For those who are unsure why 'neutrality' is a desirable quality in a typeface, I refer you to the analogy of the crystal goblet by Beatrice Warde: > Imagine that you have before you a flagon of wine. You may choose your own favourite vintage for this imaginary demonstration, so that it be a deep shimmering crimson in colour. You have two goblets before you. One is of solid gold, wrought in the most exquisite pattern…
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