Earlier quoted context omitted.
They didn’t call that “HDR” at the time, and it wasn’t based on the idea of recording radiance or other absolute physical units. I’m certain physicists had high range digital cameras before Cineon, and they were working in absolute physical metrics. That would be a stronger example. You bring up an important point that is completely lost in the HDR discussion: this is about color resolution at least as much as it’s a…
It certainly was called HDR when those Cineon files were processed in a linear light workflow. And film was the only capture source available that could provide sufficient dynamic range, so IMO that makes it “HDR”. But I agree that the term is such a wide umbrella that almost anything qualifies. Fifteen years ago you could do a bit of superwhite glows and tone mapping on 8-bpc and people called that look HDR.
This 10 bit scanner gave you headroom of like 30% above white. So yeah it qualifies as a type of high dynamic range when compared to 8 bit/channel RGB, but on the other hand, a range of [0 .. 1.3] isn’t exactly in the spirit of what “HDR” stands for. The term implicitly means a lot more than 1.0, not just a little. And again people developing HDR like Greg Ward and Paul Debevec were arguing for absolute units such as luminance, which the Cineon scanner does not do.