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Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

reuters.com

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Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#411

Amazing how copyright law amazingly disappears when it's to the detriment of major tech companies and protecting smaller creators. Just amazing!

It's really not, copyright is and always has been incredibly political and ebbs and flows with the whims of the existing power structures. And that's mostly to do with the fact that copyright, unlike say murder, is much less defined, has as many interpretations as people, and is something that is designed to be overbroad and selectively enforced where everyone in the world by the letter is constantly violating it.

So this it pretty much expected and if it swings the other way the US/EU is going to hobble themselves in the face of any locality that gives zero shits about copyright. It's less about the art and more that the art enables these models to do real useful work and is better at it for having access to more data.

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#412

Earlier quoted context omitted.

We are able to create bulldozers without using any shovels. We can create Excel without accounting clerks. But we cannot create generative models without using existing artwork. Because existing artwork is so critical to the inventions replacing artists, it’s more exploitative. If we required workers consent to directly use their works, we would be able to build bulldozers and excel but not stable diffusion. It’s ver…

I fail to see how so, outside of some ulterior desire to see "art" as something inherently superior. Manual labor was used to build bulldozers that replaced manual labor, to give an example. Using existing artwork for training model is only the process that generative AI came to be.

If you’re talking about the labor needed to build a bulldozer, it is paid consenting labor. That’s the point. It isn’t that art is superior, it’s that the required labor to create these things is going uncompensated and without consent.

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#413

Earlier quoted context omitted.

> but automation replaced humans in all those industries. So? To the extend that people are still involved, they are typically paid - unless it is slave labor, that is. This is not an automation vs manual labor debate. Creators will use any technology that helps them create something worthwhile. It may even involve algorithms in various ways. Generative art was a thing way before the AI bro invasion. The question is…

> The question is about provenance, attribution and remuneration of whatever human work and creativity is involved in producing unique pieces of work. The remuneration will always go to who owns the means of production. That is true in essentially any industry. > Its not going to happen. The golden goose will be dead before you can spell "AI". Then what are you worried about?

> The remuneration will always go to who owns the means of production.

Repeating slogans one does not understand is something to be left to "AI", not functional humans.

The means of production in the creative process is the brain of the person creating.

Unless what you really wanted to say is "The remuneration will always go to who can steal the means of production".

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#414
post #394

Earlier quoted context omitted.

Why do we as a society need to answer that question? When automobiles were popularized, entire generations of families and people devoted to horsecraft suddenly found their business model obsolete. Did we as a society need to come together to ask how talented people in the horse industry might be able to continue to profitably dedicate their lives to that task? No, we just let the market figure it out, and allowed ch…

If a copy of someone's work is used to create a product (in this case, to train the GenAI), then it makes sense for the creator to receive some form of credit. Your car/horse example makes no sense in this context because the existence of cars is not predicated on the existence of horses. On the other hand, GenAI is not possible without the art that forms the training data.

That's not how it works, never has been how it works, and should not be how it works.

For thousands of years, human workers and artists have trained themselves by looking at copies of other people's work, and used the ideas and inspiration the gain from that material to produce new works. Artists will literally sit down and copy another artist's work as part of training. This happens as a matter of course. Sometimes the new works produced after training are fresh and original. And just as often, they are derivative copycats (see: fan fiction, most clothing, most music, half the stuff on DeviantArt, etc.).

The law is only concerned with a creator's output, not the input.

If you produce and distribute something that's an obvious copy of someone else's work, that could be a copyright violation. However, if what you produce is sufficiently original, it's fair game, regardless of who you were inspired or trained by. The law does not require compensating or crediting those who inspired you or helped with training. Again, the law is only concerned with output, not with training, not with inspiration, not with input.

What you are advocating for is a huge change. Would this change apply to humans who are learning/training by looking at and copying others' work? If so, that would be a nightmare. If not, why not? Why only apply it to AI? Because the AI is more efficient at it than humans?

If that's your reason, could you justify it? New technology is always more efficient than the status quo. That's the entire point of new technology. Making laws to stop it accomplishes nothing except limiting technology in order to protect old jobs and business models. Why should we do that?

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#415
post #66

Can someone explain again how an ML system scanning and training on a copyrighted work is different from a highly skilled artist doing the same? There are artists that can study a painting for a few minutes and then recreate it from memory. There are artists who study a particular body of work so long that they can create more works indistinguishable in style. If an artist recreates a copyrighted work or creates a de…

> Can someone explain again how an ML system scanning and training on a copyrighted work is different from a highly skilled artist doing the same? Its legally different because the human brain is not considered a fixed medium under copyright law, so a human experiencing and learning something is not making what is potentially a copy or derivative work under copyright law, and therefore not exercising, potentially wit…

People betting on all “lossy compression” being equivalent will lose. It’s a lame argument. Can you encode images to be basically 1:1 with embeddings? Absolutely.

Is that what these embeddings are doing? No.

If artists try to argue that all copies are equivalent, but are unable to recreate their works from the embeddings, their argument will fall flat.

This argument also only applies to sharing models, which is doubly dumb because we want open source models, not closed source models. It’s a harmful status quo to try and enforce.

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#416

Earlier quoted context omitted.

Excuse me? What moral and economic planet are you living on? Enjoyment is an important drive behind any creative person, so much is true. But at least part of the enjoyment comes from other people appreciating, acknowledging and, yes, remunerating that creative work. The idea that authors, artists and other creatives will keep pumping original work as part-time love affairs so that AI bros can grab it and mint a dime…

> The idea that authors, artists and other creatives will keep pumping original work as part-time love affairs so that AI bros can grab it and mint a dime is... strange. I make a painting. I display it. My neighbor sees the painting, studies it for a while, goes home, and makes a painting based on what he learned from mine. People still enjoy my painting, still credit me with making it, and if they like it might stil…

> Granted, a lot of this boils down to whether AI learns or copys/remixes; [...]

