This is fantastic, classical music absolutely needs a dedicated interface since the organization by composer and multi-movement works is so different from popular music. But I wonder if it will help with finding which version of a work to listen to. A given symphony or piano prelude might have 100 or more recordings. If you go to classical music forum postings, you can usually find a thread asking "what's your favori…
Do you have an accessible example for two different recordings of a composition that each shine in their own light?
Apple launches its new classical music streaming app for pre-order
41–50 of 71 posts
Re: Apple launches its new classical music streaming app for pre-order
#42This is fantastic, classical music absolutely needs a dedicated interface since the organization by composer and multi-movement works is so different from popular music. But I wonder if it will help with finding which version of a work to listen to. A given symphony or piano prelude might have 100 or more recordings. If you go to classical music forum postings, you can usually find a thread asking "what's your favori…
> This is fantastic, classical music absolutely needs a dedicated interface since the organization by composer and multi-movement works is so different from popular music. It really doesn't. It was easy enough to organize music by the correct metadata in a local collection on Amarok 15 years ago. ID3 already supports all of the requisite metadata. You just need an app that is flexible and supports a 'now playing queu…
>> It really doesn't... You just need an app that is flexible
Do you have a suggestion about an app that doesn't suck for classical music? I'm aware that metadata fields exist, but that doesn't help with playback, which is why the original comment mentioned a dedicated interface.
Re: Apple launches its new classical music streaming app for pre-order
#43Earlier quoted context omitted.
This is 100% accurate. Classical music is just different from other music in too many ways to make them work well in the same UI. I have yet to see a UI that does it well, so I'm looking forward to seeing Apple's stab at it. Generally you can't go wrong with Deutsche Grammophon, or Hyperion, or even Telarc, but there sure are some stinkers out there, labels just trying to have a large catalog of any quality. And some…
Anybody else tried the Stage+ app from Deutsche Grammophon? https://www.stage-plus.com/ The player is kinda crappy. The content quality is quite good though, lossless and such. The selection is excellent.
I can endorse the Berlin Phil's Digital Concert Hall, which is a very well made app and also streams in 4k/lossless/atmos too - Berlin Phil performances only, though. It's essentially a remote seasonal membership to the symphony. It looks like Stage+ has a wider range of performances, which is appealing, although it's very fun to watch evening concerts live from Germany almost any day of the week at 11am Pacific.
Re: Apple launches its new classical music streaming app for pre-order
#44This is fantastic, classical music absolutely needs a dedicated interface since the organization by composer and multi-movement works is so different from popular music. But I wonder if it will help with finding which version of a work to listen to. A given symphony or piano prelude might have 100 or more recordings. If you go to classical music forum postings, you can usually find a thread asking "what's your favori…
Re: Apple launches its new classical music streaming app for pre-order
#45Welp, I estimate this will kill my NPR Classical Radio app within a year or so.
I'm still surprised that there isn't a requirement for streaming services to carry publicly beneficial content (and pay a license fee for such content to NPR/PBS).
Re: Apple launches its new classical music streaming app for pre-order
#46> These can be streamed in high-quality audio of up to 192 kHz/24-bit Hi-Res Lossless up to. And down to ? 0 bps ?
You seem to be getting downvoted, but generally I think consumers should be wary of this phrasing ('up to') and it should be called out. It is often a way for companies (or headlines) to seem to be claiming something without actually committing to anything.
I think it's pretty clear Apple is making "192 kHz/24-bit Hi-Res Lossless" distribution and listening available, but obviously it's up to labels and artists to supply actual recordings at that level. And many can't, simply because it wasn't mastered at that level, or wasn't even recorded at it.
Re: Apple launches its new classical music streaming app for pre-order
#47Nice, but it would be great if Apple fixed the UI and bugs in Apple Music first. I can't hide the non-streaming parts I'll never use, but sometimes search keeps directing me to it. And that's when searching itself isn't wildly broken. A quarter of the time, the search bar loses focus after each character, requiring me to click back in or reboot the app.
Re: Apple launches its new classical music streaming app for pre-order
#48Great, because we need more specialized apps. I love classical music but I would rather use Spotify for that purpose because at this point I have realized the only thing important for Apple is money. I prefer not to further contribute to a trillion dollar company that has so much restrictions in their ecosystem.
Re: Apple launches its new classical music streaming app for pre-order
#49Earlier quoted context omitted.
Do you have an accessible example for two different recordings of a composition that each shine in their own light?
My favorite example of this is the Glenn Gould recordings of Bach's Goldberg Variations. He has 2 famous recordings - one recorded in 1955, another in 1981. They are very different in tone.
Re: Apple launches its new classical music streaming app for pre-order
#50This is fantastic, classical music absolutely needs a dedicated interface since the organization by composer and multi-movement works is so different from popular music. But I wonder if it will help with finding which version of a work to listen to. A given symphony or piano prelude might have 100 or more recordings. If you go to classical music forum postings, you can usually find a thread asking "what's your favori…
> This is fantastic, classical music absolutely needs a dedicated interface since the organization by composer and multi-movement works is so different from popular music. It really doesn't. It was easy enough to organize music by the correct metadata in a local collection on Amarok 15 years ago. ID3 already supports all of the requisite metadata. You just need an app that is flexible and supports a 'now playing queu…
It's about having a "current top composers" next to "current top artists".
It's about "current top songs" not having all 4 movements of a single work listed as separate songs. It's about the radio feature not randomly dropping you into the 17th track of an opera (with exceptions for certain arias).
It's about "people who listen to this composer also listen to..." along side "people who listen to this artist also listen to...".
But even organization was never fully solved in ID3, because it doesn't support multiple artists on a track (or multiple composers) in any standardized way. It's already a problem in popular music, but even worse in classical when both a conductor and a soloist and an orchestra are performing. ID3 doesn't have any way to group movements of a work together either -- you have to smush work and movement together in the title field.