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Why I'm a Pirate

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141–150 of 527 posts

Re: Why I'm a Pirate

#141
post #103

Earlier quoted context omitted.

If they are not willing to pay for it, then they have no right to enjoy it. In the end, it always boils down to pirates being spoiled. People never pirate to make ends meet. There is no digital content that is essential to anyone's life. People pirate because they want to be entertained but they don't want to pay for it.

What's the difference? In both cases the pirate is deriving an economic benefit without directly causing an economic cost.

If the pirate derives benefit from it but less benefit than the price and thus does not consume, then there is a deadweight loss. In this case, piracy provides a net benefit to society.

(Studies have shown that the sales-displacing effect of piracy in music ranges from 42% to no effect at all[1]. If all piracy could be prevented, that's an awfully large deadweight loss)

[1] http://www.heinz.cmu.edu/~rtelang/SmithTelang.pdf

Re: Why I'm a Pirate

#142

Earlier quoted context omitted.

I agree with you so much. To this person and all the others you don't have some God given right to the content they produce/deliver. Instead of pirating go without. Will life stop if you don't watch the latest episode of Community? Probably. Give it a go. If you die I have dibs on your $2000 Macbook Pro, $800 iPhone, $250 Sennheiser headphones, etc. The very phrase 'Because you are messing with my life' in this conte…

And the artists don't have a god given right to produce it once and sell it many times.

Yes they do because they created it. As much as they have ownership over their music, you have the god given right not to buy it.

Re: Why I'm a Pirate

#143
OP, if this is just a whine about how unfair the world is and how special you are, then fine.

But if it's an attempt to make something happen (stop SOPA), then it's not working and is in fact counterproductive, so please just STFU. You are offsetting the good hard work of so many others trying to make the right things happen.

Make no mistake about it, we have reached the point where the best course of action is probably to simply appeal to the common people's innate sense of "fairness".

Copyright is not fair. We get that.

Pirating is not right. Most people would agree with that, too.

Multiple wrongs do not make a right; most people's reptilian brains sense that, too.

Long ago, before the Code of Hammurabi, the common code of law was often unfair. If, for example, I accidently killed your daughter, the penalty was to put my daughter to death. Such logic today is laughable and modern people would never put up with it. Except that's exactly what SOPA is, penalizing Party B for Party A's transgression. We don't do that anymore.

There are other good arguments against SOPA, but yours is not one of them. Instead of influencing those who need to be influenced, you are just fanning the flames of SOPA proponents. Hell, after reading your article, I almost understand their reasoning...they need to do something to stop your wrong to stop someone else's wrong to stop someone else's wrong, etc.

It's time to stop the cycle of doing wrong to combat other wrong, and just start doing right. It works better anyway. It would be nice to have you on board for that.

I have more to say, but unfortunately, someone in another thread did something wrong, so a moderator has turned off the rest of my comment...

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Re: Why I'm a Pirate

#144
Wow man, this guy is serious. Although I can see there are huge flaws in his argument I would really not like to debate someone's opinion just today. Instead I will tell you two silly reasons of why I pirate.

1. The prices are all wrong. If they want me to buy something I should be able to buy it. I am not saying that since I am a student I don't have the money to buy it. But spending 400 Bucks of my native currency for 12 songs is just ridiculous. I don't want to do that.

2. This is even more sillier, I pirate because I can. Maybe this is a usability problem, but I don't want to seem like I am on some kind of a high horse. But still, if you are willing to give me individual songs (I rarely want the whole album or OST) for cheap I will consider buying it. Payment is not that much of a problem, you can have a wallet like system.

Re: Why I'm a Pirate

#145
post #128
post #47

Earlier quoted context omitted.

> Copyright infringement is not stealing. I assume there will be counter-arguments/downvotes, so to elaborate on this point using my own arguments: If you steal something from me, I don't have it (as in "steal a car"), so you're putting me in a worse-off position. If you copy/pirate something that is mine (properly copy, with attribution, and not out of context), I am not worse-off (possibly even better-off, as I get…

Consider this: You commision a composer to write a personal song to celebrate you at your anniverseray. You use the song, but decline to pay because the composer can keep a copy of the song, and therefore you are not really taking anything from him. But clearly you have put him in a worse position by using his work without pay - after all he could have done something else with his time and talent.

Interesting hypothetical, but I think there is a difference between specifically asking for a service (and possibly creating a contract) and not paying vs sharing a copy of a work already produced. Otherwise, there are loads of services you can argue against paying for in that way.

Re: Why I'm a Pirate

#146
post #35

Earlier quoted context omitted.

