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Anna's Archive: An Update from the Team

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241–250 of 560 posts

Re: Anna's Archive: An Update from the Team

#241

Fuck that site. Offers people links to free PDF downloads of my book that I worked on for 32 years and finally got published by Pantheon Books in 2017. I didn't work all that fucking time for criminals like these to just break copyright law and make the book available for free. Fuck Anna's Archive, and I hope they go down in legal flames ASAP.

[flagged]

Re: Anna's Archive: An Update from the Team

#242
Does Anna's Archive or a similar site host, say, the complete New York Times (pre-1930) as a full PDF download set? And every other newspaper too?

Tons of public domain sources are locked into websites like Newspapers.com or the nearly-dead and now completely unsearchable old Google News / Newspaper.

It would be nice if the massive pursuit of AI training data resulted in some fully-legal open source alternatives to these proprietary, outdated, or abandoned sites. I know some of it is available via the Internet Archive, etc., but something new with an AI-powered search and finding aid sounds so useful.

Re: Anna's Archive: An Update from the Team

#243

Know am going to be downvoted into oblivion, but as a composer, can see it from the side of creators. Yeah, making their products free is starving these industries. For instance, in music, there is already very little money in music (think about how many musicians you personally know who can make a living off of music, besides being a music teacher). And, the music industry is still not even the same size as it was i…

There's also the effect that new musicians are competing for attention with an ever growing catalog of top artists. I already have hundreds of CDs, so I'm not particularly inclined to go find whatever the 2025 version of the Smashing Pumpkins is because I already have the old one. Looking at this year's Billboard 200, I don't think I'd be interested in SZA or Lil Baby. Bowie died almost 10 years ago. I guess I'm good with what I've got.

Re: Anna's Archive: An Update from the Team

#244

Know am going to be downvoted into oblivion, but as a composer, can see it from the side of creators. Yeah, making their products free is starving these industries. For instance, in music, there is already very little money in music (think about how many musicians you personally know who can make a living off of music, besides being a music teacher). And, the music industry is still not even the same size as it was i…

I agree with you. There's a huge sense of entitlement from people who pirate, and the most absurd set of excuses. I bet most of them would shoplift if it was consequence free. And then complain that shops were going out of business.

Re: Anna's Archive: An Update from the Team

#245

Know am going to be downvoted into oblivion, but as a composer, can see it from the side of creators. Yeah, making their products free is starving these industries. For instance, in music, there is already very little money in music (think about how many musicians you personally know who can make a living off of music, besides being a music teacher). And, the music industry is still not even the same size as it was i…

I'm not convinced that every pirate download equals a lost sale. Certainly sometimes it does, but I don't think it's the case that creators lose much revenue due to piracy. I think the big music labels and giant publishers might -- might. But that's not the same as creators losing money. And we're also unable to count how often piracy results in concert ticket sales that may have otherwise not happened.

> but when your main demographic can always go to bittorrent to get their music if prices are too high, then there is only so much you can do with the price of music.

And that's the thing: if the prices are too high, in the absence of piracy, most people are going to just do without. There's no lost sale when someone decides to do without rather than pay a price they thing is unreasonable.

I think the shift in the music landscape you see is due to three things: 1) your tastes have changed, and everyone looks at the "good old days" with a fondness and appreciation that is often undeserved, 2) the music industry itself has changed, moving away from the album-sales model, and fully embracing streaming (I believe around 70% of revenue comes from streaming these days), and 3) it is easier and cheaper than ever to create high-quality music; sure you need some level of talent, but many of the financial barriers to recording your own music (like the need for an expensive recording studio) have lessened or evaporated entirely.

> And, the music industry is still not even the same size as it was in 90's - global revenue in 2024 was $29 billion, while in 1994, in was $35 billion

This seemed surprising to me, so I did a little bit of light research. This isn't true. Revenue was steadily rising until around 1999, started dropping during the main time of digital disruption, to a low in 2014. In 2024, revenues were 1.5x what they were in the ~1999 peak.

Now, if you do inflation-adjust those numbers, you get a picture more like what you're saying, with a peak around 1999, a sharp decline, and then only a partial recovery.

But total revenue is only one part of the picture, and we can't judge creator impact solely upon that. And at the end of the day, no one is entitled to revenue. Sell a compelling product at a price people are willing to pay, and you'll make money.

