This idea has been kicking around since the late 90's. The difference is that production costs have (in theory) gone way down since then. The flip side of that is everyone with a Mac and a Canon 5D thinks he's Stanley Kubrick, so it's harder to spot real talent. Either way, it's an inevitability that the market for financing feature films and "television" series will spread horizontally as the costs keep coming down.…
>The flip side of that is everyone with a Mac and a Canon 5D thinks he's Stanley Kubrick, so it's harder to spot real talent. This is the only point I disagree with. I don't care how much more accessible the tech gets it's still about te storyline, the acting and cinematography.
Slated aims to disrupt Hollywood as the AngelList for film funding
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Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#12Once Stephen Paternot orchestrates this coup d'état of Hollywood, its new motto will be: "Got the girl. Got the money. Now I'm ready to live a disgusting, frivolous life."
My apologies that this comment is very un-HN like.
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#13I think someone will eventually do this and build a huge name for themselves. I asked this question on Quora but didn't get any response: http://www.quora.com/Why-arent-there-more-movie-TV-finance-a...
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#14But if this is so, why do people continue to invest in these vehicles? Don't the backers of these movies, especially a blockbuster like Harry Potter, know that this accounting is going to happen?
It seems to me like there must be another explanation at work here - such as the funding corporations being set up as losers purposefully for the purposes of taxes. Otherwise, if the studios were screwing their funders so much, wouldn't they have run out of suckers by now?
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#15The article, and idea behind the startup, seems to be that the studios are screwing over the backers and the funding corporation. But if this is so, why do people continue to invest in these vehicles? Don't the backers of these movies, especially a blockbuster like Harry Potter, know that this accounting is going to happen? It seems to me like there must be another explanation at work here - such as the funding corpo…
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#16"A good example of “Hollywood accounting” would be “Harry Potter and The Order of the Phoenix”, which took in $938 million in revenue, yet still produced a $167 million loss. In cases like this the distributor, Warner Bros., still makes a bundle, but the film and its backers, set up as a independent corporation, wind up in debt. How is this possible? You can get a more detailed picture in this episode of Planet Money…
This kind of reminds me of Yahoo when they didn't want a more efficient ad system because they wouldn't be able to charge the media buyers as much. I don't really care they are doing this. They will eventually be replaced because of this. I just want the Government to stop protecting them from getting replaced. It's not the Government's job to stop disruptions from happening.
Have I missed something? I must have.
Surely, the government should be merely supporting the market forces of capitalism, and if the current form of Hollywood dies, well, isn't that exactly as it should be? All that will happen is that new business models will emerge.
Oh, I dunno. Too much interference, if you ask me. If "we" truly believe in capitalism, then why not sit back and let it do its thing? OK, so Warners or who ever goes bust. Well, wont all those people simply go out and start again, but in a different way? In fact, while the government supports the antiquated Hollywood, its is in fact holding back the natural progress.
Imagine if the government made moves to protect valves, and transistor possession was made illegal. Would we have still gotten the microchip? Well, it amuses me!!!
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#17Earlier quoted context omitted.
>The flip side of that is everyone with a Mac and a Canon 5D thinks he's Stanley Kubrick, so it's harder to spot real talent. This is the only point I disagree with. I don't care how much more accessible the tech gets it's still about te storyline, the acting and cinematography.
I assume sunchild called it "harder" to spot talent simply because the increased accessibility of tech means there's now more crap to wade through.
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#18This idea has been kicking around since the late 90's. The difference is that production costs have (in theory) gone way down since then. The flip side of that is everyone with a Mac and a Canon 5D thinks he's Stanley Kubrick, so it's harder to spot real talent. Either way, it's an inevitability that the market for financing feature films and "television" series will spread horizontally as the costs keep coming down.…
>The flip side of that is everyone with a Mac and a Canon 5D thinks he's Stanley Kubrick, so it's harder to spot real talent. This is the only point I disagree with. I don't care how much more accessible the tech gets it's still about te storyline, the acting and cinematography.
OK, if I pay to go to the cinema to see a film I expect something a lot better, but then there is more cash coming it to cover that.
Anyway, my silly little point, is that a good plot and script can carry a hell of a lot of iffy production.
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#19This idea has been kicking around since the late 90's. The difference is that production costs have (in theory) gone way down since then. The flip side of that is everyone with a Mac and a Canon 5D thinks he's Stanley Kubrick, so it's harder to spot real talent. Either way, it's an inevitability that the market for financing feature films and "television" series will spread horizontally as the costs keep coming down.…
Re: Slated aims to disrupt Hollywood as the AngelList for film funding
#20"A good example of “Hollywood accounting” would be “Harry Potter and The Order of the Phoenix”, which took in $938 million in revenue, yet still produced a $167 million loss. In cases like this the distributor, Warner Bros., still makes a bundle, but the film and its backers, set up as a independent corporation, wind up in debt. How is this possible? You can get a more detailed picture in this episode of Planet Money…
More likely, the losses are probably for tax reasons or to screw over anyone involved in the film that signed a 'percent of net' rather than a 'percent of gross' deal.
EDIT: See link below for how wealthy individuals finance films because they WANT the film to lose money on paper. This gives them large tax deductions.