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How to Get into Film Photography (and Why You Should)

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Re: How to Get into Film Photography (and Why You Should)

#31
post #23

Film photography, for me, is the most affordable way to get into medium/large format photography. Not really excited with 35mm because full frame bodies are getting more affordable. On the other hand, the price of used GFX (50S, 50R) bodies are also getting more affordable. Yes I know some people consider it only "slightly bigger than FF and not true MF". Well, more than enough for me. And of course Hasselblad XD or…

It’s also the cheapest way to get into 35mm compact cameras.

Re: How to Get into Film Photography (and Why You Should)

#32
post #24

Earlier quoted context omitted.

developing it yourself reduces that delay! and no photo shop staff to look at your photos.

While increasing the barrier of entry. Not everyone has a dark room laying around.

B&W negatives are easy enough at home. Though you have to get them into a computer and, at that point, I'd sort of be "Why bother?" (other than a fun retro weekend project possibly). And, yes, printing requires an actual darkroom. After school, I quickly decided that setting something up in spare half-bathroom was for the birds.

Re: How to Get into Film Photography (and Why You Should)

#33

My Mom never left! She has a cell phone but still uses an old point and click film camera (at least it has autowind and doesn’t use the old lever to advance the film). We keep trying to convince her that paying for film and development isn’t such a good thing, but she is set in her ways. The grandkids at least are amazed when she brings it out. She even has a laptop and a desktop computer where she could store the ph…

In 50 years probably the only photos your kids will have from today will be her grandma prints.

Re: How to Get into Film Photography (and Why You Should)

#34

I've shot tons of film over a great many years and I have a sizeable collection of cheap and expensive 35mm and 120mm film cameras covering the period from the late 1800's to the 1980's. I stuck to film well after digital cameras got cheap enough for my tastes and I still love to shoot film - I have about 25 rolls of exposed color film in my office waiting for me to develop, so I still shoot a fair amount on film. I…

This is also really common in the audio space. Sampling, amp modelers, etc. are really great for rapidly prototyping without either requiring the full band or a money/time sink to get the right sound.

Personally, I don't shoot enough to justify new equipment. Photography is a minor hobby of mine, and I actually really enjoy the limitations of film. Just the other day I was on shot 33 of my last 35mm roll. It hits a bit different to say "well, I've got three shots left, I better make them count." I was doing a shoot with some friends and another photographer was there shooting on continuous, snapping a dozen frames while I took one. Their shots were partially edited by the end of the night and I'm trying to find time to get to the lab.

It's just a different experience. Like I said, I like the limitation that requires more planning and intention. Things don't always work out. I'll have a whole roll that's massively under or overexposed. I'll have rolls that never loaded properly and get nothing but a clear negative after development. It's all part of the story for me.

Re: How to Get into Film Photography (and Why You Should)

#35
I actually think an instant camera fulfills this role better than a film one. By instant, I mean one that prints out the images immediately, like a Polaroid or Instax. It has two unique things compared to digital cameras: limited shots available (mostly because the film is so expensive) and that it instantaneous creates a physical object that is cooler than the typical printed photo. And since the photos are instant, you don't need to worry about getting the film developed.

It's a much easier on-ramp to photography than both film and digital cameras, in my experience.

Re: How to Get into Film Photography (and Why You Should)

#36
If you're a serious photographer who's only shot digital, shooting film for some 'burner' shoots will improve your photography significantly. Film is a much more intentional process, you have to pay attention to light and composition at a very deep level before you capture an image. That practice improves technique that leaks over into the digital realm as well. Typically, when you go back, you take fewer photos but more of them are usable, and those that are usable are better overall.

Also taking fewer photos has the side benefit of improving ingress/processing time which are non-trivial if you're taking photos for a living.

Don't get me wrong, there's a time to motor drive f8 and get the shot, just in most cases it's better to not.

Re: How to Get into Film Photography (and Why You Should)

#38
Film used be about a steady-stream of operational costs, amortizing film, processing and printing over many years.

Digital has always been about huge up-front costs of cameras and computer processing.

Film purchase and processing now have scanned added on, and all are getting painfully expensive, not to mention the surge in camera prices as TikTok decides which camera is flavour of the month. I can no longer decide to buy a Contax G2 backup body cheaply, so lucky I did it a long time ago.

Photography has always been an expensive hobby, plus ça change

Re: How to Get into Film Photography (and Why You Should)

#39
My main reason for going in the opposite direction and switching from DSLR to mirrorless is giving other people satisfaction of a perfect photo where everyone's faces are well lighted and in focus, action shots are frozen at the perfect moment and there are no unwanted people in the background. It's not clear to me that personal satisfaction with film's disciplining factors on myself will be able to overcome shortcomings for others. Anyone has related experiences one way or the other?

Re: How to Get into Film Photography (and Why You Should)

#40

My Mom never left! She has a cell phone but still uses an old point and click film camera (at least it has autowind and doesn’t use the old lever to advance the film). We keep trying to convince her that paying for film and development isn’t such a good thing, but she is set in her ways. The grandkids at least are amazed when she brings it out. She even has a laptop and a desktop computer where she could store the ph…

In 50 years probably the only photos your kids will have from today will be her grandma prints.

I've had a couple of photo books made but I print very little. No room on the walls and I don't really need more physical "stuff." And while various things can happen to physical prints, I expect that most families don't really have a way to systematically pass down digital artifacts.
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