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I don't "get" art

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Re: I don't "get" art

#81
post #57
post #48

I'm not going to deny that there's a lot of crappy art out there. However, this article is such bullshit that I suspect the writer is just trolling. For those who are nodding along with this article, consider the Obfuscated C contest: http://www.ioccc.org/ That's art. But it's art that most people in the world can't begin to appreciate. You need years of coding experience to really get it. You need context. When hack…

Imagine if someone took programs written for the Obfuscated C contest and boxed them up for sale to the general public. Art that is "movement Z is a reaction to Y, which in turn is a reaction to X" might be fine for artists to circulate amongst themselves, but the problem is that it is sold to people who have no such insider knowledge, yet like to pretend it is somehow relevant to them.

I'm not sure this is true. It seems to me that people who don't have insider knowledge end up with stuff they like -- they aren't lining up to pay $350k for something they don't like or understand. Ironically, they're probably ending up happier than some collectors trying to speculate who end up with the B.S.

On the other hand, collectors who are rich, dedicated, and informed are a huge component of the total money spent on modern art, and are big players (iconic example: the Guggenheims). They can end up having a tremendous influence on the art world.

Bottom line: don't feel sorry for art collectors. And if you collect art, buy what you like! Not what people tell you you ought to like!

Re: I don't "get" art

#83
post #48

I'm not going to deny that there's a lot of crappy art out there. However, this article is such bullshit that I suspect the writer is just trolling. For those who are nodding along with this article, consider the Obfuscated C contest: http://www.ioccc.org/ That's art. But it's art that most people in the world can't begin to appreciate. You need years of coding experience to really get it. You need context. When hack…

The author's point was that you don't need many years of experience or talent to do the "art" he presented in his piece. Just about anyone can "produce" "art" like this. That was his whole point. To claim you need years of context to understand 50 year old woman throwing cash on her vagina is stupid.

Re: I don't "get" art

#84
post #48

I'm not going to deny that there's a lot of crappy art out there. However, this article is such bullshit that I suspect the writer is just trolling. For those who are nodding along with this article, consider the Obfuscated C contest: http://www.ioccc.org/ That's art. But it's art that most people in the world can't begin to appreciate. You need years of coding experience to really get it. You need context. When hack…

I think modern art is what happens when your "understanding art" circuits get into a feedback loop of some kind, there's something going haywire in there. Modern art is the mental equivalent of an allergic reaction. So we get these famous artists who made things like big canvases of entirely purple, and we say it's art because art critics sneezed out a bunch of reasons why it's art. Laypeople look at Rothko and wonde…

But what's really going to bake your noodle later: Is it more sophisticated to have broad acceptance of contemporary art or to call out bad attempts at art that are relying on your need to feel sophisticated for acceptance?

Re: I don't "get" art

#85
post #48

I'm not going to deny that there's a lot of crappy art out there. However, this article is such bullshit that I suspect the writer is just trolling. For those who are nodding along with this article, consider the Obfuscated C contest: http://www.ioccc.org/ That's art. But it's art that most people in the world can't begin to appreciate. You need years of coding experience to really get it. You need context. When hack…

I'll bite...I know very little about art, but I'm willing to be educated. So tell me, by what criteria does one distinguish modern art from garbage? Taking your Obfuscated C contests as an example, even if the source files look like gibberish to your average citizen (or average programmer), you could at least explain why it's special. And it wouldn't be that hard to see, for anyone, why creating a winning entry takes…

Whether you like a work is a purely subjective experience. There's no Art Guy In The Sky handing out ribbons. It's up to each of us to decide what we like and don't like.

Having said that, the best way to learn to appreciate visual art is to learn to sketch. You don't have to become Leonardo, but simple observational drawing is a great way to train your eye and brain to see better and as a side benefit you will understand a lot of the language of art better.

Not the only way by any means. Reading art history, looking at paintings from different periods, reading articles on art theory can get you going too. Talk to other people about the stuff they like; especially the stuff that puzzles you. Don't automatically assume that they are "faking it" or "being pretentious", though they may; people are people. But if a lot of people are interested in something, there's often something worthwhile there.

If none of that appeals to you, and you just want a simple, visual experience, look at art, admire the stuff you like and ignore the stuff that leaves you cold. Looking at art is a lot like listening to music. It can be a deep, technical experience, or a simple, enjoyable way to pass time.

