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The $55M saga of a Netflix series nobody will ever see

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Re: The $55M saga of a Netflix series nobody will ever see

#351
post #345

Earlier quoted context omitted.

what I don’t understand is why people say things that they don’t know are true. you can’t know this is true, because it isn’t. next time the tv license people send you a letter, actually read it

From the UK government website: https://www.gov.uk/find-licences/tv-licence "You need a TV Licence to watch or record programmes on a TV, computer or other device as they're broadcast, and to watch on-demand BBC programmes on iPlayer" In this thread you keep insisting I'm lying and I keep showing you, with evidence, that you're wrong, but you just keep doubling down and ranting about right wing people. What specifica…

at what point did I accuse you of lying?

I pointed out that you (probably accidentally) accused me of lying, if that’s what you’re confused by? or do you mean that I accused you of being confidently wrong? being wrong isn’t lying

does the fact that you were completely misinformed about the main substance of the previous comment not make you question the grounding of your opinions on this? where did you get the idea that you needed a TV license to stream, or do anything other than watch live TV?

Re: The $55M saga of a Netflix series nobody will ever see

#352

Earlier quoted context omitted.

FG laid an egg when it first came out. Over time, FG seems to have gained quite a following and is now a classic. The usual criticism is it's too over the top, too campy. But they miss the point - it was supposed to be over the top and campy. The dialog is still funny after 40+ years: Klytus: Bring me... the bore worms! Princess Aura: No! Not the bore worms! The movie is just crammed with gems like that. It should ha…

I'm not sure I understand why you find those lines particularly comedic. Campy? Most definitely. They also don't really work out of context, so I sat down and watched the actual scene and well... they're still not a particularly funny line, and I don't think the scene is meant to be funny. Are you suggesting that they're intentionally hamming it up? Honestly, I can't even tell if this point. Wikipedia seems to suppor…

> Are you suggesting that they're intentionally hamming it up?

Oh, absolutely. They're making fun of the inherent silliness of the Flash Gordon serials.

Another gem is the priest at the wedding:

    "Do you promise not to blast her into space?"
    [Ming gives him a warning look]
    "Until such time as you may grow weary of her?"

Re: The $55M saga of a Netflix series nobody will ever see

#353

Earlier quoted context omitted.

FG laid an egg when it first came out. Over time, FG seems to have gained quite a following and is now a classic. The usual criticism is it's too over the top, too campy. But they miss the point - it was supposed to be over the top and campy. The dialog is still funny after 40+ years: Klytus: Bring me... the bore worms! Princess Aura: No! Not the bore worms! The movie is just crammed with gems like that. It should ha…

It was supposed to be an acting vehicle for a football player. It's so camp. But it also has Max von Sydow in it, and Brian Blessed is every bit as over the top as he is in season 1 of Black Adder. It occupies much the same genre as Big Trouble in Little China and the Evil Dead movies. If you're looking for something deep, you're in the wrong place.

> It was supposed to be an acting vehicle for a football player.

The complete ridiculousness is Flash plays it deadpan straight with all the emotion of two by four, while everyone else goes berserk.

It's a turnabout from such things as a Groucho Marx movie, where Groucho has all the funny lines and everyone else plays it straight.

Re: The $55M saga of a Netflix series nobody will ever see

#354

Earlier quoted context omitted.

> Crypto has become a very polarizing topic with people... Certain people. I was involved from the beginning, and most of the OGs just shrug at the present day noise - the convert zeal being long exhausted by all the complaints about how PoW makes Mother Gaia cry. The people who have a crazy level of investment are the tech journalists that took very public positions badmouthing bitcoin. That is probably also true of…

It's not quite the beginning but I bought Bitcoin anonymously using cash from Mt Gox in the rally up to $15 before it crashed back down to $5, and then ignored my wallet until it added many zeroes before I sold. I still think that, as a concept, it's dumb as shit, even thought it was profitable for me. I just got lucky.

> I still think that, as a concept, it's dumb as shit, even thought it was profitable for me. I just got lucky.

What, specifically, do you find dumb as shit? I don't want to come across as confrontational here, but it's difficult to gauge how much a person knows about blockchain, its uses, current pitfalls, and the technology's mission. And these conversations usually end up in one of two ways for me depending upon how much the person on the other end actually knows. Either they know next to nothing besides how to buy and sell it, in which case, the conversation almost always tends to lean into pointless vitriol; or they actually know a lot about the current crypto industry, see it for all its weaknesses and none of the potential, and are willing to have a civil conversation.

Frankly, like the other user, I'm in the boat of thinking that our current financial system is in desperate need of some kind of overhaul. Blockchain/crypto could be a part of that overhaul, but doesn't necessarily have to be. But it's clear to me that something needs to change.

