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Netflix’s Media Production Suite

netflixtechblog.com

51–60 of 154 posts

Re: Netflix’s Media Production Suite

#51
post #29

I was reading about the cinematography of _Collateral_, possibly the first large budget feature film to be shot digitally, and one of the issues back in 2004 when it was made was the amount of storage required for digital video and the risk of not being able to retrieve the images from the data stores: > “We did massive testing with the hard drives, and everything was great, and then we had an experience where we sho…

Weren't the Star Wars prequels the first big digital productions?

Re: Netflix’s Media Production Suite

#52
post #33

I read through that whole article thinking, - I wonder what the UI looks like compared to tools I use now - I wonder if there will be a free tier, since my video needs are modest It never occurred to me until I reached the end that this wasn't a "enjoy this tool we made" post, but instead a "look how awesome we are" post. :-/

I know quite a few people who worked on this and unfortunately this is effectively the product.

It’s a company that prioritizes micro services and enterprise style crud apps internally. I’ve seen so many of their presentations and it’s like an IBM demo.

It’s data , data, data. That’s their approach to everything.

Re: Netflix’s Media Production Suite

#53
15 years ago, the first start up I worked for provided APIs for music streaming in India. One of the founders who managed all infra was in US, and so the servers (bare metal) were in LA. I still find it amusing, that it was cheaper (and faster) just to fly to India, buy bunch of portable hard drives, upload the media, fly back to US and upload the data to the file server, than uploading the media directly from India to the US server. Obviously only applies when data is in order of TBs. Later saw the same thing with AWS Snowball and Snowmobile.

Re: Netflix’s Media Production Suite

#55

15 years ago, the first start up I worked for provided APIs for music streaming in India. One of the founders who managed all infra was in US, and so the servers (bare metal) were in LA. I still find it amusing, that it was cheaper (and faster) just to fly to India, buy bunch of portable hard drives, upload the media, fly back to US and upload the data to the file server, than uploading the media directly from India…

"Never underestimate the bandwidth of a station wagon full of tapes hurtling down the highway." - Andrew S. Tanenbaum, Computer Networks, 3rd ed., p. 83. (paraphrasing Dr. Warren Jackson, Director, University of Toronto Computing Services (UTCS) circa 1985)

Re: Netflix’s Media Production Suite

#56
post #51
post #29

I was reading about the cinematography of _Collateral_, possibly the first large budget feature film to be shot digitally, and one of the issues back in 2004 when it was made was the amount of storage required for digital video and the risk of not being able to retrieve the images from the data stores: > “We did massive testing with the hard drives, and everything was great, and then we had an experience where we sho…

Weren't the Star Wars prequels the first big digital productions?

Phantom menace used some (pioneering) digital shots but Collateral is fully shot on digital from my understanding

Re: Netflix’s Media Production Suite

#57
post #33

I read through that whole article thinking, - I wonder what the UI looks like compared to tools I use now - I wonder if there will be a free tier, since my video needs are modest It never occurred to me until I reached the end that this wasn't a "enjoy this tool we made" post, but instead a "look how awesome we are" post. :-/

Ha! Yes sure, but it does make sense that they’d keep something like this to themselves. Creating massive amounts of high quality content efficiently, on a global scale, with seamless global distribution is an incredible competitive advantage. I don’t see why they would provide it to anyone outside of their ecosystem. It’ll be interesting to see if they translate this to games as well.

High quality?

Re: Netflix’s Media Production Suite

#59
post #33

I read through that whole article thinking, - I wonder what the UI looks like compared to tools I use now - I wonder if there will be a free tier, since my video needs are modest It never occurred to me until I reached the end that this wasn't a "enjoy this tool we made" post, but instead a "look how awesome we are" post. :-/

Yeah, I had the same feeling. The tech itself sounds genuinely impressive, but the article reads more like an internal case study than something aimed at engaging the wider community

Re: Netflix’s Media Production Suite

#60
post #29

I was reading about the cinematography of _Collateral_, possibly the first large budget feature film to be shot digitally, and one of the issues back in 2004 when it was made was the amount of storage required for digital video and the risk of not being able to retrieve the images from the data stores: > “We did massive testing with the hard drives, and everything was great, and then we had an experience where we sho…

Back then, it was basically the Wild West with digital cinematography. No wonder studios freaked out at the idea of lost footage
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