Oh, boy, these threads are going to be a whole bucket of fun. 200-odd commenters competing to see who can most stridently express opposition to the copyright/royalty/license business model of mainstream music, and 5 of us getting yelled at for suggesting that maybe private businesses should be able to pick their own business models, even if they're completely idiotic, and that everyone has the right to simply not buy…
NPR Intern Gets an Earful After Blogging About 11,000 Songs
21–30 of 95 posts
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#22The market has clearly dictated they will not support the business practices of the major record labels, and have instead resorted to alternate ways of obtaining their music. The record labels must adapt, or they will fall[1]. Econ 101. You can debate morality until the cows come home, but that's not going to change these simple facts.
[1]Ignoring possible government interference
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#23Oh, boy, these threads are going to be a whole bucket of fun. 200-odd commenters competing to see who can most stridently express opposition to the copyright/royalty/license business model of mainstream music, and 5 of us getting yelled at for suggesting that maybe private businesses should be able to pick their own business models, even if they're completely idiotic, and that everyone has the right to simply not buy…
In truth, I am kinda bored by these debate. They repeat themselves ad nauseam every time we have them. I wish we see new arguments for a change.
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#24Earlier quoted context omitted.
Correct me if I'm wrong, but songs are 99c on iTunes? Is it reasonable to expect a 20 year old intern to drop almost $11,000 on songs? It would seem being a music lover is an expensive hobby.
I'm in tears. Is it reasonable to expect a 20 year old intern to have these 11000 songs? Does her life depend on it? What about other things which are unreasonable expensive for a 20 year old intern? The laptop to store the music on, external hard drive, smartphone with data plan to download and so on ... ? This one has some background on numbers. And myths about royalties: http://thetrichordist.wordpress.com/2012/06…
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#25For a much better post than the skimpy NYT rehash see : http://thetrichordist.wordpress.com/2012/06/18/letter-to-emi...
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#26Earlier quoted context omitted.
Here's my issues with this line of thought. For one, why is 99c considered "reasonable" for a song? I feel as though this price point has little to do with the economics of the song-making business and a lot to do with the economics of iTunes/etc. Secondly, what is "convenient"? Why is iTunes downloading convenient, but watching GoT on HBO's online service not? I'm not saying they are equal, I think iTunes is easier,…
It's very difficult to do 'micropayments' on a credit-card based architecture - card fees are usually a percentage + flat rate cost (say 2% and the first 20 cents of any transactions). Because of this flat fee anything below around 99 cents quickly becomes unprofitable to sell. It's why companies that do microtransactions do so with other payment methods, like alternative currency (FB credits, etc). Of course, you ca…
Not something in reach for indies, but Dwolla is changing that.
Side note: Spotify is horrible for musicians.
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#27Put morality aside for a second. The market has clearly dictated they will not support the business practices of the major record labels, and have instead resorted to alternate ways of obtaining their music. The record labels must adapt, or they will fall[1]. Econ 101. You can debate morality until the cows come home, but that's not going to change these simple facts. [1]Ignoring possible government interference
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#28Put morality aside for a second. The market has clearly dictated they will not support the business practices of the major record labels, and have instead resorted to alternate ways of obtaining their music. The record labels must adapt, or they will fall[1]. Econ 101. You can debate morality until the cows come home, but that's not going to change these simple facts. [1]Ignoring possible government interference
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#29Once again, killing (or at least assaulting) the messenger.
I don't actually see it that way. Admittedly, there is always some gray area when it comes to Intellectual Property, but, in this case, the intern's behavior was just disgraceful. Stealing is stealing. Ever since reasonably priced alternatives (iTunes and Amazon) of non-drm content in flexible packaging (per song purchasing) became available - music listeners have no excuse for stealing music. I.E. This might have be…
Re: NPR Intern Gets an Earful After Blogging About 11,000 Songs
#30Just curious, how does she have 15gb of "legally downloaded" music that she didn't pay for?
Copying music on analog media for personal use from a friend is fair use, under the Audio Home Recording Act; in return, the music industry gets a kickback from every blank tape sold to compensate them. However, the AHRA does not apply (in either the fair-use or kickback portions) to copying music from a friend for personal use onto your iPod. It's not clear very many people who aren't specialists understand that home-taping is legal but home-iPodding isn't...