Anyway, I'm just always curious about other people's thoughts. I'd say the majority of people I talk to on this topic though just jump straight to abusing the person that's pro-blockchain-as-a-concept without having substantial reason for disliking it besides:

1) it's a huge waste of the world's non-renewable energy resources, which is not necessarily true, it's mostly only true for blockchains like Bitcoin or Ethereum PoW, there are blockchains that require substantially fewer resources to be a player on the chain.

2) That crypto prices fluctuate too much when cashing back out to fiat. This argument seems short-sighted, because in a possibly ideal situation you would never need to liquidate to a fiat. In an possible future (for blockchain) you would be able to pay for your morning coffee at a PoS terminal using your crypto wallet directly and there's possibly a government system that lays out the purchasing power of a coin. I use the word "possibly" a lot here to point out that there are probably competing theories on ideal implementations of crypto as a general and worldwide currency.

3) That the transactions per second (TPS) that a blockchain can handle aren't comparable to systems like VISA. That seems true, for now. Blockchain is still very much in the early stages of development, culturally and technologically. Keep in mind, fiat currencies have been around for nearly a millennia. A technical solution to replace an ancient system needs engineering time and public adoption.

If you have other reasons for thinking blockchain/cryptocurrency is dumb as shit, I'm very interested. And genuinely, I'm not being sardonic or anything else when I say that.

Re: The $55M saga of a Netflix series nobody will ever see

#355

Earlier quoted context omitted.

That's my point. They have to continuously invest in content to keep you as a subscriber. They can't simply enshittify [1] their service and expect customers to stay, unlike, say, a social media platform. [1] https://pluralistic.net/2023/01/21/potemkin-ai/

> can't simply enshittify Of course they can. They already added ads. Have you not been watching?

Your quote is incomplete:

> They have to continuously invest in content [...] They can't simply enshittify

Enshittification (as coined by Doctorow) has a very specific meaning. This is not it. They are only increasing their prices, and introducing ad supported packages for those who don't want to pay.

They are free to sell their content at any price they want, and we are free to leave at any time. No one is captive (unlike social media, as mentioned above, where you stay because all your friends stay).

Re: The $55M saga of a Netflix series nobody will ever see

#356

Earlier quoted context omitted.

It's not quite the beginning but I bought Bitcoin anonymously using cash from Mt Gox in the rally up to $15 before it crashed back down to $5, and then ignored my wallet until it added many zeroes before I sold. I still think that, as a concept, it's dumb as shit, even thought it was profitable for me. I just got lucky.

> I still think that, as a concept, it's dumb as shit, even thought it was profitable for me. I just got lucky. What, specifically, do you find dumb as shit? I don't want to come across as confrontational here, but it's difficult to gauge how much a person knows about blockchain, its uses, current pitfalls, and the technology's mission. And these conversations usually end up in one of two ways for me depending upon h…

It has been a long time since I last debated this stuff, so it is funny to see the same talking points from 10 years ago.

1) PoW is the only way that is actually decentralized. If you want decentralized power over the currency - PoS will never work on a long time horizon, because you'd need some way of representing stake that is just impossible. As far as the whole "waste" complaint: relative to what? I've never seen a comparative study that included the entirety of the existing financial system. The academic papers I have seen complaining about bitcoin were full of comically bad errors: using geolocation to try and pin mining operations to nearest power plants, estimating hashes per watt based on FPGA or first gen ASIC miners, etc.

2) Bitcoin volatility has been going down every year, which makes sense given wider participation. Volatility is obviously different from price.

3) Bitcoin has had the capability for offchain transactions a long time now - using smart contracts with onchain settlement, so this really isn't a real concern any longer.

Re: The $55M saga of a Netflix series nobody will ever see

#357
post #342

Earlier quoted context omitted.

I’m not feeling attacked, and didn’t say I was. I'm just sorry for the folks you’re responding to. Edit to clarify: for the precise reason that “you have terrible taste” is ad hominem, and contributes nothing to the discussion. This isn’t appreciated on HN. I think if you worked on your delivery you might find folks have different reception to your ideas.

I might give your words some weight if it wasn’t for the great big pile of upvotes on my comments. I like that reception just fine, but thanks I guess? If they have an issue they are welcome to raise it, no need to go white knighting people.

Yes, my goodness, you have so many upvotes. That's why your karma is sky-high and your comments are towards the bottom of every thread.

But I know a lost cause when I see one, and you live by comparison. Wish you the best with that.

Re: The $55M saga of a Netflix series nobody will ever see

#358
post #348
post #345

Earlier quoted context omitted.

