They foucus on the dollar amount, but the startup graveyard of software companies who raised $50M or more by their series A or B that nobody will have heard of seems much larger. Movies and series seem pretty low risk by comparison. A movie studio and a venture fund seem to have similar economics.
This was directly blown without making the project. At least a VC funded startup would try (hopefully).
The $55M saga of a Netflix series nobody will ever see
201–210 of 366 posts
Re: The $55M saga of a Netflix series nobody will ever see
#202Earlier quoted context omitted.
What didn't you like about it?
Different person, but just about everything. It simply wasn't enjoyable, at all. I'm just talking about the first hobbit, I have somehow managed to purge the memory of seeing the others from my memory.
But when it came to the Hobbit films it was a different story entirely, I saw the first and didn't love it. I saw the second and actively disliked it, so I figured I'd save myself the pain and haven't seen the third and I have no intention of watching it.
It's a shame that it was badly rushed, and split (needlessly) into three parts. But despite the close association it didn't ruin my enjoyment of the LotR films, which I rewatch every few years.
Re: The $55M saga of a Netflix series nobody will ever see
#203Re: The $55M saga of a Netflix series nobody will ever see
#204Re: The $55M saga of a Netflix series nobody will ever see
#205> Netflix executives grew so concerned with Mr. Rinsch’s behavior that they consulted with the Los Angeles Police Department’s threat management unit, a person with knowledge of the matter said. A Police Department psychologist reviewed Mr. Rinsch’s texts and emails and concluded that he didn’t seem like a threat to himself or others. Were executives concerned about possible risks to people, or were they trying to us…
Granted innocent until proven guilty, but I wouldn’t hedge my bets on anyone from Hollywood being a paragon of moral justice oppressed by the powers that be, unless you want a nasty cut from Occam’s razor later on that week Especially given the rest of the behavior detailed in the article, which as always, no one ever reads
Okay. So maybe don’t passive aggressively bring it up then
Re: The $55M saga of a Netflix series nobody will ever see
#206> Netflix executives grew so concerned with Mr. Rinsch’s behavior that they consulted with the Los Angeles Police Department’s threat management unit, a person with knowledge of the matter said. A Police Department psychologist reviewed Mr. Rinsch’s texts and emails and concluded that he didn’t seem like a threat to himself or others. Were executives concerned about possible risks to people, or were they trying to us…
>Were executives concerned about possible risks to people, or were they trying to use (misuse?) the police to establish the conditions for a contract clause or insurance policy? this kind of just seems like the system work as intended. if you are thinking you need to call the police to perform a wellness check on somebody just for the purposes of covering your own ass, you're probably justified in calling for a welln…
Re: The $55M saga of a Netflix series nobody will ever see
#207Earlier quoted context omitted.
I don't understand all the love for Dune. I read it, it was ok, and that was it. 3 underwhelming film adaptations is more than enough. Special effects don't make a movie anymore. What matters is plot (and music). For example, "Colossus the Forbin Project" is very good. Some other very good scifi movies: . Invaders from Mars . Flash Gordon (1980) . Terminator . Star Wars IV . Alien
It’s a cargo cult. Dune itself is pretty standard sci-fi. The sequels are where it goes from good to great. People deify the first one because they think that’s where the great reputation comes from, not understanding that the really interesting stuff is in the later books. I mean, the giant worm-man, the endless clones experiencing existential dread, and the trans stuff all come after book 2 and really after book 3.
Re: The $55M saga of a Netflix series nobody will ever see
#208Earlier quoted context omitted.
There’s so much good dialog in Aliens that I’m always amazed was written in the mid 80s and would play just as well if it were new today (mostly spoken by Hudson): “Game over, man!”, “yeah, but it’s a dry heat”, “ Somebody said "alien" she thought they said ‘illegal alien’ and signed up!”
Aliens is more of a vanilla monster movie than scifi. I don't recall any science in it, other than the setting. Alien was based on a short story in "Voyage of the Space Beagle", though the implementation of it was fresh. The discovery and exploration of the alien's life cycle was good scifi.
>fiction based on imagined future scientific or technological advances and major social or environmental changes, frequently portraying space or time travel and life on other planets.
Re: The $55M saga of a Netflix series nobody will ever see
#209Earlier quoted context omitted.
SciFi did a miniseries, just before or just after they changed their name. It wasn't bad. I think it was about 10 hours. The problem is that a lot of the payoff is at the end of book 3, and then book four tips the whole thing upside down with some deep religious and philosophical elements that I'm not sure everyone is ready for. I'm always a little surprised how few people have read Dune relative to Lord of the Rings…
I don't understand all the love for Dune. I read it, it was ok, and that was it. 3 underwhelming film adaptations is more than enough. Special effects don't make a movie anymore. What matters is plot (and music). For example, "Colossus the Forbin Project" is very good. Some other very good scifi movies: . Invaders from Mars . Flash Gordon (1980) . Terminator . Star Wars IV . Alien
I read it, it was ok, and that was it.
There are some fun themes in there and I appreciate that it begins as a somewhat typical "hero's journey" tale and then turns that whole idea inside out. I like the intrigue and plotting and how various factions are always plotting several steps ahead.But none of that is why I absolutely love Dune (the novel). For me it just has this vibe that I've never been able to explain.
Maybe that's why I like it: because I can't even figure out why I like it.
Anyway, that's all crazy subjective and I can easily see why many are not enchanted by it.