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The age of average

alexmurrell.co.uk

121–130 of 493 posts

Re: The age of average

#121
>> This article argues that from film to fashion and architecture to advertising, creative fields have become dominated and defined by convention and cliché. Distinctiveness has died. In every field we look at, we find that everything looks the same.

It’s a very sad thing to witness, the death of uniqueness, distinct identity. Part of me hesitatingly attributes it to wokeness and cancel culture. People are more afraid now than ever of being cancelled. This makes it harder to be unique for fear of being offensive. With that comes a true regression to the mean.

Welcome to the age of average

Re: The age of average

#122
post #5

Part of the problem within this article is the choice of pictures. The first section states, “In nearly every country all people really wanted was a landscape with a few figures around, animals in the foreground, mainly blue.” They then present 9 pictures that reinforce the concept that people all around the world expect the _same_ thing. But that's simply not true. They didn't take that description and give it to ar…

Agree. The author seems to be experiencing a case of what's known as Baader–Meinhof phenomenon. There may be such thing as the AirSpace look, but this may be driven by cost cutting more than actual style. Exposed brick, exposed air ducts, reclaimed wood, brass plumbing pipe lamps with Edison bulbs... All this is DIY stuff you do when you want to keep your expenses at the minimum while making the place look nice, and…

It's not the age of average, it's the age of utility.

Re: The age of average

#123
What the article describes is correct, but I don't think the words "average" or "homogeneity" or "conformity" are the right terms, as they seem to carry negative connotations here. Rather, the right word is "convergence".

The point is, people like certain things aesthetically. It used to be that artists and designers were still trying to figure out what looks good, and trying all the things. But now we've tried so many things and we've gotten better at zeroing in the precise aesthetics viewers and consumers want. We've converged.

Sure, you can design electric toothbrush branding that "stands out", but it's probably going to result in less sales. Because most people don't want to express their unique personality via their electric toothbrush, they just want a nice slim white object that blends into their sink area.

The great mistake that this article makes is thinking that people need to be constantly expressing themselves in some unique way that nobody's ever done before. But the world has almost 8 billion people, few things are as unique as you think.

Can't we just enjoy having nice things? Even if those things have converged aesthetically? They've converged because we think they're nice. Things don't need to be different just for the sake of being different. Because different can also be worse.

Re: The age of average

#124

Three things: 1. The author's entire brand identity follows this format. ("Hi. I'm Alex Murrell. I'm the Strategy Director at Epoch. And I make the complex clear.") 2. This is not a new observation. Apart from the articles he linked to, this is an old conversation, especially among urbanists. Already in the early twentieth century, Frankfurt School critical theorists were worried about the commodification of cities,…

The author is the strategy director at the same type of shockingly bland company that would have this website: https://www.epochdesign.co.uk/

All of the pages contain a vague paragraph with the invitation to "drop us a line" for actual information.

I don't think a blog post has to have a brand new thesis-- that's setting the bar a little high, but it should at least have some unique insight.

Talking about the convergence of global brands in the digital space and how that affects the physical spaces we occupy would have been really interesting way of framing trends. Especially regarding how a brand can stand out in a homogeneous world that seems to favor the known. But what do I know?

Re: The age of average

#125

Earlier quoted context omitted.

5 over 1 is the result of regulations of various kinds converging resulting in economic pressures dictating that building format. Also unless land is just atrociously expensive, the marginal cost of adding floors doesn't go down. In fact it really goes up at some point. I've still never actually worked out how sewage works in supertall buildings.

Freshwater, sewage, fire codes, elevators, foundations, load-bearing structures, HVAC all get more difficult as you add more floors (beyond some small number around 4 where it's all pretty trivial). Another advantage 5-over-1s have (which the NYT article also mentions) is that they are cheap and easy to build. Very tolerant to cheap building materials, lots of prefabricated parts, lots of contractors who are familiar…

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Re: The age of average

#126
post #74

Earlier quoted context omitted.

