Creative effort - or at at least any that is truly worthy of the name - takes tears, and sweat, and blood. We can marvel at the output of an artist, or a writer, or a composer, or a film maker and yet fail to focus on the years of toil that often preceded that work. And I am not here speaking of some isolated genius. I still remember the days when I was so dissatisfied with my lack of writing skills that I decided to…
> The point is that this is my decision. Granting the creator such rights takes them away from everyone else. Why is that justified? Why should one person, the creator, be able to tell other people what they can and cannot do? > In that case, anybody can use it, replicate it, seek to profit from it, claim it as his own, or whatever, all without my having any say whatever in that process. This is a common approach, bu…
Why I'm a Pirate
371–380 of 527 posts
Re: Why I'm a Pirate
#372Furthermore, the title and the picture frame this as "cool" or "fun" or "free". It's more like leeching off of another's work, and disregarding their right to do with it what they please.
Re: Why I'm a Pirate
#373Earlier quoted context omitted.
Let me first state that I'm in basically total agreement with OP and mostly agree with parent, but one point sticks in my craw: >> The point is that this is my decision. >Granting the creator such rights takes them away from everyone else. Why is that justified? Why should one person, the creator, be able to tell other people what they can and cannot do? http://thegatheringplacehome.myfastforum.org/archive/life-le...…
The second an artist is trying to mass produce they are businessmen not artists anymore. The artist didn't make the ability to produce in large numbers and distribute at zero cost, that is what technology did. A technology that served the labels and musicians for one hundred years. Now it is turning on them and they start to complain. Bo freaking ho. People make music without making a single dime on it. Great music i…
People love design, and do great design without making a single dime on it. The rich designers are rich because professional networking, big companies and IP laws make them big. Not because they were the best of the crop.
Boo Freaking Hoo. Real designers do it for love. Only phonies want to get paid.
Re: Why I'm a Pirate
#374Downloading music for free that is available to buy, is immoral.. If artists can't earn money from their art, there will be less art and more lady GaGa VS justin bieber shit.. Do you want to live in that world?
Re: Why I'm a Pirate
#375There are nowadays plenty of ways to get music with much less hassle than TPB, at reasonable prices, with good audio quality and no DRM, often even directly from minor labels’ websites.
If you don't use any them it's because you don't want to pay and just that.
(Movies are still a problem, but the author is focusing on music here, which is largely resolved)
Re: Why I'm a Pirate
#376Creative effort - or at at least any that is truly worthy of the name - takes tears, and sweat, and blood. We can marvel at the output of an artist, or a writer, or a composer, or a film maker and yet fail to focus on the years of toil that often preceded that work. And I am not here speaking of some isolated genius. I still remember the days when I was so dissatisfied with my lack of writing skills that I decided to…
This isn't what the linked piece is about. The author's arguments are mainstays like:
1) IP laws mostly protect big corporations, not creators, since these corporations effectively leverage their control of distribution against creators.
2) The measures these corporations take to protect their IP succeed only at annoying legitimate customers. Piracy has never been curbed by anti-piracy practices.
3) Et al.
Abolishing an exploitative industry that preys on copyright holders and abolishing copyright itself are two very different things.
Re: Why I'm a Pirate
#377Earlier quoted context omitted.
The second an artist is trying to mass produce they are businessmen not artists anymore. The artist didn't make the ability to produce in large numbers and distribute at zero cost, that is what technology did. A technology that served the labels and musicians for one hundred years. Now it is turning on them and they start to complain. Bo freaking ho. People make music without making a single dime on it. Great music i…
I assume that once you pitch designs to one of your clients, it's fine with you if they photograph it, copy it, and never pay you a dime? People love design, and do great design without making a single dime on it. The rich designers are rich because professional networking, big companies and IP laws make them big. Not because they were the best of the crop. Boo Freaking Hoo. Real designers do it for love. Only phonie…
I don't know why you guys keep arguing the same misguided argument.
Here is the difference.
When I design for a client I put in the work and design specifically to to them. I am in other words a performing artist.
I don't just send them a CD with the same design I did for all my other clients.
Are you really telling me that you can't see the difference here?
I am not saying artists shouldn't make money so there is no need to repeat the same tired claim.
This is about whether it's a right to make money on mass-producing CDs?
Re: Why I'm a Pirate
#378Re: Why I'm a Pirate
#379Earlier quoted context omitted.
Well put. Ditto, say, a game developer. "Find another way" is great and all for games, if you want a bunch of Facebook monstrosities welded into an always-online authentication framework (or equivalent systems). "But you can sell a version with physical stuff that people want" is similarly silly - I'm not a model-maker or a map-maker, I write software and I'm not going to write software if the only way to make a livi…
"if you want a bunch of Facebook monstrosities welded into an always-online authentication framework" Is Steam such a system? If so, give me more of that, Steam is awesome, and proof that people will buy stuff if the original is better than the pirated copy.
With Steam, you're still paying a one-time fee to purchase a license to use the software.
Re: Why I'm a Pirate
#380Earlier quoted context omitted.
I assume that once you pitch designs to one of your clients, it's fine with you if they photograph it, copy it, and never pay you a dime? People love design, and do great design without making a single dime on it. The rich designers are rich because professional networking, big companies and IP laws make them big. Not because they were the best of the crop. Boo Freaking Hoo. Real designers do it for love. Only phonie…
First of all I have had plenty of my ideas, designs etc. copied. I don't care cause at the end of the day it doesn't matter. I don't know why you guys keep arguing the same misguided argument. Here is the difference. When I design for a client I put in the work and design specifically to to them. I am in other words a performing artist. I don't just send them a CD with the same design I did for all my other clients.…
Let's assume that there is no copyright. You get a contract from a client to design them a logo , website and smartphone app to promote their business.
However your client knows that if a competitor wishes to copy their entire website including logo and app etc they can do so with impunity so all that they will get from whatever sum they invest in your work is a slight first mover advantage and probably the better the work you do the more likely someone else is to copy it.
How much do you think they are willing to pay you for your work now?