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Netflix: Piracy is difficult to compete against and growing rapidly

torrentfreak.com

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Re: Netflix: Piracy is difficult to compete against and growing rapidly

#91

Earlier quoted context omitted.

This is HACKER news, our central ethos is (should be) all information wants to be free. Sad to see the desire to pay for content is getting upvoted.

This is "Hacker" news for a bunch of independent definitions of "Hacker", and for most of us the definition isn't "breaks into computer systems and leaks stuff on the internet". For myself, when I think of the hacker ethos I think of Stallman and the GPL, which is explicitly designed around the idea that information can be ethically sold as long as you're actually selling it [0]. It's free as in freedom, not free as…

This is the ballpit sandbox forum for YCombinator, a club for software startup investment fund managers who can quote from the Tibetian Book of the Dead.

The lesson here is that attrition and shrinkage will always be with us, it's only the rate that varies in market accordance with the enshittification of product.

The 'better' the product, the lower the shrinkage.

As supported by a majority of thread comments "I used to pirate when I was poor, then I didn't - now I do again as the commercial offering sucks".

[attribution] https://thebillionscompanion.net/all/tag/Tibetan+Book+of+the...

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#92
What are non-tech-savvy people actually using for piracy these days?

Torrents require you to own a PC (there's no way to torrent on a phone or smart TV AFAIK), Usenet requires you to have some tech knowledge, same goes for Plex / Jellyfin.

I feel like piracy nowadays is a lot harder for an average Joe than it used to be. People now expect that they can turn on their TV, open an app, enter a title in the search box and start watching, and P2P just doesn't work that way.

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#93

Piracy is a moral imperative. The internet was supposed to be free and break down barriers. Instead what we have now is a show available in the UK but not available in the US. This is not acceptable. This plus the fact that actual artists get a pittance, means the flag will fly high till companies learn. Also piracy has become much more reliable these days. There are systems which will make sure you get 4k streams ba…

I don’t understand how it follows that if artists are paid a pittance, then the moral thing to do is to still consume their content - while depriving them of revenue from residuals.

They get the same amount of residuals if someone doesn't watch something or if they pirate it. Is it immoral to not watch something that gives someone residuals? Do you owe them residuals just because they made something?

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#94
post #24

Earlier quoted context omitted.

Of course this is 100% the correct reasoning. When I was a broke college kid I pirated all the things, and at the time wished, when I could afford it, I’d rather just pay. When I could, I did, for years. Now we’re back at the path-of-least-resistance is pirating.

But that means companies must sell for the marginal price of their website’s ergonomics, not for the marginal price of producing movies. (Which is not a big loss, because I can’t imagine producing the Netflix knockoffs be a hundredth the price of a 007).

I’m not sure it has to be exclusive: some people are inveterate freeloaders but most of us understand that the artists have to get paid, so it’s not just a question of being so cheap that piracy isn’t appealing but also having users feel like they’re not being taken advantage of.

The problem feels a lot like the situation MoviePass worked themselves into where they priced it unsustainably low but cheap money allowed that to run long enough to train a generation of customers that their content was only worth that much. I imagine Netflix would dearly love to say that your subscription includes a certain number of movies but you can add on more, or that there’s a premium tier, etc. but there isn’t an easy way to try something like that now that everyone is used to the current model.

The other side of the problem is that studios really don’t want market pricing. Subscriptions are banking on the idea that you’ll still pay $12/month and find something else to watch even if the big series/movie they’re promoting isn’t very good, and they’re keeping the prices for rentals really high which makes means people are often looking at 1-2 months of streaming charges for a single movie rental.

The combination of the two seems likely to make a lot of people pirating for years to come. Most people do not want to juggle multiple services and if they’ve learned how to pirate anything once it’s always going to be there the next time someone jacks up prices or plays games with availability. I think that’s going to last until someone has the courage to let services like YouTube or AppleTV offer rentals of everything at reasonable prices.

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#95

Earlier quoted context omitted.

I don’t understand how it follows that if artists are paid a pittance, then the moral thing to do is to still consume their content - while depriving them of revenue from residuals.

They get the same amount of residuals if someone doesn't watch something or if they pirate it. Is it immoral to not watch something that gives someone residuals? Do you owe them residuals just because they made something?

You are using the age old argument of “I wouldn’t have bought it anyway, so they won’t get anything from me either way”

This is just a roundabout way of excusing stealing. If the creator of something says “if you want to view my work, you must pay me a dollar”, then yes it is stealing (immoral) if you view it without paying. The context around it as to whether you would’ve watched it anyway is irrelevant.

Apply the same logic to literally any other item and your argument falls apart (I wouldn’t have bought that chocolate bar anyway so they’re not really losing money from me)

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#96
post #80
post #18

Earlier quoted context omitted.

Now, it doesn't just work. You need to download the thing, find the right format, get it to the TV in one way or another, hope that the subs are good. Compared to that, it's the streaming that just works. Except when it doesn't.

