Gear Acquisition Syndrome

As someone who's battled Gear Acquisition Syndrome (GAS), I've learned that fixating on the latest tech often hinders progress. Instead, I've found success by embracing effectuation principles:

1. Use what you have: Start with your existing tools and resources.

2. Take action: Begin immediately, rather than waiting for the "perfect" setup.

3. Adapt and learn: Iterate based on real-world feedback.

This mindset shift can lead to more meaningful progress and innovation. When you catch yourself obsessing over new gear, try this:

1. Pause and reflect: Is this acquisition essential for immediate progress?

2. Reevaluate: Can you achieve your current goals with what you already have?

3. Focus on action: Use your existing means to take concrete steps today.

> All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.

- Ira Glass

I very much suffer from the same thing when it comes to music. I'm a pretty decent guitar player, all round - but I still struggle mightily to make music I'd want to listen to. But such is life, I guess.

Honestly my GAS subsided when I realized most of my favorite records were made with affordable or off the shelf gear. So many guitarists on the 80s used JCM800s because that was what Marshall was putting out. Eric Clapton’s Stratocaster wasn’t vintage when he bought it, it was just an off the shelf guitar! Same with most amps, instruments, keyboards, synths, drum machines, even samplers which are hailed as legendary because they have higher bass and a lower bitrate (an effect you can get with a one-knob EQ and a bit crusher, respectively). The artists were just using the tools available to them because… they were available.

I have simplified my recording and production setup to mainly just a computer, 10 channel audio interface, a 90s mackie mixer because it’s big and fun and sums neatly to the 10 channels (8 busses + master 2 buss), and whatever bits of quirky and fun gear I can find.

My GAS left when I realized I don’t need any of it. I could make music on just a laptop if I wanted to, I could just play my guitar and resample it for synth sounds if I wanted to. Plenty of iPhone producers out there who just make weird sounds with their mouth. It’s all relative. People will say you’ve Got to have at LEAST one analog mono, one poly, a digi, a sampler, and an endless supply of grooveboxes, but computers are truly more than capable. “Analog sound” is just an EQ away. Just focus on the creative aspect and the gear aspect diminishes and becomes yet another source of creativity - find quirky pawn shop stuff that makes you smile when you play it. Even if you don’t record it, you don’t feel like it’s GAS because it brings joy.

Really? Photography changed a lot from 1950 to 2000. I'd be very surprised if anyone would've preferred the 1950 grayscale and gigantic photography equipment over the 90s-2000 variants

There were a lot of amazing advancements from 1950 to 1980. After 1990 and autofocus the build quality of lenses started going downhill. The plastic focusing mechanisms negated a lot of the otherwise good optics.

The affordable category of lenses today also don't gave good optics. While there are good modern optics used in higher-end lenses, it's easier to get better used old optics that outperforms shitty modern optics at the same price point.

There are some nice lenses made today but they are extremely costly. A Sony GM 300/2.8 costs $6000. I got my late 70s Canon SSC Fluorite 300/2.8 for $400 and it's tack sharp corner to corner, and considering I paid only $400 for it, I'm not too worried about taking it everyhwere.

A Sony GM 50/1.2 costs $1900. I paid $300 for my Nikkor early 80's 50/1.2. For f/1.2 portraits sharpness isn't the thing you're usually after, and mine gives absolutely spectacular results.

Back in the 50s-80s almost every lens was built like a tank and they are now available used at a fraction of the price of modern equivalents. If you don't give a crap about autofocus (studio portrait, macro, landscape, product photographers all don't need autofocus), it's a very good deal. Plastic started to show up in the 90s and killed everything.

(If you're shooting sports and wildlife, yeah, prioritize autofocus, but that's not what I do.)