Side note, but every time I DON'T see a Hobbes plushy, a Calvin bauble head, the Calvin and Hobbes TV series, etc. I'm so thankful that Watterson grimly held onto the merchandising rights of his characters. He maintained such a high standard for his comic right unto the end. Not everything in this world needs to be commoditized to death. "But how will new generations learn about Calvin and Hobbes without Calvin and H…
Whenever the topic of copyright comes up on HN, the prevailing view in comments section is that copyrights should be relatively short and cultural artifacts should be available to everyone to use as they please. So I find it interesting ("interesting") how people seem to universally appreciate that Calvin & Hobbes are protected from any 3rd-party use, meanwhile they universally revile Disney for not allowing people t…
An Interview with Bill Watterson (1987)
31–40 of 94 posts
Re: An Interview with Bill Watterson (1987)
#32Side note, but every time I DON'T see a Hobbes plushy, a Calvin bauble head, the Calvin and Hobbes TV series, etc. I'm so thankful that Watterson grimly held onto the merchandising rights of his characters. He maintained such a high standard for his comic right unto the end. Not everything in this world needs to be commoditized to death. "But how will new generations learn about Calvin and Hobbes without Calvin and H…
"unto the end" and "commoditized to death" made me briefly paranoid that Mr Watterson had died, but thankfully he is still quite alive: "Watterson lives in Cleveland Heights, Ohio as of January 2024"
Re: An Interview with Bill Watterson (1987)
#33Earlier quoted context omitted.
Whenever the topic of copyright comes up on HN, the prevailing view in comments section is that copyrights should be relatively short and cultural artifacts should be available to everyone to use as they please. So I find it interesting ("interesting") how people seem to universally appreciate that Calvin & Hobbes are protected from any 3rd-party use, meanwhile they universally revile Disney for not allowing people t…
A living artist exercising creative control is different from an immortal corporation repeatedly lobbying governments to extend copyright beyond an artist's lifetime.
Re: An Interview with Bill Watterson (1987)
#34> Blocked because of application > Your computer has been blocked because of an application detected in your system. For more information, contact the system administrator. No Tor browsers.
How?
Re: An Interview with Bill Watterson (1987)
#35Earlier quoted context omitted.
I have immense respect for Watterson. He's the only artist I can think of to achieve that level of fame and success and not sell out. Selling out is barely even a concept any more because it's simply assumed, and Watterson is still out there in a cabin in the woods, communicating only by mail and refusing every corporate offer that comes his way.
I respect his decision, but for many people "selling out" is actually code for "financial security and stability for themselves and their families," which is not nothing and not necessarily worth scoffing at.
Re: An Interview with Bill Watterson (1987)
#36Earlier quoted context omitted.
Whenever the topic of copyright comes up on HN, the prevailing view in comments section is that copyrights should be relatively short and cultural artifacts should be available to everyone to use as they please. So I find it interesting ("interesting") how people seem to universally appreciate that Calvin & Hobbes are protected from any 3rd-party use, meanwhile they universally revile Disney for not allowing people t…
Watterson's motivation seems to be to preserve the integrity of his art. Disney's motivation seems to be to preserve their profit margins on hyper commercializing the creations of others.
But Disney is also motivated --at least partly-- by integrity. Yes, they want to control profits, clearly. But I have no doubts they want to preserve the integrity of their character also.
> the creations of others
Others? Even after Walt's death, Mickey Mouse has been overseen by a continuous line of people who care about the character's integrity.
Re: An Interview with Bill Watterson (1987)
#37Side note, but every time I DON'T see a Hobbes plushy, a Calvin bauble head, the Calvin and Hobbes TV series, etc. I'm so thankful that Watterson grimly held onto the merchandising rights of his characters. He maintained such a high standard for his comic right unto the end. Not everything in this world needs to be commoditized to death. "But how will new generations learn about Calvin and Hobbes without Calvin and H…
Whenever the topic of copyright comes up on HN, the prevailing view in comments section is that copyrights should be relatively short and cultural artifacts should be available to everyone to use as they please. So I find it interesting ("interesting") how people seem to universally appreciate that Calvin & Hobbes are protected from any 3rd-party use, meanwhile they universally revile Disney for not allowing people t…
We revile them because in order to protect a 90 year old mouse cartoon they’ve made it so no English teacher below high school can teach any literature that is younger than 100 years old, because it’s too expensive to reprint it.
Re: An Interview with Bill Watterson (1987)
#38Side note, but every time I DON'T see a Hobbes plushy, a Calvin bauble head, the Calvin and Hobbes TV series, etc. I'm so thankful that Watterson grimly held onto the merchandising rights of his characters. He maintained such a high standard for his comic right unto the end. Not everything in this world needs to be commoditized to death. "But how will new generations learn about Calvin and Hobbes without Calvin and H…
The counterpoint is how many children would love their own stuffed Hobbes to be sitting next to them as their parents read a few comics to them. You can merchandise things without going overboard and losing your soul.
Re: An Interview with Bill Watterson (1987)
#39Earlier quoted context omitted.
A living artist exercising creative control is different from an immortal corporation repeatedly lobbying governments to extend copyright beyond an artist's lifetime.
It's disingenuous to suggest people are mainly interested in Watterson's ability to control the profits of C&H during his lifetime. No, it's because we cherish C&H's purity and are protective of it. I claim it's a purely emotional thing.
Re: An Interview with Bill Watterson (1987)
#40Earlier quoted context omitted.
The counterpoint is how many children would love their own stuffed Hobbes to be sitting next to them as their parents read a few comics to them. You can merchandise things without going overboard and losing your soul.
I swear there used to be Hobbes plushies in the 90’s. Did I imagine that? Did he change his mind and rescind rights later on?