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Studies show that people stop discovering new music when they are 30.
https://www.hypebot.com/hypebot/2023/03/study-shows-why-we-s...!
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[flagged]
Studies show that people stop discovering new music when they are 30.
https://www.hypebot.com/hypebot/2023/03/study-shows-why-we-s...!
Earlier quoted context omitted.
Look. It was 25 years ago. I’m an old man now. My memory of that time is a haze of multiplayer Quake strategy. How about I rephrase it: it FELT like 3+ hours.
It could still have been 3 hours as you would have been constrained not only by your own download speed, but also the peer’s upload speed, and they might have been on an even crappier dial-up line or sharing their bandwidth with other uploads.
I remember how out of control the lawsuits got by the mid-2000s. A friend had to drop out of college and move back home over some multi-million dollar claim on behalf of the RIAA that his family "settled" for $40K. It wasn't even clear he was responsible (the lawsuit was based on IP), but he was scared and admitted to using "file sharing services", and that was that. I'm still disappointed that laws against barratry…
What rights did you used to have?
That all went away in 1790 when the U.S. government passed the first Copyright Act. https://www.copyright.gov/timeline/timeline_18th_century.htm...
Earlier quoted context omitted.
It could still have been 3 hours as you would have been constrained not only by your own download speed, but also the peer’s upload speed, and they might have been on an even crappier dial-up line or sharing their bandwidth with other uploads.
IIRC Napster downloaded from multiple peers if possible. Each peer could restrict bandwidth so that they didn't get overwhelmed with outbound traffic. So speed would depend vastly on the popularity of content... if many people could provide a song, you could download it quickly (for the time: maybe a few minutes per song), but those where you had to rely on a single peer at a time could take hours.
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What's the argument for file sharing ruining music? I would think more the opposite, that it improved distribution and discovery for lesser-known artists, and so helped diversify music.
There’s a theory that for a period of time in the 00s, all the “smart” people were getting their music for free online, while only “dumb” people were buying CDs, and so popular music charts began to reflect the tastes only of the “dumb” people. I don’t believe it because (a) crap music has always existed, and (b) Napster nerds were numerous but still weren’t a critical mass capable of moving the market like this.
Yet we still don't have a safe & resilient alternative for using Kademlia tables. Shame on us.
Earlier quoted context omitted.
IIRC Napster downloaded from multiple peers if possible. Each peer could restrict bandwidth so that they didn't get overwhelmed with outbound traffic. So speed would depend vastly on the popularity of content... if many people could provide a song, you could download it quickly (for the time: maybe a few minutes per song), but those where you had to rely on a single peer at a time could take hours.
I'm not sure, but i think it was napster's succesors that introduced that. I dont think napster had that sort of thing.
> According to the RIAA’s former CEO, Hilary Rosen, a few months after Napster’s release, the music industry shifted into full panic mode. In February 2000, all major label executives discussed the threat during an RIAA board meeting at the Four Seasons Hotel in Los Angeles. > “I will never forget this day. All of the heads of the labels, literally the titans of the music business, were in that room. I had somebody w…
Maybe, but don't discount media lobbying gov't, and trying to generate moral outrage about AI stealing from artists, deep fakes, AI safety, etc to make sure only big corps control AI.
This isn't generated outage, it's genuine, and objectively justified. Trying to find clients was hard enough for artists to begin with.
We should be automating hard labor so we can focus on art and human interaction, but instead we're automating art and interaction so we can focus on slaving away even harder. This is somehow worse than any traditional dystopia story. Government propaganda posters were at least the work of a human hand.
Earlier quoted context omitted.
Look. It was 25 years ago. I’m an old man now. My memory of that time is a haze of multiplayer Quake strategy. How about I rephrase it: it FELT like 3+ hours.
It could still have been 3 hours as you would have been constrained not only by your own download speed, but also the peer’s upload speed, and they might have been on an even crappier dial-up line or sharing their bandwidth with other uploads.
But, hey, the quasi-communists who thought they were somehow liberating the music from the evil rich people ended up dragging all of the music industry down into poverty.