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The decline and fall of the hit instrumental song

tedgioia.substack.com

101–110 of 139 posts

Re: The decline and fall of the hit instrumental song

#101
post #74

Earlier quoted context omitted.

You could argue the restrictions caused by not having access to formal music education and classical instruments caused a lot of innovation in the music space. People made music long before any kind of formal music theory was a thing and will make music nonetheless.

Agreed, necessity is the mother of invention and all that. The worlds better off with RZA as himself than as another Mozart.

That's your opinion. I'd really much prefer another Mozart.

Re: The decline and fall of the hit instrumental song

#102
I can only recall a few songs in my lifetime that was instrumentals that were hits.

Apache by The Shadows The good the bad and the ugly from the same movie Ballade for Adeline - Richard Clayderman and lastly Crockett's Theme from Miami Vice.

Also Kenny G was big in my days but then they started with using guest vocalists on their music.

Re: The decline and fall of the hit instrumental song

#104

I was curious so if anyone else wants to know: the last #1 instrumental song on the Billboard Hot 100 chart in the US was "Frankenstein" by The Edgar Winter Group

There have been 13 instrumentals to hit #1 on the Billboard Hot 100 after Frankenstein by EWG.

The most recent was Harlem Shake in 2013. Before that, it was the Miami Vice theme in 1985. Chariots of Fire hit #1 in 1981. Rise by Herb Alpert in 1979. The Star Wars Theme / Cantina Band hit #1 in 1977.

Others can be found https://www.listchallenges.com/instrumental-1-songs. I only validated the ones listed in this post.

Re: The decline and fall of the hit instrumental song

#105

I was curious so if anyone else wants to know: the last #1 instrumental song on the Billboard Hot 100 chart in the US was "Frankenstein" by The Edgar Winter Group

There have been 13 instrumentals to hit #1 on the Billboard Hot 100 after Frankenstein by EWG. The most recent was Harlem Shake in 2013. Before that, it was the Miami Vice theme in 1985. Chariots of Fire hit #1 in 1981. Rise by Herb Alpert in 1979. The Star Wars Theme / Cantina Band hit #1 in 1977. Others can be found https://www.listchallenges.com/instrumental-1-songs . I only validated the ones listed in this post.

Thanks! Damn ChatGPT to provide a correct answer, the answer seemed right ;)

Re: The decline and fall of the hit instrumental song

#106

Earlier quoted context omitted.

Agreed, necessity is the mother of invention and all that. The worlds better off with RZA as himself than as another Mozart.

That's your opinion. I'd really much prefer another Mozart.

We already have one. Now we have something else, too.

Re: The decline and fall of the hit instrumental song

#108
post #54

bzrp is doing a concert tour now, he just played here in buenos aires a couple weeks ago, i have the t-shirt also maybe lindsey stirling counts?

> also maybe lindsey stirling counts? She does, and was the first instrumentalist that came to mind shortly followed by Yo-Yo Ma, and various classical guitarists like Pepe Romero (I'm not sure I have a personal "favorite" per-se).

i mean i don't know that she's a blackpink or bzrp level celebrity

prolly beats zamfir tho

Re: The decline and fall of the hit instrumental song

#109
post #80

Earlier quoted context omitted.

They may not sing but their popular tracks still have vocals don’t they?

In electronic music, vocals are just another sampled oscillator garnish, taking as just much credit as the drum machine... Far cry from the front & center heroic place occupied by the pop music singer.

This is in part because of exploitation and lack of credit/royalties given to the vocalists instead of the lack of importance to the music.

Take a look at the story of Martha Wash, the huge iconic voice behind "everybody dance now", "ride on time" etc. You can't deny that these type of vocals are the tent-pole of those tracks but they basically scammed her by using demo sessions and using lip-syncers in music videos.

https://www.rollingstone.com/feature/martha-wash-the-most-fa...

https://www.youtube.com/watch?v=eSefwVQVVpU

Re: The decline and fall of the hit instrumental song

#110

Earlier quoted context omitted.

"Producer" means at least two things. In electronic music, it's commonly used for the person actually composing and arranging a track. It's used to differentiate from a DJ, who plays other people's music and doesn't "produce" anything. You can install FL Studio on your laptop, mess around a bit, and you're a producer (not a very good one probably, but the word does not imply quality). In most other genres, "producer"…

More update cause I'm geeking out now: Another way to look at it is Phil Spector needed 4 entire Beatles to churn out hit record after hit record. Today someone in his position (a person in a studio with lots of gear) (or just a laptop even) can arguably make an entire hit record on their own, without anyone singing or playing an instrument. Is that really a different role? In a way it is, because you're no longer ma…

Instrumentalists and singers are just instruments a producer plays. And now we have DAWs and VOCALOID.

Just as the Beatles would be no more than a skiffle band playing bars without George Martin, Stock-Aitken-Waterman is responsible for huge 80s hits from Dead or Alive, Rick Astley, Bananarama, etc..

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