Earlier quoted context omitted.
This is all true, and in a vacuum I agree with it. There's a pretty core problem with these kinds of assertions, though: people have to make rent. Never have I seen a substantiative, pass-the-sniff-test argument for how to make practical this system when your authors and your artists need to eat in a system of modern capital. So I'm asking genuinely: what's your plan? What's the A to B if you could pass a law tomorro…
> What's the A to B if you could pass a law tomorrow? Top priority: UBI, together with a world in which there's so much surplus productivity that things can survive and thrive without having "how does this make huge amounts of money" as its top priority to optimize for. Apart from that: Conventions/concerts/festivals (tickets to a unique live event with a crowd of other fans), merchandise (pay for a physical object),…
"Everybody else gets paid for the work they do; you get paid for things around the work you do, if you're lucky" is a way to expect creatives to live that, to put a point on it, always ends up being "for thee, but not for me". It's bad enough today--I think you described something worse.