I mean, it certainly isn't learning in the same way humans learn. Human learning involves some degree of understanding, which is wholly absent in AIs. There is, to my mind, no good reason to treat them the same because of this difference.

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#417

Earlier quoted context omitted.

Well, we know how these things are built and how they function. This isn’t Skynet building an army and being coy about it.

We don't actually. We don't know fully how these things work.

We don’t know the associations they form. But, we know how they’re built and that they’re not reprogramming themselves. That establishes a very strong bound on what they’re doing.

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#418

Earlier quoted context omitted.

We don't actually. We don't know fully how these things work.

We don’t know the associations they form. But, we know how they’re built and that they’re not reprogramming themselves. That establishes a very strong bound on what they’re doing.

No it doesn't. The model we use to create these things is general enough that it can be applied to ALL forms of intelligence.

Basically it's a best fit curve in N-dimensional space. The entire human brain can be modeled this way. In practice what we end up doing is using a bunch of math tricks to try to poke and prod at this curve to get some sort of "fit" on the data.

There are an infinite number of possible curves that can fit within this data. One of these curves is the LLM. The other curve is the human brain.

Here's a better way to put it. Your entire OS can be modeled under this idea. We can use a bunch of training data and basically recreate your operating system under ML. Just feed in current state and train it until it will output correct state.

But understanding the OS from this ML perspective is a far cry from understanding the OS from the perspective of source code.

We do NOT understand fully what's going on. In fact, the fact that the LLM even had chatGPT's capabilities was not predicted or foreseen.

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#419
post #394

Earlier quoted context omitted.

If a copy of someone's work is used to create a product (in this case, to train the GenAI), then it makes sense for the creator to receive some form of credit. Your car/horse example makes no sense in this context because the existence of cars is not predicated on the existence of horses. On the other hand, GenAI is not possible without the art that forms the training data.

That's not how it works, never has been how it works, and should not be how it works. For thousands of years, human workers and artists have trained themselves by looking at copies of other people's work, and used the ideas and inspiration the gain from that material to produce new works. Artists will literally sit down and copy another artist's work as part of training. This happens as a matter of course. Sometimes…

Yes, of course I can justify applying a different standard to AI than to humans when it comes to the generation of art.

Despite everything you said about humans copying the work of other humans, the fact is that humans are capable of producing new art without reference to prior art. You can prove this by considering the emergence of the very first cave paintings.

On the other hand, GenAI like Stable Diffusion is capable of outputting art only if the following two conditions are met:

1. there is a prompt (and perhaps special configuration) made by the artist using the GenAI

2. there is training data (i.e. art made by prior artists) that makes the AI capable of translating the prompt into an image.

Of course it is possible to create programs that output something that may be considered art without reference to the work of other people. However, without (2) GenAI specifically cannot exist, and so the people that make (2) possible are right to demand credit if their work is used in this context.

Note that this says nothing about technological progress. If you train GenAI on material you have a right to use (e.g. art that is in the public domain, or copyrighted art that you have a license to use), then it's all good. The problem arises when you use a copy of someone's work in a process without their permission, when the law clearly says that the creator of that work has the legal right to decide how copies of that work are used (with the exception of "fair use").

Re: Judge pares down artists' AI copyright lawsuit against Midjourney, Stability AI

#420

Earlier quoted context omitted.

Which is precisely why I said “genuine creativity” in hopes of avoiding pedantry around word etymology. It’s hard to have these discussions when people are deliberately being obtuse. By this definition, nearly everything is creative making any discussion about it meaningless. So, let’s use the connotative meaning.

Ok yeah let's avoid that bullshit then. The problem is there's enough leeway between the words that I could honestly say everything LLMs generate are representative of what most humans define as "genuine creativity" and I bet you that I can show you human art and computer art side by side and you'd be incapable of knowing which one is genuinely creative. I hate pedantic vocabulary just as much as you and this is not…

The systems in question require learning from art generated by humans. If they didn't, they could avoid all of this IP mess by learning how to draw. The supposition I'm pushing back on is that humans only generate art by regurgitating what came before them and I don't see any basis for that claim. We have art formed by completely isolated societies in very distinct styles. Children draw all sorts of fanciful creatures that they've never seen in the wild or in other art. Artists have developed different techniques for capturing their work and it can resonate with people. We have prodigies capable of creating symphonies before they can do much else in the world.

Sure, there's incremental evolution. But, we also have breakthrough artists inventing new techniques and art forms. It doesn't matter that a computer program can clone a power chord structure and create something that sorta sounds like Nirvana. That's not proof of creativity. Yes, it created something so it's "creative" in entirely mechanical stance. Just like solar flares will flip bits in my computer and "create" things as well.

We can argue all day about what art means. It can get really philosophical really quick. I contend people can dream up new ideas and execute on them in a way that resonates with others and that they don't need to copy everyone else to do that. That given the basics (here's some paper an color pencils) people can develop skills and invent wholly unique ways to represent themselves and the world around them. That they're able to do that in isolation and without education. I point to the entirety of human civilization as my supporting evidence. I think it's reductive to claim we're just statistical models consuming media and shuffling things around.

It seems to me this whole argument hinges on saying humans and these image generation tools work the same way. If they do, then teach one of these programs what it means to draw, give them a sensor network to the outside world, and let's see what they generate. That would be hugely compelling and would sidestep this whole discussion about IP whitewashing. But, that's not what's happening. Whether because of convenience or because it's the only practical way to generate art, these systems only work by training on art created by humans. That they're able to generate a final product that looks like something else made by a human shouldn't be shocking -- that's the whole basis of copying.

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