Re: I don't "get" art

#86

relevant xkcd http://xkcd.com/915/

The "dilemma of the palette", I grapple with it constantly. if you never develop a palette for something, you never have to spend the money on "the good stuff". Applies to scotch, wine, beer, cigars, and food, among other things.

Of course, appreciating some of these things has some social benefits. And of course, in each such case, you can just fake it.

Re: I don't "get" art

#87
post #81
post #57

Earlier quoted context omitted.

Imagine if someone took programs written for the Obfuscated C contest and boxed them up for sale to the general public. Art that is "movement Z is a reaction to Y, which in turn is a reaction to X" might be fine for artists to circulate amongst themselves, but the problem is that it is sold to people who have no such insider knowledge, yet like to pretend it is somehow relevant to them.

I'm not sure this is true. It seems to me that people who don't have insider knowledge end up with stuff they like -- they aren't lining up to pay $350k for something they don't like or understand. Ironically, they're probably ending up happier than some collectors trying to speculate who end up with the B.S. On the other hand, collectors who are rich, dedicated, and informed are a huge component of the total money s…

Another good example: Peter Norton, of Norton Utilities, has been a very influential collector. He's probably one of the hundred or so most prominent private collectors of contemporary art.

Re: I don't "get" art

#88
note: if you read one part of this, read the last paragraph.

"I paint objects as I think them not as I see them." - Pablo Picasso "Art is what you can get away with." - Andy Warhol

I do not buy the "this isn't art, I can do this. art requires skill" train of thought. firstly, if we appreciate skill then we are not appreciating art. we are appreciating a craft. to appreciate art we must appreciate creativity. who's the artist: the engineer or the architect? the engineer has more skill, but i'd say the architect.

Secondly, let's assume that the "art requires skill" argument is correct. hence, a white painting is not art. but then what's the converse. is photorealistic painting (when a painting looks as though it were a photograph) the best art? because it contains the best skill at imitating reality? because I would say Michelangelo or Rembrandt are far superior to any photorealistic painter (try to name one).

Lastly, here's an interesting spin on modern art: it has a greater effect on you than regular art does. You've probably had a lot of conversations about modern art but little about real art. And it has a greater emotional effect on people (generally anger or disdain) than regular art, which usually leads to boredom. After all, I bet there are tons of blog posts on modern art like this one. I doubt there are many on the Old Masters. Modern art challenges us, makes us think more, and make use talk more.

Re: I don't "get" art

#89
post #48

I'm not going to deny that there's a lot of crappy art out there. However, this article is such bullshit that I suspect the writer is just trolling. For those who are nodding along with this article, consider the Obfuscated C contest: http://www.ioccc.org/ That's art. But it's art that most people in the world can't begin to appreciate. You need years of coding experience to really get it. You need context. When hack…

That makes very good sense. The problem is, a lot of us have been to modern art museums, where you'd think that next to every piece there would be an explanation as to the X, Y, Z, A & B that you mentioned. But there never is. So why is that? You must admit, it's not a crazy idea that they are being intentionally opaque because the decision of what art is "great" and what is "crap" is not being chosen out of merit, b…

Some museums will have didactic plaques, or large wall didactics, especially for thematic shows. But for well known artists, or major works, these panels don't make sense. They mean so many things to so different people, that it would be presumptuous to try to pin down a meaning in a few sentences. The panel would leave out more than it could include.

Re: I don't "get" art

#90
post #48

I'm not going to deny that there's a lot of crappy art out there. However, this article is such bullshit that I suspect the writer is just trolling. For those who are nodding along with this article, consider the Obfuscated C contest: http://www.ioccc.org/ That's art. But it's art that most people in the world can't begin to appreciate. You need years of coding experience to really get it. You need context. When hack…

I think modern art is what happens when your "understanding art" circuits get into a feedback loop of some kind, there's something going haywire in there. Modern art is the mental equivalent of an allergic reaction. So we get these famous artists who made things like big canvases of entirely purple, and we say it's art because art critics sneezed out a bunch of reasons why it's art. Laypeople look at Rothko and wonde…

Actually, a lot of modern art IS intellectual games; not spirit or aesthetics. Look at the readymades of Marcel Duchamp (early 20th century). And these intellectual games apply to modern literature and music as well.
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