that so much of it is obvious, or incremental. We have companies patenting and suing over techniques which are considered common knowledge by many programmers. How silly was it that Oracle's recent huge lawsuit ended up hinging on a range check function? But is that the same as a masterful magic trick? And if not, should we treat it the sa…

>the very idea behind IP laws in the first place was to protect effort //

The idea from the point of view of the populus is to encourage innovation and open cultural expression. A corollary of that is the protection of livelihood of creators/inventors if that is required to support the general aims.

So are illusionists who're creating innovative cultural expressions of their art ceasing to create for want of funding and because others are following their lead? Or are such illusionists who create, model and use novel illusions able to generate a reasonable return for that good without additional IP protection and thus with the addition of such works entering the public domain at the earliest possible point.

[I concede I've not read the article yet (shock!) as it was blocked for me].

Re: Teller on theft in magic

#40

As staunch libertarians, I would have thought that Penn and Teller would be against such strong IP protection.

Did you read the whole article? The ends suggests a twist.

A suggestion which is unwarranted and obviously unfounded to anyone following the case closely.
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