Earlier quoted context omitted.
While I agree with your point, there is some nuance because transfers can be nearly instantaneous. Physical books have to be transported to and from the library. CDL is as if we all lived in the same library and could shelve/swap books with anyone at any moment and only have to wait when there is a queue.
That's what the internet does: it makes things that took days or weeks before (nearly-)instantaneous. If I have 100$, I can lend them to someone (via paypal or whatever), and when I get them back, I can immediately give them out again. I don't have to wait for them to physically go to my place (or a bank) and return cash. If your whole defense hinges on "borrowing books has to have an inherent delay of X hours/days/w…
The Internet Archive has lost its appeal in Hachette vs. Internet Archive
231–240 of 848 posts
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#232Earlier quoted context omitted.
"A later time" being the after the year 2100 for most of these works. I am not exaggerating. If the author is still alive today their works won't enter the public domain until after you are dead. One can argue that the Internet Archive would be effectively useless if they strictly followed copyright law.
In the meantime, the copyright duration could be shortened. Or, from another POV, cultural artifacts we dig out from earth millennia after they were buried still preserve something valuable. An entity like IA should think past one lifetime.
There's a better chance of you winning every lottery on Earth twice in a row than copyright terms being shortened in this century.
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#233Earlier quoted context omitted.
I think that argument is pretty naive. The only books that would still get made are those from people privileged enough (money and time) to write books. You'll get way more ghost-written biographies from celebrities and hot takes from politicians.
I think writing a book to make money is itself pretty naive. There's already a bit of privilege involved in being able to devote time to writing, and in many cases make attempts for years before getting published to modest revenue. A lot of people start writing books despite knowing those odds and outcomes.
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#234This has been playing out for many years. And it's all because Brewster Kahle decided that an overly broad interpretation of the Internet Archive's mission trumped the rights of authors and publishers, and the laws of the United States. When IA was asked to stop CDL - many times - he continued. The National Writers Union tried to open a dialogue as early as 2010 but was ignored: The Internet Archive says it would rat…
Basically, there is an established practice for lending printed books: the library buys a book and lends it to patrons without permission from the copyright owner.
However, publishers believe that digital books are different from physical books and established practice doesn't apply to them; they believe that lending should be made at publishers' terms, to be specific:
- only "academic libraries" (chosen by publishers) may lend digital books
- they may lend them only to the members, for example, only students of the university, not to random people
- library must buy a special "library license", which might have arbitrary price and arbitrary terms
- the license has a limited term: sometimes it is 1-2 years, sometimes it is 26 lendings, after which the library must purchase a new license
- the library must use publishers-approved DRM which might not work on some devices
To enforce these rules publishers use DRM that prevents anyone from buying a digital book and lending it to other person (which was possible with digital books). So, in publishers view new technology means new rules and new opportunities.
The IA found a workaround: they bought physical books, scanned them and lent those digital copies instead of a physical book, provided that only one user can read the same book at the same time. They acted like a library but using remote access to a digital copy. The lender might read the book on IA's website enforcing the terms of use or download a DRM-protected PDF.
The lawsuit is about whether IA actions are legal or not (i.e. if digital books may be lent like physical books). Given that in future there will be less and less physical books, if publishers win, it will mean that libraries will not be able to lend contemporary books at the same terms and costs they lent physical books.
There are several complications: dubious partnerships by IA with libraries to increase the number of lent simultaneously copies; dubious decision to remove limits during COVID pandemic. However, there are facts that play in IA favour: there are precedents when making digital copies was considered legal (by Google Books), and there are a 17 US Code 108 [2] and 109 [3], which allows some exemptions from copyright for libraries and archives.
[1] https://www.documentcloud.org/documents/23723923-hachette-v-...
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#235Earlier quoted context omitted.
That's not how the law works. Again: this is a copyright case.
I don't think people here are confused about how the law works. I think many people here feel the law shouldn't work that way. Stating it explicitly: while the NEL was dubious, CDL should have been 100% legal, and it's a massive disappointment to see it ruled against.
No, a LOT of people in these very threads are arguing that the CDL IS 100% legal and that the ruling is ... well, many things.
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#236Earlier quoted context omitted.
