I don't "get" art

In no way, shape, or form is "My cunt is wet with fear" beautiful. This is simply an artist trying to be shocking and radical, but without the courage to actually do so in a meaningful way, is simply couching it in "art".

I would argue that much of modern art (not to be confused with abstract art) is simply an excuse for the artists to be ridiculous without reprimand. If you look at the art of da Vinci, or Raphael, or even some modern artists (One could argue John Mayer's skill with a guitar constitutes art) they did not need to be shocking to have an impact- their work stood on its own.*

That, I guess, would be the crux of the matter. All these other comments explaining that we don't get the "context" or that we simply need to "understand the background" are more or less re-iterating the foolishness found in The Emperor's New Clothes. Art is meant to stand alone. The Mona Lisa does not require context to appreciate it's nuance of color, and the skill with which the expression is painted. Andy Warhol's (in?)famous Campbell's Soup Cans can be lauded on their symmetry and juxtaposition of color alone, while incorporating the mundane into the abstract. The Sistine Chapel can be admired simply by the scale and breadth of the murals within, not excluding the skill with which they were painted, or the beautiful imagery. I've even had non-religious friends admire it more than my religious ones.

One cannot simply say that "you don't get it". Beauty does not need "to be got". Beauty is inherent, and all perspective simply does is skew the appreciation of the beauty. I don't have to like Picasso to appreciate it, just as I don't have to like jazz to appreciate the beauty in syncopation. Even if you do not agree with me, we can all concur that true art will stand the test of time. So I ask you, do you see people talking about this exhibit 20 years from now?

*This is not to say that bodies of work cannot heighten appreciation, or lend further enlightenment upon the individual works, however a broken bridge, a looped video, a sentence set in neon and various pots placed on pedestals does not constitute a cohesive body of work.

Taking your Obfuscated C contests as an example, even if the source files look like gibberish to your average citizen (or average programmer), you could at least explain why it's special. And it wouldn't be that hard to see, for anyone, why creating a winning entry takes a lot of technical skill and creativity and that not just anyone could do it.

Saying that you don't like something or don't understand something is cool. No one likes or understands everything.

Most art has a narrative behind it and to really understand what the artist is about you do have to know that narrative. Now a lot of older art, or art designed for a purely visual experience can become disassociated from its narrative and still appreciated. Or we can bring a new narrative to it.

This is not a new thing. It's always been that way in art. A lot of old art is appreciated for aspects that would confuse or even outrage its creators. (Also, a lot of old "junk" or popular art is now appreciated when in its day it was considered throwaway and trivial.)

Most people don't really care about the political situation in France in the mid 19th century. At least not the extent that they pick sides. But we can still appreciate Daumier's satiric political prints because we bring a new narrative to it. We can see ourselves and our current situations in it.

A lot of modern art is about art and the whole process of communication, perception, and expression. As such, the narrative can get pretty self referential and abstract. Recursive to a high degree. (I'll admit, after too many iterations, I start to loose interest myself.)

One way to look at a lot of modern art is to understand that it operates a bit like satire, only the without the joke aspect. Though not always. A lot of it is actually pretty funny if you can follow the conceit. Whether this is interesting to you or worth the effort is a personal choice or preference. Another way to look at some modern art is to approach it like jazz. It is artist riffing on themes and ideas that other artists have done. Again, a knowledge of the works being referenced is usually helpful.

No one said liking art was going to be easy.

But don't automatically assume that because someone else likes it, they aren't sincere or are chumps.

Edit: It just occurred to me that possibly the best way to explain art to the Hacker News crowd is to say that art is like hacking. Hacking perception. Hacking expression. Hacking communication. It doesn't have to have a point, though it might. You do it because you can, because you want to, or because you need to. Or, possibly the most fun, because you shouldn't.

Appropriately, I remember "trash on floor" being one of the exhibits (second floor, I believe, just prior to the video montage of a gentleman's penis).