I completely disagree. The article can be viewed as analysing the effects of globalisation, the growing homogeneity of spaces that starts at AirBnB and cafes and spreads. Something is lost if you visit a new country and the layout is exactly the same as where you live. If I visit Hong Kong and I see a London tube type rail map, I'm going to be disappointed. There is a tradeoff in not immediately knowing how to use th…

> the growing homogeneity of spaces that starts at AirBnB and cafes and spreads Like I said, there's options when you look outside AirBnB. There is diversity in design if you look outside the haunts of the bourgeois classes. And look, some people want to struggle reading metro maps. I am not one of them. I, for one, am glad that Harry Beck designed the tube map that would become so influential all over the world. Pra…

But you could go to Paris and have the equally iconic and functional plan illuminé, and it instantly felt like Paris.

Re: The age of average

#127
post #39

Earlier quoted context omitted.

I figured people were going to take issue with the opening anecdote about art, but that was simply the author trying to frame the story in an interesting way. The rest of the article was more compelling. The ubiquity of the 5-over-1 architecture in the US is very striking. The NY Times had an article recently called "America the Bland" [1] which challenged people to tell if apartments were in Nashville, Seattle or De…

5 over 1 is the result of regulations of various kinds converging resulting in economic pressures dictating that building format. Also unless land is just atrociously expensive, the marginal cost of adding floors doesn't go down. In fact it really goes up at some point. I've still never actually worked out how sewage works in supertall buildings.

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Re: The age of average

#129
post #91

Congratulations, you've found fashion. The reason why things were more varied in previous generations is the speed of communications. it took much longer for fashions to permeate through society, this mean that more local variations happened. Now, fashions are almost always global, but they still change at the same rate. The difference being is that they change much more in unison across the globe.

Agreed. Reading this I thought "all of these things are superficial, who cares?" Who cares if movie posters and book titles are converging towards something that markets well? The parts that matter (the content, themes, style, etc) are probably very different among all those books/movies. IMO Fashion like this exists just so that salesmen can convince consumers that they can buy The Current Thing and earn respect fro…

It reminds me of things that are not superficial though, for example the homogenization of universities. Top schools all now mostly fall in line with "peer institutions", whereas you used to find schools that catered at least somewhat to different educational philosophies and personalities - which I think made for a richer academic discourse.

Places like Stanford and MIT slowly become more Harvard every year IMO, and it sucks for student life too. Driving forces may not be exactly the same, but I think there are cultural undertones pervasive across these changes and some of the more superficial ones. It reminded me of this article: https://johnhcochrane.blogspot.com/2022/12/stanford-hates-fu...

Anecdotally, I think it affects science too. Grants become increasingly formulaic, and anything deviating even slightly intellectually only has a chance as a token "high risk" project. People are afraid of saying something wrong that also clashes with current scientific norms, so everything seems so damn homogenous despite the many questions we still have little answer for.

I think the "optimization" process that got us here is bad in part because it is optimizing for a single institution style that independently will do fine, and is thus a safe play for any decent university. However that is not the same as the set of institutions that would collectively do the best, not even close IMO. Homogenization can be efficient and should happen to some degree within an institution. But between institution diversity is already bad and continuing to die off year over year.

This is alarming to me and I think there is something to the aesthetics that go with it. People's behavior can absolutely be impacted by the broader cultural vibe that pervades. Signaling is important too - when you go to visit MIT and see the dingy af student center it is part of the model you build about what the school cares about. Selecting a specific type of student body is much easier when it goes both ways, because good luck assessing someone's motivations on a modern college app. When surface-level marketing becomes homogenous across the board it is going to have downstream impacts.

Re: The age of average

#130

Earlier quoted context omitted.

Film is much less creative. But look at television and you see a different story. We have far more creativity and variety than ever before.

Is it? What do you have in mind? There’s certainly more television than ever before, but I haven’t seen anything truly novel in a while.

"Truly novel" is kinda difficult to define requirement. With literally any movie, you can argue for hours whether it was truly novel or not. But for me, just browsing netfix got me much bigger variance then what was available to me 20 to years ago.

Back then, all films were the same action movie plus some comedies, basically. They all ended well. There are good and bad characters, no nuance and good ones win. The structure was also the same and formulaic.

You could go to indie theater and see something else once in a while, but that was it. I have seen more novel things (at least novel for a movie). Not all of them were well executed, but the writers at least tried a new idea here and there. Twin sisters that switch families every year for example. It was not too good, but was not too bad and mainly it was something different.

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