Ableton is an epitome of software design innovation. I think few people understand how groundbreaking the Session View vs Arrangement View design was to advance the workflow of both produced and live music. Subcomponents like Operator created design patterns that are widely adopted by most VSTs today. Kudos to the Ableton team for crafting a product that is so beloved.
Twenty Years of FM Synthesis Inside Ableton Live
51–60 of 63 posts
Re: Twenty Years of FM Synthesis Inside Ableton Live
#52Earlier quoted context omitted.
The interesting thing about that is that no one in my (limited) experience uses the session view as it was intended to be used for music composition. After trying it for a bit, everyone seems to revert back to using the linear Arrangement view. Session view is still useful in some performance cases, but it makes me wonder if it would make sense to have it as an optional view, and not as the default view for all sessi…
I use the session view for vocal recording. Recording multiple takes to new clips in session view, then copied into the arranger, it lets me comp several takes without messing up the final arrangement, and is great for project organisation.
Re: Twenty Years of FM Synthesis Inside Ableton Live
#53Earlier quoted context omitted.
The interesting thing about that is that no one in my (limited) experience uses the session view as it was intended to be used for music composition. After trying it for a bit, everyone seems to revert back to using the linear Arrangement view. Session view is still useful in some performance cases, but it makes me wonder if it would make sense to have it as an optional view, and not as the default view for all sessi…
Session view user here. It’s trivially easy to make arrangement view your default view. You simply hit tab to switch the view to arrangement and then overwrite your default template in the ‘File’ menu. Now you’re set.
Re: Twenty Years of FM Synthesis Inside Ableton Live
#54Earlier quoted context omitted.
The interesting thing about that is that no one in my (limited) experience uses the session view as it was intended to be used for music composition. After trying it for a bit, everyone seems to revert back to using the linear Arrangement view. Session view is still useful in some performance cases, but it makes me wonder if it would make sense to have it as an optional view, and not as the default view for all sessi…
How did you get that knowledge? Everyone?
Re: Twenty Years of FM Synthesis Inside Ableton Live
#55Earlier quoted context omitted.
The interesting thing about that is that no one in my (limited) experience uses the session view as it was intended to be used for music composition. After trying it for a bit, everyone seems to revert back to using the linear Arrangement view. Session view is still useful in some performance cases, but it makes me wonder if it would make sense to have it as an optional view, and not as the default view for all sessi…
Very interesting. When my buddies and I started playing in Ableton after years in Adobe Audition (circa 2010?), we immersed ourselves in Session view for writing and piecing everything together, building songs top-down instead of left-to-right. It completely changed our entire workflows, and that seemed like the point. I'm only ever in arrangement view when I'm finalizing the order of the sections before final mix do…
I found it faster to just record clips directly into the Arrangement view and not waste time on moving between different views. Right from the beginning, basic things like chopping audio or e.g. removing the last kick in a bar are a pain to handle in the Session view (creating a copy without that last kick). And once I start touching automation - which is basically from the start - Session view becomes irrelevant.
Re: Twenty Years of FM Synthesis Inside Ableton Live
#56Ableton is an epitome of software design innovation. I think few people understand how groundbreaking the Session View vs Arrangement View design was to advance the workflow of both produced and live music. Subcomponents like Operator created design patterns that are widely adopted by most VSTs today. Kudos to the Ableton team for crafting a product that is so beloved.
If only it finally was available for Linux!
Re: Twenty Years of FM Synthesis Inside Ableton Live
#57Earlier quoted context omitted.
If only it finally was available for Linux!
Bitwig is made by ex-Ableton engineers and honestly, it blows Live out of the water in terms of flexibility.
Any features in more recent Bitwig versions that stand out?
Re: Twenty Years of FM Synthesis Inside Ableton Live
#58Ableton is an epitome of software design innovation. I think few people understand how groundbreaking the Session View vs Arrangement View design was to advance the workflow of both produced and live music. Subcomponents like Operator created design patterns that are widely adopted by most VSTs today. Kudos to the Ableton team for crafting a product that is so beloved.
Where to learn more about this, from a UI standpoint?
Re: Twenty Years of FM Synthesis Inside Ableton Live
#59Earlier quoted context omitted.
Bitwig is made by ex-Ableton engineers and honestly, it blows Live out of the water in terms of flexibility.
I was so impressed by Bitwig since the beta. Just couldn't find anything major enough to make the switch from Live. Also, M4L is such an amazing ecosystem, I would miss it. Any features in more recent Bitwig versions that stand out?
It would be cool if Bitwig would introduce a scripting environment similar to Max for Live.
Re: Twenty Years of FM Synthesis Inside Ableton Live
#60In the 2009 upgrade I replaced the aliasing wavetables with bandlimited ones, generated using IFFT, one per octave. With 2x oversampling, it became aliasing-free as long as you didn’t use FM. When adding the IFFT, the feature of drawing harmonics also became obvious.
Fun fact: The four oscillators were calculated in parallel using SSE intrinsics. It’s the only time I’ve ever been able to improve the performance of something using that particular technology.
For me personally, Operator is a pinnacle of my engineering career - It is one of the most-used synthesizers in the world, though of course, there are much better ones out there.