When I started making enough money to buy everything I was consuming, I put an end to my piracy habit for some time. I had Netflix, used Rhapsody (then Spotify), bought season passes on iTunes (I used iPlayer a couple times but being in the US I had to use Tor to get around the region filter to watch a Louis Theroux documentaries, I guess that's "piracy"). I stopped when I realized that while I could afford it, all o…

I was in the movie theatre three weeks ago and paid almost 10€ for the ticket only to be forced to watch - I kid you not - 30 minutes of commercials + another 20 minutes of movie trailers before the movie even started. And when you reserve a ticket, you are forced to be there 30 minutes before the movie begins, otherwise they released the seats. That was a waste of 50+30 minutes of my time, which was more than half o…

[deleted]

Re: Why I'm a Pirate

#147
post #39

This is a series of pretty poor arguments. The author seems to be looking for reasons to justify their own piracy and conflates anger at the approach of the "copyright industry" with infringement upon peoples' rights. One of the final lines of the article, in particular, is jarring: "If I'm a pirate, it's not to have some cheap music. It is because the time has come for you to fuck off." It's fine to be angry about t…

> It might make you feel better about it, but it really > doesn't change the fact that you're stealing something > of value Copyright infringement is not stealing. Separately, the person who worked hard to produce whatever you're buying is reaping a fraction of a percentage point of whatever you're spending, and that's only if the distributor hasn't found a way to screw them out of that entirely (or else they've been…

This is something everyone that talks about this topic needs to understand. Basic economics teach us that an infinite supply comes at the price of (near) zero. The amount of music, movies, software (products) that can be distributed is only limited by technical issues, such as the amount of bandwidth and hard drive space. So naturally distributors should expect their product to have a lower price than it once had, especially when selling online.

Of course this leaves out the production costs entirely and probably a whole lot more. I'm not an economist, but I think this is a fatal flaw in the business model of most entertainment companies.

Re: Why I'm a Pirate

#148

Earlier quoted context omitted.

Again, not really saying anything about the "right" or "wrong" aspects, but continually using the word "stealing" in the debate, then debunking it by comparing it to a car, is, at best, a strawman argument. Unfortunately, I'm not sure there's a better/easier one word description people can use (for soundbiteness) that adequately gets the point across that the major industries are trying to get across.

The point that the major industries are trying to get across is that copyright infringement is just like stealing. They're saying so quite explicitly whenever I go to the movie theater or rent a DVD. But copyright infringement is not stealing. You could make an argument about it if the period was still 14 years (i.e. the author has only 14 years to collect revenue from it, so if you want it either pay up or wait 14 y…

How does the length of which the copyright is applicable affect whether copyright infringement is stealing?

Re: Why I'm a Pirate

#149
post #60
post #18

Earlier quoted context omitted.

The problem of music piracy is mostly solved, largely because of iPod/iTunes and Spotify and others. And it was, indeed, solved by making the legal services as good or better as the illegal ones. Sure there are some music piracy left, but only a fraction of the piracy during the Napster heydays. The problem that does persist (if it's a problem at all) is that the perceived value of recorded music has dropped, other f…

> The problem of music piracy is mostly solved, largely because of iPod/iTunes and Spotify and others. You wish! Maybe for the US, UK and Germany, but I live in Slovenia, an EU, very highly developed (in terms of internet/mobile coverage and bandwidth) country, but since there's only 2 million of us, no one bothers to try to sell us things. Thank god I have friends in the UK that can buy music for me. However, after…

I feel for you. But when I described the problem as "solved", I meant that the solution to music piracy has been found, it's been tested, and it has prevailed where implemented. Unfortunately, it has yet to come to your country, probably due to your small population, as you said.

Re: Why I'm a Pirate

#150
What's particularly galling about this post (and the SOPA / PIPA / whatever people on the other side too), is that I haven't found anyone on either side of the argument who's stopped and said, "Hey, wait! Somebody's getting some major economic benefit from piracy. Let's see who." Everyone - supporters and detractors alike - are either talking about their own positions (like this guy's) or these nebulous entities like the "music industry." (I worked in the "music industry," and I can't define it.)

The guy who wrote that is receiving, at best, nominal returns from criminality along with the satisfaction of making the, "Fuck you, that's why," argument. Crime isn't paying well at all for him, because he's committing a potentially life-altering crime in increments of $0.99 in music. So let's just set all those people aside for a moment, because on an individual basis, that's just a wreck to explain. Would take interpretive dance. These sorts of people only matter economically in the aggregate (think: Bittorrent), but "people-in-the-aggregate" isn't in charge, doesn't steer anything. Real individual human beings are.

So how about some individual human beings who are benefitting mightily from piracy? Somebody must be making out big time. They must have a lot of power and a strong justification for having the system be just so.