From the UK government website: https://www.gov.uk/find-licences/tv-licence "You need a TV Licence to watch or record programmes on a TV, computer or other device as they're broadcast, and to watch on-demand BBC programmes on iPlayer" In this thread you keep insisting I'm lying and I keep showing you, with evidence, that you're wrong, but you just keep doubling down and ranting about right wing people. What specifica…

>> as they're broadcast That’s the key. Don’t watch live TV, no license fee required. This part from you: > You have to pay it if you watch or record any TV broadcast and that includes streaming Total bollocks.

"Live TV" includes streamed live TV and "broadcast TV" is always considered to be licensable.

You can avoid the license fee only if you watch exclusively internet streamers like Netflix which aren't TV channels. Which means: no TV news or sport. Pretty major components of why people watch TV to begin with.

But this is well into straw men territory. This thread started with me saying that the tax-based structure of the BBC lets it ignore sci-fi. Now you're arguing that you don't have to pay the tax if you are willing to forego the benefits of live TV, which is a point I readily concede because it's irrelevant to the one I made.

Re: The $55M saga of a Netflix series nobody will ever see

#359
post #345

Earlier quoted context omitted.

From the UK government website: https://www.gov.uk/find-licences/tv-licence "You need a TV Licence to watch or record programmes on a TV, computer or other device as they're broadcast, and to watch on-demand BBC programmes on iPlayer" In this thread you keep insisting I'm lying and I keep showing you, with evidence, that you're wrong, but you just keep doubling down and ranting about right wing people. What specifica…

at what point did I accuse you of lying? I pointed out that you (probably accidentally) accused me of lying, if that’s what you’re confused by? or do you mean that I accused you of being confidently wrong? being wrong isn’t lying does the fact that you were completely misinformed about the main substance of the previous comment not make you question the grounding of your opinions on this? where did you get the idea t…

> where did you get the idea that you needed a TV license to stream, or do anything other than watch live TV?

You're arguing with a straw man. I've never said you need to pay the license if you only watch Netflix. I've said that the tax structure protects the BBC and allows it to ignore popular types of programming. You've been unable to refute this point and so have segued into trying to argue that the license fee isn't really a tax, which is (a) not a point I made and (b) wrong.

You can avoid the license fee by watching only US based streamers on a laptop as long as you don't care about news, sport or any of the other categories of TV that Netflix doesn't provide, just like you could always avoid it by not having a TV or radio. That doesn't mean it's not a tax. Other taxes you can avoid by choice include: income tax, auto taxes, taxes on flights and so on.

I suspect you're being confused by the definition of "streaming". Most streamed TV is still considered to be TV because it's a live broadcast (a channel, that you could tune into). iPlayer is the closest to a UK Netflix and that is also covered. It's only non-BBC "video on demand" that isn't taxed (yet!)

As for lying, you have constantly made statements like that I "choose to misunderstand" or that I'm saying things that are "obviously untrue". I know in your mind technicalities are everything and you think you've never accused anyone of being dishonest, but by the rules of normal conversation you have, repeatedly. And you never apologized when I showed you hard data disproving these "obviously untrue" things.

Re: The $55M saga of a Netflix series nobody will ever see

#360

Earlier quoted context omitted.

The BBC's content quality varies a bit, and generally production values are worse. The acting is better than most US shows IMO, but that's not the BBC. The directing, cinematography aren't nearly as good; often very formulaic (e.g. Sherlock), and special effects are 30 years behind many US equivalents. In other words, the bit that the BBC don't control the creation of, the raw acting talent, is often the best bit. An…

writing and acting are basically all that matter. acting is reliant on direction, so the idea that the direction is bad is out. writing is also massively influenced by the broadcaster, special effects are irrelevant if you’re not a child, and what cinematography can you point to in American TV that’s better? maybe you’re confusing films with TV ITV and Sky manage to find plenty of poor actors, so clearly having good…

> ITV and Sky manage to find plenty of poor actors, so clearly having good actors is not just some inherent unearned feature of British TV

Sure, and good British actors do well in the US. The BBC just is more prestigious than ITV/Sky, and might pay better. BBC also has its share of bad actors, of course. I'm just saying that the quality of top British content is more coming from the acting (down to acting schools) than the production house.

> this is a misconception. if you don’t want to pay for the BBC, you don’t have to. it’s just a crime to use it without paying

I think this is a little tricksy - the BBC has had pretty dystopian ads[0][1] out for a long time that mean people pay the licence fee just out of worry about being caught.

[0] https://images.app.goo.gl/5bmE7wpBG23peFVe6

[1] https://images.app.goo.gl/bd1caeqH9NCrSP427

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