Outside of streaming, I personally don't see many compelling products out there when it comes to music. I bought CDs and cassettes as a kid, but I don't see physical media, or even digital album bundles, as purchases worthy of my time. I have a YouTube Music subscription, and that fulfills the entirety of my at-home or on-the-go music needs. On top of that, I go to concerts and festivals when my favorite music is in town, and I'll sometimes buy some merch (like a festival t-shirt). Beyond that, I just don't see a need to spend money on music. (When I think about it, though, I probably do spend more money on music today than I did when I was buying physical media! Some of that is due to my better financial situation now, to be sure, but not all.)

> Personally, think we should try to find ways to support musicians, writers, thinkers, artists...

I absolutely agree, but I don't think piracy has the big negative effect on creators that you think it does.

Re: Anna's Archive: An Update from the Team

#246

Earlier quoted context omitted.

Your other points aside... > I'm not against consumer boycotts, but it should generally come with a sacrifice on both sides--for consumers, that means missing out on the product or service. I'm curious as to why you feel this way, genuinely. The decision to boycott means that there is no sale, full stop, so no money is being handed over. Why does anything after that matter? The important part, the money, is already d…

Because otherwise there's no incentive not to boycott. One of the nice things about capitalism is that even unpopular people can make money if they make a product people want to buy. It adds a level of realness to society, above status-games and popularity-contests.

That makes the very silly assumption that the default is to boycott everything, which is really not the case. People at large definitely still default to purchasing things first, for all sorts of reasons from just feeling that it is moral to the service being convenient to just enjoying and wanting to support the work itself. This is self evident in the fact that boycotts essentially never actually kill anything because the majority still favors paying.

Re: Anna's Archive: An Update from the Team

#247
post #92

Earlier quoted context omitted.

libgen is still there

Not accurate. You are probably looking at a site like https://libgen.ac/ which states clearly at the top: "Not a Part of Library Genesis. ex libgen.io, libgen.org" The real one has been down for a long time.

The pirate bay's been down for a long time too. And yet...

Re: Anna's Archive: An Update from the Team

#248
post #140

I choose the books I buy, from Anna's Archive. I choose the comics I buy from readComicsOnline. I choose the [european] graphic novels I buy from #WONTTELL. And I am one of the best customers of these 3 physical shops, in my town. So sure, I don't buy the latest trends based on ads. I investigate a lot to buy GREAT stuff. Sometimes the shopkeeper has headaches to find the obscure stuff I discovered online that NOBODY…

> Am I an exception? Yes, I think you're an exception, sorry. We will never have real data on this. But simply on its face, I find it extremely hard to believe that most consumers have a strong enough moral compass to go out of their way to buy something they already have access to. Maybe they will for a tiny handful of special books that they want hard copies of, or authors they really like, but not for most media t…

It's nothing to do with morals or conscience, pure self interest incites me to to take action and buy physical copies or official ebooks or collector's editions or CDs or lossless digital releases of works I first consume pirated. I want creators I like to make more stuff. I feel good looking at my bookshelf filled with things I enjoy. I don't like throwing out or donating tons of books every year because they're no good and I couldn't tell until I bought and read them.

Re: Anna's Archive: An Update from the Team

#249
post #53

Earlier quoted context omitted.

I'm unable to resolve the domain on EE UK - looks like it's DNS blocked. By comparison, on my work network (TalkTalk) I can resolve the domain but I get a connection reset from the site. I think this might be the first time I've hit a DNS block. It feels rather eerie seeing people talking about a site that, from my point of view, doesn't even exist...

There's an inconsistent censoring of numerous websites across the UK. In short, the biggest ISPs (a list which changes over time), will block various sites (TPB, libgen, AA, and others), based on court orders taken out at different timesIn general, it's a good idea to use Private Relay if you're using Apple devices and have access to it, no matter what network you're on, and if you're doing anything you don't want yo…

Yes, Ofcom really needs to sort this out properly. I shouldn't be able to access this site from a UK ISP. Makes no sense that it's blocked on some and not others.

Re: Anna's Archive: An Update from the Team

#250
post #137

Also how can one totally anonymously pay them?

It doesn't look like they accept from anything that strikes me as being remotely anonymous, which is surprising. https://annas-archive.org/donate I'll also say that when too much money starts becoming a part of this, trouble will increase dramatically. I realize this sort of endeavor costs a lot of time and money, but it's a line we should probably be aware of.

They accept Monero which would be my first thought.
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