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Copyright Registration Guidance: Works containing material generated by AI

federalregister.gov

171–180 of 415 posts

Re: Copyright Registration Guidance: Works containing material generated by AI

#171

Many commenters seem to be under the impression that "because I made something, it is copyrightable". That's not how it works. What is protected under copyright is determined by long processes of lobbying, legislation, lawsuits, and court cases. For example: a melody is copyrightable, a chord progression is not, even when the chord progression is so unique as to be the primary intellectual asset of a piece. (Look up…

"You have no a priori right to copyright something because you fucked around with a prompt for a long time."

Rights are a legal fiction anyway, so there are no a priori rights to anything.

Re: Copyright Registration Guidance: Works containing material generated by AI

#172

Many commenters seem to be under the impression that "because I made something, it is copyrightable". That's not how it works. What is protected under copyright is determined by long processes of lobbying, legislation, lawsuits, and court cases. For example: a melody is copyrightable, a chord progression is not, even when the chord progression is so unique as to be the primary intellectual asset of a piece. (Look up…

The issue to me here is that code is a literary work. Literary works are copywritable. Except that AI generated works without human authorship aren’t per this. Interestingly this came up when copilot was announced and one comment or another was “this will be an interesting bit of case law.” Well now we have to see who wants to go first and establish precedent for the next half-century. :-)

It isn't AI, it's a glorified Xerox machine.

Re: Copyright Registration Guidance: Works containing material generated by AI

#173

Many commenters seem to be under the impression that "because I made something, it is copyrightable". That's not how it works. What is protected under copyright is determined by long processes of lobbying, legislation, lawsuits, and court cases. For example: a melody is copyrightable, a chord progression is not, even when the chord progression is so unique as to be the primary intellectual asset of a piece. (Look up…

"You have no a priori right to copyright something because you fucked around with a prompt for a long time." Rights are a legal fiction anyway, so there are no a priori rights to anything.

Rights are consequences of valie decisions that cannot be deduced from facts, so there are only a priori rights.

Re: Copyright Registration Guidance: Works containing material generated by AI

#174

Many commenters seem to be under the impression that "because I made something, it is copyrightable". That's not how it works. What is protected under copyright is determined by long processes of lobbying, legislation, lawsuits, and court cases. For example: a melody is copyrightable, a chord progression is not, even when the chord progression is so unique as to be the primary intellectual asset of a piece. (Look up…

The issue to me here is that code is a literary work. Literary works are copywritable. Except that AI generated works without human authorship aren’t per this. Interestingly this came up when copilot was announced and one comment or another was “this will be an interesting bit of case law.” Well now we have to see who wants to go first and establish precedent for the next half-century. :-)

> The issue to me here is that code is a literary work.

Code (or anything else) is not a “work” without the required element of human creative input.

Re: Copyright Registration Guidance: Works containing material generated by AI

#175
post #161

I would like the Copyright Office to delineate just how much effort is necessary for a work to possess “the traditional elements of authorship.” I type in MIDI instructions and play back a tune, but if I type in sentences it doesn’t count? Maybe they can measure entropy. Did you emit a sufficient amount of data to make the Music Box work, given the Copyright Office defined ratio? For every unit of data in your song,…

as you've discovered, really it just depends on your lawyer

It's always been all about the lawyers, juries, and judges.

The laws have always been the least significant thing in the legal system.

Re: Copyright Registration Guidance: Works containing material generated by AI

#176

Yay, the software development industry is saved! (only partly /s) Not that I thought AI would be writing decent code for a while yet, but the fact that AI-generated code can't be copyrighted (and therefore licensed[0]) is going to create problems. It'll be interesting where they draw the line with this, though: If the AI generates all the code, but then a human debugs it and alters it, is that copyright that can be o…

> If the AI generates all the code, but then a human debugs it and alters it, is that copyright that can be owned? Does the entire code base then become copyrightable?

I am not a lawyer and I did not research anything for this, but I'm under the impression that a derivative work of something in the public domain is itself copyrightable. If something isn't copyrightable, it's in the public domain. So, if you alter it sufficiently to create a derivative work, the altered form should be copyrightable. But the original would still be public domain. I think?

Re: Copyright Registration Guidance: Works containing material generated by AI

#177

Earlier quoted context omitted.

The camera doesn’t decide what to put on the picture?

It does… or at least the human doesn’t.. it’s motion activated

Motion capture rigs are doing capture whatever trees/rocks/buildings etc the person setting it up aimed at. The only thing motion capture does is pick interesting times, but you can write software that does the same thing with a video.

Re: Copyright Registration Guidance: Works containing material generated by AI

#178

I would like the Copyright Office to delineate just how much effort is necessary for a work to possess “the traditional elements of authorship.” I type in MIDI instructions and play back a tune, but if I type in sentences it doesn’t count? Maybe they can measure entropy. Did you emit a sufficient amount of data to make the Music Box work, given the Copyright Office defined ratio? For every unit of data in your song,…

Here you go: https://www.copyright.gov/comp3/chap300/ch300-copyrightable-...

308.2 Creativity

"A work of authorship must possess 'some minimal degree of creativity' to sustain a copyright claim. [...] '[T]he requisite level of creativity is extremely low.' Even a 'slight amount' of creative expression will suffice. 'The vast majority of works make the grade quite easily, as they possess some creative spark, 'no matter how crude, humble or obvious it might be.'"

310.7 The Time, Effort, or Expense Required to Create the Work

"When examining a work for original authorship, the U.S. Copyright Office [...] will not consider the amount of time, effort, or expense required to create the work. These issues have no bearing on whether a work possesses the minimum creative spark required by the Copyright Act and the Constitution."

Note that this is not true in every country's copyright system (some do recognise effort), but it is true in the US.

Re: Copyright Registration Guidance: Works containing material generated by AI

#179

Earlier quoted context omitted.

"You have no a priori right to copyright something because you fucked around with a prompt for a long time." Rights are a legal fiction anyway, so there are no a priori rights to anything.

Rights are consequences of valie decisions that cannot be deduced from facts, so there are only a priori rights.

They're only consequences in the sense that definitions are consequences, because that's pretty much what a "right" is: a definition.

They don't exist before they are defined by humans, so in that sense they do not have an a priori existence.

Re: Copyright Registration Guidance: Works containing material generated by AI

#180

Earlier quoted context omitted.

Not advocating copyrightable software, but it seems clear to me that if databases are copyrightable because they represent curation, then software must be too. Any line of code, probably not. But a program as a whole, sure. Otherwise I think you blow up music copyrights too, since a single note isn’t copyrightable and a song is just a bunch of individual notes. At some point, choosing, ordering, and organizing a coll…

"if databases are copyrightable because they represent curation, then software must be too." Circling back around to creative works, the process of making art is also one of curation, as had been amply demonstrated over 100 years ago by the Readymades of Marcel Duchamp.[1] The curation involved in prompt selection and selection of which AI-generated works/images to use should therefore be just as copyrightable as dat…

I'll just go ahead and say Readymades aren't art and express my belief that the artistic community will survive the copyright loss of loosely arranged furniture so we can avoid justifying the current state of affairs with avante garde silliness. John Cage made a musical piece 4'33 which is 4 minutes and 33 seconds of silence which has as much to do with music as Readymades do with art.

His other works include curated noises such as buzzing blenders, falling objects, and street traffic. The only art is the act of convincing someone these things are art or deserving of copyright.

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