And if you took a moment to ask, say, the former CTO of any political campaign, they'd tell you who those people are. But since you didn't ask, I'll just tell you: it's politicians. Heard it here first people: political campaigns PIRATE THEIR ASSES OFF. I know with 100% certainty that one of the sponsoring senators for PIPA won big riding on top of a sea of pirated software in their campaign office. You betcha. One of the sponsors.

In the last decade, when money into campaigns has increased by orders of magnitude, piracy has actually increased on campaigns, many of which can now afford to pay. Why? Laptops. Back when desktops were still king, odds were good that you'd have one or two legal copies of, say, Office that you were installing across all the machines in your phone banks, another couple copies for your volunteer centers, maybe one for your staff offices... all those places where fixed machines were. So at least you were installing at like 5:1. Not legal, but not crazy.

But that's not how it works anymore. Now everybody plays BYOL. Need Office? Sure, there's a copy on Bob's shared drive. Need MapInfo? That's on a fileserver. And everybody at a machine (and I mean everybody) needs basic commercial software to work. Some need even more - the Adobe Suite or Visio or MapInfo or... it just goes on and on. Copies of SPSS floating around. If it's a campaign for an incumbent, you need, at minimum, everything on your desktop in the campaign that the staff on the Hill have, because you're going to be passing lots of files. So incumbents' campaigns tend to get right into piracy real fast, because they need application parity with their official staff.

Multiply that by every staffer and every intern and every volunteer who brings in their laptop and that's a huge number of copies. A successful presidential campaign is probably pirating on the order of at least 3,000+ copies of just Office alone. Seriously. Go audit Romney. They're there.

Funny thing is, it was the artists(!) who ultimately cracked down on the rights management firms that made campaigns stop pirating music. Possibly the one time ASCAP and BMI actually did anything for the artists, and it was against politicians. The deal was, artists were tired of politicians they didn't agree with playing uncleared, public performances of their music. If they hated the guy, they sure didn't want him to also get the music for free. So the rights firms cracked down. Odds are, big campaigns now have a CD of cleared music with usually BMI. They don't do it till they think they're likely to get caught, so they STILL PIRATE THE DAMN MUSIC. But eventually they make good. Want to check that one out? Call the compliance desk at the folding Cain campaign and ask if you can see their BMI clearances. Bet they don't have any - they bowed out too soon to get caught.

Oh, oh! Don't forget TV. A good rapid response operation is capturing all the news in areas in play and all the advertising for themselves and their opponents. Nowadays, there are firms that suck it down, and then they take the files and share them around the office. Much like Pirate Bay in the TV section. "Hey, did you see yesterday's AC360 on the other guy? Here's a copy!" Back when I was doing this crap, TiVo was still pretty much the best you could do on short notice, so I had a shelf of hacked TiVos. Ah, how life has gotten easier.

One more thing. Lists. Copyrighted lists. Mailing lists. Demo data. All the information detritus from campaigning. Stealing lists is a serious no-no. Reason being, the way politicians get rich (if they don't start rich, of course) is their list: because your campaign is not a shareholder-based corporation, the candidate ends up owning the assets. The key asset that gets created is the supporter list. A good list from a very successful national single run can bring in millions. Even for the loser.

So lists are precious. You'd think that somehow there would be an honor code around this, at least. "Thou shalt not screw thy coworkers out of their primary asset." That would, unfortunately, be untrue. Go ask any campaign data manager how they've "salted" their list. They'll tell you. They hide tripwire data in the list - emails that go to warning scripts or phone numbers that forward to their own cell. Because pirating each other's data in politics is also a national tradition.

A few things, some of them quite complex, are at the root of all this. A good example is campaign finance reform where there are matching funds spending caps and such. Piracy is a really good way to keep from moving spent money into, say, Iowa and incrementally lay waste to the cap before you've decided if you're going to get matched. It's a complex set of considerations and public perceptions. There are a lot of little dances that campaigns do, and piracy is a really good way to disappear major expenses in a very cash-constrained environment.

But a very senior Democratic political operative sat me down once when I was trying to convince him to buy legal licenses for an Iowa office. He said, "Dave, here's the deal: if we lose, there's nothing to go after. We'll leave the stage with negative money and nobody to pin it on. If we win, we are the Executive Office of the President, and we've got the Antitrust Division. Do you really think Microsoft, of all companies, is looking to pick that fight?"

tl;dr: Politicians operate vast organizations with questionable legal practices called campaigns. These campaigns get them elected to power and make them rich. Once elected, they legislate against the citizenry doing the things they did to gain power and wealth. This is not a conspiracy. Turns out they're just assholes.

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