The silliest thing I learned years ago was that the license only applies to the "software" of the font. In the US, you can literally go and vectorize any font in the world and do whatever you want with it. "In the United States, the shapes of typefaces are not eligible for copyright, though the shapes may be protected by design patent (although these are rarely applied for, the first US design patent ever awarded was…
This may be true but you are discounting how hard it is to create your own font from scratch. If one could do it, they probably wouldn't be in the market for a font license in the first place. The vast majority of website builders want/need a 1-click solution. Kinda like saying hey, every SaaS service out there can legally be rebuilt in-house with the same look and behavior, so why pay for any of them?
A rant on web font licenses
81–90 of 169 posts
Re: A rant on web font licenses
#82Now, I usually hate that type of thing with a burning passion. The first thing I do when I see "contact us" where the price should be is look to find an alternative to buy. But it sounds like these types of sales could use some flexibility and the human touch is good for that. If they're the New York Times, charge them $250k a year, sure. If they're some blogger, give them a low flat rate for personal use, even if their blog gets lots of pageviews from Hacker News occasionally. Replace stringent pageview accounting with flexible pricing.
Re: A rant on web font licenses
#83MyFonts' licensing system effectively took down our entire website recently. We have a font licenced for some number of pageviews (250,000 or whatever), and they track that via an @import in the CSS they give you which points to a URL on a subdomain of myfonts.net. Except they changed their licensing mechanism, didn't tell their customers and broke the subdomain the @import was hitting. It didn't fail immediately, ju…
You're "too professional" to use system or OFL fonts, so you need to license a commercial font.
Yet you're too small to just outright buy the perpetual license or have your own customized font (like most bigger companies have).
So you end up with checks notes a pay-per-view font and all the issues associated with that. Which in turn gave you a rather unprofessionally broken website.
Re: A rant on web font licenses
#84Earlier quoted context omitted.
> There's no middle ground between "here's your free font" and "pay me/us a lot of money". This is a general problem in many businesses. Back in the early days of blogging, Joel Spolsky wrote an entire article about how there was basically no software that cost more than $1,000 and less than $75,000. This was more than a decade ago, the numbers today would be different because we care about LTV not sticker price, but…
Part of the problem is that selling to small/medium business sucks, unless you can make it very transactional (the cheap model above, just scaled per-seat). Anything that needs to be hands on costs you almost as much in labor costs as big company ... without the high-price point to justify it. And especially in medium business range they often actually need _more_ support, since they are complex enough to have integr…
My very first personal ISV "hustle" was a classified ad product for desktop publishing. I priced it at $750, and discovered that my cost of sales and support made this untenable. Now I know why small desktop publishers were doing classified ads by hand, and the really big companies had mainframe- and minicomputer-based systems costing five or six figures in the 80s and 90s.
Same dynamic, and all it took was my car being repossessed to make me realize there was something wrong with my business model.
Re: A rant on web font licenses
#85> Typefaces are, to the best of my knowledge, the only digital product that try to fuck you over with bullshit licenses Has Oracle disappeared? The article is kind of true though, especially when you need a font for a small part of your website like headers, the licence often make it not worth it if you're not a company. There's no middle ground between "here's your free font" and "pay me/us a lot of money".
> There's no middle ground between "here's your free font" and "pay me/us a lot of money". This is a general problem in many businesses. Back in the early days of blogging, Joel Spolsky wrote an entire article about how there was basically no software that cost more than $1,000 and less than $75,000. This was more than a decade ago, the numbers today would be different because we care about LTV not sticker price, but…
Years ago, Philip Greenspun wrote a post noting that there was no real middle ground between a magazine article and a book. (This was in the context of the web maybe addressing this--though it mostly hasn't, longreads and things like that aside).
Something either fits into low single-digit thousands words length or it needs to be a 250+ page book. In some ways, shorted attention spans make this sort of thing even worse. We still have books but, in my day job, we've mostly found that the 3,000 word white papers we used to crank out have largely been replaced by blogs and blog series.
Re: A rant on web font licenses
#86The Akzidenz-Grotesk typeface which is referred to in this article was first released in 1898, meaning that any patent or copyright claims on the original designs will have well and truly expired by now. However, specific digitisations of typefaces are subject to copyright individually, which is what allows such companies to charge royalties for their use. Whilst I couldn't find any truly free and open digitisations…
Re: A rant on web font licenses
#87Earlier quoted context omitted.
This is ridiculous. HTML rendering is robust enough to work without CSS. A missing font should just be defaulted to serif or sans and that's it.
It wasn't missing, it was slow. Are you going to re kern and re layout the page when the font arrives? If you want to avoid that then you have to wait.
Re: A rant on web font licenses
#88Re: A rant on web font licenses
#89Fonts still being able to make money makes me think that all this AI art generation probably won't put artists out of a job. Surely we have enough fonts at this point to be a 'solved' problem, and yet somehow people keep paying for it.
my guess is that in the context of any project which is not super tiny, 1k$ is still very affordable
Re: A rant on web font licenses
#90Yeah, it can be a pain to pay font creators, but I expect that this web designer would be annoyed if his clients complained about paying him. Yes, some of the mechanisms can be fragile or troublesome, but I think that's the market's way of exploring possible options. The companies that came up with the idea of charging per the page view were probably responding to designers who didn't want to pay too much for small j…
My problem is the licenses themselves.