> An “interval” is a combination of two notes. Minor nitpick: it's a "dyad" that is a combination of two notes. An "interval" is the difference between two (or more) pitches. And just as you'd measure the space between your eyebrows using a ruler, you'd measure the interval between middle C and concert A using your ears. The bonus, however, is that our listening apparatus is already quantized to octaves-- if you hear…
I analyzed chord progressions in 680k songs
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Re: I analyzed chord progressions in 680k songs
#12Re: I analyzed chord progressions in 680k songs
#13This seems to be an analysis of chords used, not chord progressions?
It does inspire hope that someone will take the same dataset and provide statistics on the most common progressions.
Re: I analyzed chord progressions in 680k songs
#14> An “interval” is a combination of two notes. Minor nitpick: it's a "dyad" that is a combination of two notes. An "interval" is the difference between two (or more) pitches. And just as you'd measure the space between your eyebrows using a ruler, you'd measure the interval between middle C and concert A using your ears. The bonus, however, is that our listening apparatus is already quantized to octaves-- if you hear…
That's new for me. What's an interval between three pitches called?
Re: I analyzed chord progressions in 680k songs
#15Analyzing individual chords involves counting the frequency of each chord (such as G, C, or D).
Analyzing chord progressions would involve counting the frequency of chord pairs (such as D—A or C—G), chord triplets (such as D—A—Bm or C—G—Am), or longer sequences of chords. For an alternative look at the data, you could also normalize chord progressions across key signatures for your analysis (D—A or C—G would both normalize as I—V, D—A—Bm or C—G—Am would both normalize as I—V—vi).
Re: I analyzed chord progressions in 680k songs
#16Earlier quoted context omitted.
That's new for me. What's an interval between three pitches called?
Two intervals?
Re: I analyzed chord progressions in 680k songs
#17I find the analysis interesting in terms of a hobby project, but I'd be careful extrapolating too much out of this. 680k is quite the sample size, but my issue lies within the myopic selection of one instrument and the issues that arise from the platform of Ultimate Guitar. 1. I am curious, how many of the 680k songs are unique? It is rather uncommon for massively successful songs to only have one version of tabs out…
> People tend to have a warped concept of the history of music. Pachelbel's Canon in D is by no means a complex song and has stood the test of time. Music through out time has also served different purposes. Hell, go back to Ancient Greece, Gregorian chants, and Medieval music. Those various time periods were not generally fully of complexity either. I would argue such times were generally less complex than modern mu…
My most impressionable years for music were the 70s and 80s. I remember fantastic music from that time... But the fact is, most of what we hear today from that era has been curated for us. We hear the 10% of the 70s and 80s hits that weren't crud. Or maybe even the 1% that was great. If we actually listen to the top twenty-five singles from any month in those two decades, 90% of them would be crud.
I think most people comparing the present to the past are comparing everything today to the 10% of yesterday that wasn't crud.
Re: I analyzed chord progressions in 680k songs
#18I find the analysis interesting in terms of a hobby project, but I'd be careful extrapolating too much out of this. 680k is quite the sample size, but my issue lies within the myopic selection of one instrument and the issues that arise from the platform of Ultimate Guitar. 1. I am curious, how many of the 680k songs are unique? It is rather uncommon for massively successful songs to only have one version of tabs out…
It was actually mostly forgotten until the 1960's.
https://en.wikipedia.org/wiki/Pachelbel%27s_Canon#Rediscover...
Can anyone find a version without Paillard's changes? Knowing the history, I suspect they have more to do with the song's popularity than the original composition.
Re: I analyzed chord progressions in 680k songs
#19I find the analysis interesting in terms of a hobby project, but I'd be careful extrapolating too much out of this. 680k is quite the sample size, but my issue lies within the myopic selection of one instrument and the issues that arise from the platform of Ultimate Guitar. 1. I am curious, how many of the 680k songs are unique? It is rather uncommon for massively successful songs to only have one version of tabs out…
Sure, G is probably the most popular chord, but there are a _lot_ of chord sheets that are wrong or incomplete. If someone were to play many of these songs as charted on UG it would sound unrecognizable.
Kind of invalidates the analysis IMHO
Re: I analyzed chord progressions in 680k songs
#20> An “interval” is a combination of two notes. Minor nitpick: it's a "dyad" that is a combination of two notes. An "interval" is the difference between two (or more) pitches. And just as you'd measure the space between your eyebrows using a ruler, you'd measure the interval between middle C and concert A using your ears. The bonus, however, is that our listening apparatus is already quantized to octaves-- if you hear…
Correct, though you'll much more commonly hear about triads, as in major and minor triads, and you'll hear "power chord" more often than "dyad," even though it's one specific dyad.
> if you hear a pitch against a second pitch that's double/quadruple/etc. the frequency of the first, your ear marks this interval as special.
Some of that is that the higher octaves reinforce existing overtones, so the higher note is already there in a sense.