Live data from Hacker News

Future Blues – Emily's Cowboy Bebop Page (1999)

futureblues.com

61–70 of 238 posts

Re: Future Blues – Emily's Cowboy Bebop Page (1999)

#61

Whenever Bebop comes up it hits right in the feels. The future sure panned out different than how I imagined it would be when I was a kid staying up late watching this timeless classic. At the time I just thought it was cool and conceptual, never realizing how much the vibes were on point. I get it now. See You Space Cowboy. https://www.youtube.com/watch?v=03qBqP2I4p8

I feel we are getting closer and closer to a cyberpunk future, but without all the stuff that made it cool.

Re: Future Blues – Emily's Cowboy Bebop Page (1999)

#62

Earlier quoted context omitted.

>I think being simple and content focused are two of them. You mean you don't like newsletter subscription pop-ups? Or a virtual assistant chat window on the corner? Or auto-playing videos that follow you when you scroll down? Or a choice between "Accept all cookies" and "Learn more?"

You can close the auto-playing video by simply waiting 10 seconds for the “x close” button to appear, which is 5px high and 12px wide.

"which is 5px high and 12px wide"

And that is just the visible part, actual clickable area is 1px by 1px so even when you correctly click on the "x", you don't actually close it.

Re: Future Blues – Emily's Cowboy Bebop Page (1999)

#63
post #6

Earlier quoted context omitted.

Sites mostly didn't look this good though, they were even more garish colors and 'under construction' banners

Guilty as charged. Also don’t forget about frames, marquee text, and that smoking skeleton wearing sunglasses gif. :)

Frames were quite useful at times, though, particularly for sites that acted as a directory of other sites. With how slow dialup could be it was sometimes nice to have the list of sites you might want to visit in a compact list frame to the left so you didn’t have to hit back 5 times to get back to the directory or juggle multiple windows (because tabs didn’t yet exist).

Re: Future Blues – Emily's Cowboy Bebop Page (1999)

#66

The second domain I ever registered was for my ex-wife’s cartoon fan site for a particular Disney cartoon series back in ‘98. Her drive to digitize stills from the show and write character bios and episode summaries was something I never understood, but she was certainly dedicated. I’d imagine all of that kind of compulsion ends up on Wikia sites and such today, but back then it was do-it-yourself. She was writing HT…

I remember in the early wikipedia days, Jimmy Wales complaining (in a good natured way) how a bunch of anime series had more pages devoted to them on wikipedia then World War II.

It used to be a popular (and true) joke that word count of the article on Jedi Knights was significantly higher than the article on historical knights.

Re: Future Blues – Emily's Cowboy Bebop Page (1999)

#67
post #45
post #37

Earlier quoted context omitted.

To be fair, for 1999, this is an all around fantastic site.

It was updated for the Netflix series. So it's still maintained

The html is in lowercase so that slightly helps to calculate a date. (Older websites were all uppercase)

Re: Future Blues – Emily's Cowboy Bebop Page (1999)

#69
Damn, this is hitting the feels, makes me want to bring back my cowboy bebop website. I did have the largest multimedia section until a phpBB came through and owned the site and forums. I didn’t have backups at the time and that was all she wrote. Glad to see some of the others are still around.

Re: Future Blues – Emily's Cowboy Bebop Page (1999)

#70

Aside from the Cowboy Bebop nostalgia hit, this site is a great example of how clear, creative, and fun sites were in the late 1990s. While I struggle to identify the many reasons why I think sites looked better back then, I think being simple and content focused are two of them.

I've been thinking about this too. Why is it about these sites that they transmit that changes how we approach and experience them. The internet of the 90's had a sort magical feeling to it. It was new and different and felt very personal. In essence it wasn't yet devoured by capitalism. It felt honest and real.
Post reply on HN