CDL is how physical libraries work: They buy a book and then lend it out multiple times to multiple people, on a one-in one-out basis, who then do not have to buy the book themselves. They even repair books to avoid purchasing new ones again. Do you think physical libraries harm the people who bring books into being?
A physical library does not involve making a copy, but lending out an existing physical copy. One book, one reader. "Controlled Digital Lending" literally involves making and transmitting a copy to another physical medium electronically. Brewster has endangered the good work done by people at the archive for a case he was never going to win and which was of dubious value. If he wants to be the next Anna's Archive the…
2) Digital books are DRM-protected so you cannot lend them or re-sell like you can with physical books. So making a digital copy of a physical book can be considered merely a method to workaround these restrictions.
3) Publishers want to use new technology (electronic books) to remove rights that consumers had with physical books, to be specific: a right to re-sell the book, a right to lend the book, a right to make archival copies etc.
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#237This has been playing out for many years. And it's all because Brewster Kahle decided that an overly broad interpretation of the Internet Archive's mission trumped the rights of authors and publishers, and the laws of the United States. When IA was asked to stop CDL - many times - he continued. The National Writers Union tried to open a dialogue as early as 2010 but was ignored: The Internet Archive says it would rat…
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#238Earlier quoted context omitted.
How was the CDL hurting working authors? A library bought the book, paying the publisher and the author. The IA scanned the book for digital lending, this digital copy could only be checked out by one person and only when the physical book was not also checked out. I understand the court decided this wasn't okay. That aside, how was it hurting working authors?
> this digital copy could only be checked out by one person and only when the physical book was not also checked out Even if that were the case I don’t think it’s acceptable. Physical used goods have limitations on transfer rate. If you want a used book you have to go to the store. Or have it shipped across the country. I adamantly oppose a global digital pool with instantaneous transfers. In that world you never nee…
https://help.archive.org/help/borrowing-from-the-lending-lib...
IMHO, people who could afford the book are unlikely to have the patience to work through this process. Indeed, downloading from a pirate site would offer a lot more flexibility for the reader.
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#239Earlier quoted context omitted.
It does when the physical library is loaning an ebook -- it works on exactly the same principal as CDL -- library owns ebook, library loans out to one user the ebook -- that's why there is often a wait list when trying to check out ebooks from a real physical library. In fact, even the same DRM system is used to prevent the user from keeping the ebook after the loan is up -- Adobe's Digital Editions.
Libraries have different contracts with book publishers for eBooks. IA didn't have any contracts with any publisher. See: https://www.npr.org/2022/11/09/1135639385/libraries-publishe...
The contracts with libraries you mention require a library to buy a license for every ebook, and renew the license periodically; the publisher may set arbitrary price and terms.
So what the publisher wants is to strip users of digital books part of their rights.
Re: The Internet Archive has lost its appeal in Hachette vs. Internet Archive
#240Earlier quoted context omitted.
You're arguing against a principle that applies to physical libraries (Who also have films btw)...so are physical libraries also nonsense? Libraries do not serve the interest of publishers (and let's just focus on publishers because if we're being real here, publishers are the ones who stand to lose money - "think of the authors" is just a distraction)... i digress, Libraries exist as a benefit to society, they aren'…
> let's just focus on publishers No. I'm focusing on all media - books, tv, movies, games, etc. It's one set of copyright laws. > so are physical libraries also nonsense? Copyright strikes a balance of rights between content creators/owners and content consumers. Physical libraries with the limitations of physical transfer strike are a reasonable balance. A global digital pool with instantaneous and unlimited transfe…
That's a more interesting argument. I think it's valid, abstractly at least.
> Copyright strikes a balance of rights between content creators/owners and content consumers
Originally sought to, perhaps. However copyright has devolved into almost entirely serving the interests of the transferred owner who are overwhelmingly huge publishers.
It makes sense to me that a digital library poses an existential threat to the business model of those large publishers who have gradually moved away from obtaining or encouraging the creation of new original works (the original intention of copyright) to reselling and repackaging existing content over and over again. This is why things like DRM exist, not to prevent piracy, but one one many mechanisms serving this strategy by controlling how ordinary consumers can consume what they "bought", when, where, on what, for how long... so many types of restrictions all serving to extract the maximum economic return for each original piece of work they own - A library completely undermines that strategy, because it necessarily removes most of those mechanisms to function.