But all of this actually just works. Right format is never an issue. To get it to the TV, I just use Plex. There’s even a smart TV app. I can also watch it on my smartphone. And download it if I know I won’t have network. Subtitles are often embedded directly in most downloads, and if not Plex always manages to find the correct ones from OpenSubtitles. These are non issues, most of the times.

I’ve been running Plex since probably 2010, maybe earlier. It just works… once you set it up… and until something needs to change. The concept of running a server is lost on most people. I’ve set it up for some others, and they don’t get it. They just plug a laptop into their TV or use AirPlay instead, because the idea of a server and client (in whatever terminology one wants to use) doesn’t really click. Most people aren’t a custom leaving their computer on all the time in the name of having a server running either.

There is also a matter of getting the content. If they are going to rip DVDs, now they have to use something like Handbrake. But that’s not all, they also need to spend time learning how Plex reads folder and file names to scan the media to lookup metadata. Doing that manually sucks, so then that might lead them to have to search for something like Filebot, where they need to use Filebot’s naming syntax to align its actions with what Plex wants. Then if they get a new computer, there is the issue of migration to the new system. I eventually got a NAS, which meant moving to Docker, which would be a whole new can of worms for them.

And all this just assumes it’s all on the local network. Plex might do some router magic today, I can’t remember, but for a long time I remember setting up port forwarding so I could get at my library from my phone.

I don’t think anything of most of this, and I assume you don’t either, but it’s a lot for someone who doesn’t have any kind of background in this stuff or interest in heading down a rabbit hole with it.

I’d also argue that as Plex became more platform agnostic with its web UI, it became harder for the average user to understand. The first versions, based on XBMC, were just apps. Stick out media in there and it plays it. Then they made PMS with the client/server architecture, but the server still had a really nice GUI on the Mac where things made sense. Now the server launches the browser when opened, so people kind of need to understand the idea that this server is hosting a website to manage the media, which is another layer for someone to get lost in. And now, I go to plex.tv, login there, and it loads the server running off my NAS, which will be even more confusing for people, especially if/when something goes wrong or isn’t working. They also need to keep up with the changes, not of just the UI they use, but the architecture of the backend, to some degree. It’s changed a lot over the years I’ve been using it.

As for subtitles. I typically trash them and don’t care, as 99.9% of the time I don’t want subtitles. But the 1 time I tried to download the subtitles and use them, it didn’t work and I gave up. I watched on a streaming service instead.

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#97

Earlier quoted context omitted.

Delayed availability also bolsters piracy. In the age of the internet, people don’t want to watch foreign shows weeks or months after they’ve aired in their country of origin, but within mere hours of original airing so they can ride the global wave of discussion after each episode. A six month delay for example will completely miss the bulk of the show’s online relevance and even a week is enough to seriously dampen…

Piracy also solves the opposite problem of "old" movies and TV shows disappearing from streaming services. Especially since many things are exclusive to streaming platforms with no physical release, after they're removed from a streaming service, piracy is the only way to view such stuff.

There’s also cases where by far and away the best version of a given piece of media is the recording of an HDTV broadcast from somewhere in southeast Asia or something because the rightsholders never bothered to produce a physical release in anything better than VHS or badly mastered DVD.

Piracy works around negligence on the part of publishers like this.

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#98
post #8

I have found myself pirating more and more. Netflix and co aren't just losing on the available content and the price, the actual browsing experience is far better on the illegal streaming site I use.

I'd like to compare yours to all streaming sites I've used, which are riddled with ads and deceptive clicks.

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#99
post #24

Earlier quoted context omitted.

Of course this is 100% the correct reasoning. When I was a broke college kid I pirated all the things, and at the time wished, when I could afford it, I’d rather just pay. When I could, I did, for years. Now we’re back at the path-of-least-resistance is pirating.

This is HACKER news, our central ethos is (should be) all information wants to be free. Sad to see the desire to pay for content is getting upvoted.

I’ve never equated “hacker == free” ever. In that save vein, no, all information should NOT be free.

I sincerely reject your entire premise.

Re: Netflix: Piracy is difficult to compete against and growing rapidly

#100

Earlier quoted context omitted.

They get the same amount of residuals if someone doesn't watch something or if they pirate it. Is it immoral to not watch something that gives someone residuals? Do you owe them residuals just because they made something?

You are using the age old argument of “I wouldn’t have bought it anyway, so they won’t get anything from me either way” This is just a roundabout way of excusing stealing. If the creator of something says “if you want to view my work, you must pay me a dollar”, then yes it is stealing (immoral) if you view it without paying. The context around it as to whether you would’ve watched it anyway is irrelevant. Apply the s…

I would be curious to know what percentage of pirated movies are actually watched. I think a lot of people download things because they are available and might look interesting, but then never watch it. Does the steeling happen when the content is acquired or consumed? If someone isn’t going to watch it, even when it was free, did they steal anything?

With a chocolate bar there is a physical good that could have been sold to someone else, but instead a new one needs to be produced to sell to someone else. This isn’t the case with digital files.

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