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On being listed as an artist whose work was used to train Midjourney

catandgirl.com

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Re: On being listed as an artist whose work was used to train Midjourney

#431
post #371

Earlier quoted context omitted.

> But as long as it needs to be trained on the work of humans it should not be allowed to displace those people it relied on to get to where it is. Simple as that. Do you feel the same way about tools like Google Translate?

Tbh I'm not familiar enough with how Google Translate is built, but if it's ingesting tons of people's work without their permission so it can be used to replace them then yes I do.

For what it's worth: that's pretty much how Translate works.

Translate operates at a large-chunk resolution, and one of the insights in solving the problem was the idea that you can often get a pretty-good-enough translation by swapping a whole sentence for another whole sentence. So they ingest vast amounts of pre-translated content (the UN publications are a great source, because they have to be published in the language of every member nation), align it for sentence- and paragraph-match, and feed the translation engine at that level.

It's created an uncanny amount of accuracy in the result, and it's basically fed wholesale by the diligent work of translators who were not asked their consent to feed that beast. Almost nobody bats an eye about this because the value (letting people using different languages communicate with each other) grossly outstrips the opportunity cost of lost human translator work, and even the translators are, in general, in favor of it; they aren't going to be displaced because (a) it doesn't really work in realtime (yet), (b) it can't handle any of the deeper signal (body language, tone, nuance) of face-to-face negotiation, and (c) languages are living things that constantly evolve, and human translators handle novel constructs way better than the machines do (so in high-touch political environments, they matter; the machines have replaced translators in roles like "rewriting instruction manuals" that were always pretty under-served in the first place).

Re: On being listed as an artist whose work was used to train Midjourney

#432

Earlier quoted context omitted.

Sorry, but these arguments by analogy are patently ridiculous. We are not talking about the eons old human practice of creative artistic endeavor, which yes, is clearly derivative in some fashion, but which we have well established practices around. We are discussing a new phenomenon of mass replication or derivation by machine at a scale impossible for a single individual to achieve by manual effort. Further, artist…

So your argument is predicated on the scale of inspired work being the problem? > They are not human beings and they do not participate in the social systems of human beings the way human beings do I don't think this adds anything to the argument besides you using this as a reason analogies with humans can't be used to compare the specific concept of inspired works? I don't think this holds up. Algorithms participati…

> That can be said by the development of any technology. Fear of capital concentration is more a critique on capitalism than it is on technological development.

Technology does not exist in a vacuum. All of the utility and relevance of technology to humans is dependent on the social and economic conditions in which that technology is developed and deployed. One cannot possibly critique technology without also critiquing a social system, and typically a critique of technology is precisely a critique about its potential abuses in a given social system. And yes, that's what I'm attempting to do here.

> I don't think this adds anything to the argument besides you using this as a reason analogies with humans can't be used to compare the specific concept of inspired works? I don't think this holds up.

This is a fair point. One could argue that an LLM, properly considered, is just another tool in the artist's toolbox. I think a major distinction though, between and LLM and, say, a paintbrush or even a text-editor, or photoshop, is that these tools do not have content baked into them. An LLM is in a different class insofar as it is not simply a tool, but is also partially the content.

The use of two different LLMs by the same artist, with a the same prompt, will produce different results regardless of the intent of the so called artist/user. The use of a different paintbrush, by the same artist, with the same pictorial intention may produce slightly different results due to material conditions, but the artist is able to consciously and partially deterministically constrain the result. In the LLLM case, the tool itself is a partial realization of the output already and that output is trained on masses of works of unknown individuals.

I think this is a key difference in the "AI as art tool" case. A traditional tool does not harbor intentionality, or digital information. It may constrain the type of work you can produce with it, but it does not have inherent, specific forms that it produces regardless of user intent. LLMs are a different beast in this sense.

Law is a realization of the societal values we want to uphold. Just as we can't in principle claim that training of LLMs on scores of existing work is wrong solely due to the technical function of LLMs, we cannot claim that this process shouldn't be subject to constraints and laws due to the technical function of LLMs and/or human beings, which is precisely what the arguments by analogy try to do. They boil down to "well it can't be illegal since humans basically do the same thing" which is a hyper-reductive viewpoint that ignores both the complexities and novelty of the situation and the role of law in shaping willful societal structure, and not just "adhering" to natural facts.

Re: On being listed as an artist whose work was used to train Midjourney

#433
post #366
post #303

Earlier quoted context omitted.

>But we are allowed to use copyrighted content. We are not allowed to copy copyrighted content. We are allowed to view and consume it, to be influenced by it, and under many circumstances even outright copy it. It's important to consider in any legalistic argument over copyright that, unlike conventional property rights which are to some degree prehistoric, copyright is a recent legal construct that was developed for…

Copyright only makes any sense for goods with a high fixed cost of production and low to zero marginal cost. Any further use beyond solving that problem is pure rent seeking behavior Also, with computers being functional copyright has become a tool of social control; any function in a physical object can be taken away from you at a whim with no recourse so long as a computer can be inserted into the object. Absent a…

Don't put the cart before the horse. What art will we have for AI to copy if there's no more artists next generation?

Re: On being listed as an artist whose work was used to train Midjourney

#434
post #71

Earlier quoted context omitted.

> Put it this way - you remove all the copyrighted, permission-less content from OpenAIs training, what value does OpenAI have? What you probably get is a LLM that can perfectly understand well written text as you might find on Wikipedia, but which would struggle severely with colloquial language of the kind found on Reddit and Twitter. > then it should give some of that value back to the content. That's literally bu…

Would that be less valuable?

I wouldn't be able to guess.

Plus side: Smaller more focused model with lower rate of falsehoods.

Minus side: it kant reed txt ritten liek this, buuuut dat only matters wen nrml uzers akchuly wanna computr dat wrks wif dis style o ritin lol

I suspect there is a lot of value in the latter, and while I don't expect it to be as much as the value in the former, I wouldn't want to gamble very much either way.

Re: On being listed as an artist whose work was used to train Midjourney

#435
post #249
post #235

Earlier quoted context omitted.

How do they make the index without ingesting a copy of the content?

Storing a copy of the content isn't the relevant part. It's what that copy is used for. In a search engine, it's used to direct traffic to the original author. In Midjourney, it's used to create an alternative to the original author.

I certainly use the blurb in search results at times to get an alternative to the original author (especially if the blurbed content is paywalled).

Re: On being listed as an artist whose work was used to train Midjourney

#436

Earlier quoted context omitted.

Redacted.

Jobs have never been less soul crushing, or more creative, in the history of humanity. And that becomes increasingly true every decade. Do you know what a job does? What a company does? It contributes to society! It produces something that someone else values. That they value so much they're willing to pay for it. Being part of this isn't a bad thing. It's what makes society work. A job/company entertains. It keeps t…

Hey. Thanks. Sorry about wasting your time. Shouldn't have started in the first place. It was my fault for trying to make a silly point.

Too mid to understand your point.

Re: On being listed as an artist whose work was used to train Midjourney

#437
This is certainly the first commentary on the subject that made me _feel_ anything, so hats off to the author.

The generative AI that is changing the world today was built off the work of three groups - software developers, Reddit comment writers, and digital artists. The Reddit comment writers released their rights long ago and do not care. We are left with software developers and digital artists.

In general, the software developers were richly paid, the digital artists were not. The software developers released their work open to modification; the artists did not. Perhaps most importantly, software developers created the generative AIs, so in a way it is a creation of our own; cannibalizing your own profession is a much different feeling than having yours devoured by another alien group.

If Washington must burn, let it be the British and not the Martians. How might we have reacted if what has been done was not by our own hand?

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