Earlier quoted context omitted.
I've long wanted to read Charles Stross and somehow haven't. (Well, I read a few chapters of Accelerando years ago and never finished it, despiting liking it quite a bit.) Do you think Glasshouse is a good place to start with his writing and is representative of his style? I loved Permutation City, one of my favorite books. (I would've asked cstross himself but that would seem too awkward!)
Do you think Glasshouse is a good place to start with his writing and is representative of his style? Well... to me, I'd almost divide Stross' works into two tranches: the "The Laundry Files" books, and everything else. In that regard, I think Glasshouse is fairly representative of the "everything else" tranche. But even then, there's a fair amount of variance in his works. I wouldn't, for example, necessarily compar…
Permutation City (1994)
141–150 of 207 posts
Re: Permutation City (1994)
#142Earlier quoted context omitted.
Completely different style but I think Altered Carbon by Richard K Morgan introduces lots of new ideas and interacts with them realistically. The first season of the show was good but very different than the book.
The Netflix version is a diluted version of a rough and angry book. The idea of consciousness executed in hardware is explored, including simulated torture in subjective slow time (possibly in one of the sequels: Broken Angels or Woken Furies).
Book takashi was an envoy super spy person with immense training that stuck with him through sleeves. Tv takashi is like a rebel/terrorist who just got some training and has personality.
In the book, it was fruitless to fight against the government because what’s the point? The tv show seems to want to make a more simple rebels vs big brother.
Still cool, but I think changed the flavor quite a bit.
Second season, of course, is rubbish and I wouldn’t recommend watching it to anyone. It’s suspiciously horrible given how good the first was.
Re: Permutation City (1994)
#143Pretty awesome book. Would be cool if someone could recommend sci-fi that equally good.
Re: Permutation City (1994)
#144Earlier quoted context omitted.
Do you think Glasshouse is a good place to start with his writing and is representative of his style? Well... to me, I'd almost divide Stross' works into two tranches: the "The Laundry Files" books, and everything else. In that regard, I think Glasshouse is fairly representative of the "everything else" tranche. But even then, there's a fair amount of variance in his works. I wouldn't, for example, necessarily compar…
Merchant Princes series is about my favorite cstross!
Re: Permutation City (1994)
#145Earlier quoted context omitted.
The Netflix version is a diluted version of a rough and angry book. The idea of consciousness executed in hardware is explored, including simulated torture in subjective slow time (possibly in one of the sequels: Broken Angels or Woken Furies).
I think they also changed the societal and cultural aspects quite a bit. In the book, everything was accepted and there were weren’t any “downtrodden.” The show changed all this with the meths being super billionaires and then there being lots of poor people. And the whole thing with the rebellion. Book takashi was an envoy super spy person with immense training that stuck with him through sleeves. Tv takashi is like…
[1] https://www.goodreads.com/quotes/169549-the-personal-as-ever...
Re: Permutation City (1994)
#146Earlier quoted context omitted.
People have already mentioned qntm, but I’ll put another plug in for “Valuable Humans in Transit” https://qntm.org/vhitaos Sol Quy with monthly short stories: https://solquy.substack.com/p/111123-the-gunslinger Adrian Tchaikovsky’s “Children of Time” series is fantastic. Vernor Vinge can be a bit variable, but I would start with “A Fire Upon the Deep”
Children of Time is great. Children of Ruin was a lot of fun, but I was convinced by friends Children of Memory wasn't worth it.
Re: Permutation City (1994)
#147Earlier quoted context omitted.
Oh, boy. Blindsight was a book that made me realize that maybe I like the _idea_ of hard sci-fi more than I actually like reading it.
Blindsight is by no means a hard sci fi book.
In all seriousness, I thought I had seen it in a list of "top hard sci-fi books" awhile back and a quick Kagi search seems to imply that a lot of people seem consider it hard sci-fi for whatever reason.
Maybe this means there's still a chance for me.
Re: Permutation City (1994)
#148Earlier quoted context omitted.
No one reads Greg Egan for the character building or any of that other literary bullshit. This is the novel that introduces the idea that a simulation universe need not have another universe simulating it. Hell, it's the only novel that has that idea. There is more insight here than we could extract from a thousand other authors, philosophers, and thinkers. But who cares, the characters were sort of cardboard and he…
I justs finished reading the book and the idea that a simulation universe need not have another universe simulating it indeed baffled me. How do you make sense of that? I was disappointed there wasn't a clearer motivation for it.
Chew on it for awhile. It's worth it. The explanation provided was sparse, but sufficient to justify.
Re: Permutation City (1994)
#149Re: Permutation City (1994)
#150Fun to see this on HN today; I just finished it last night, on a recommendation from a friend. It was great, and left me full of unfinished thoughts -- just what you want from a good SF yarn. For folks who enjoyed the ideas in it I can heartily recommend qntm's short story Lena ( https://qntm.org/lena ), which explores some of the same ideas but with a hefty dollop of (implied, but all the more intense for it) psycho…
Can confirm - I'm a huge fan of Greg Egan and specifically Permutation city, and also a huge fan of qntm's stories. Lena is probably the most famous, though not even the best ("I don't know Timmy" is better IMO). Also, I finally read qntm's Antimemetics division and, while it is a bit lacking in the end, it is one of the most "oh wow this is a crazy good idea" stories I've read in years.
In "I don't know Timmy" there's a sequence that goes:
"Well, we can't exactly turn it off."
"Why not?" asked Tim, halfway to the door, then stopped mid-stride and stood still, realising.
"Oh."
But you can turn it off without consequence and Permutation City explores the disturbing implications of why thoroughly (with a deus ex machina ending to save causal physics, as expected of an Egan story, physics is what has plot armor).