Earlier quoted context omitted.
The AI learns to generate watermark-like things, because those exist on a large fraction of its inputs. It doesn't mean the rest of the output existed in the training set. It's perfectly capable of generating a completely novel picture, then slapping a watermark on it.
My point is that the watermark is deterministic. It is taken whole-cloth from an input, and reproduced as-is on an output. Thus, it is able to be attributed. Stable diffusion is more like a paintshop artist who grabs bits and pieces of other art and melds them together, and less like a painter who creates from their imagination.
I respectfully disagree with this claim. It’s not as-is. It’s remarkably similar. That’s a big difference.
> Stable diffusion is more like a paintshop artist who grabs bits and pieces of other art and melds them together, and less like a painter who creates from their imagination.
I also disagree with this. The uncomfortable truth, imho, is that what Stable Diffusion does is FAR closer to what human artists do than we’d like to admit.
Human artists are perfectly capable of reproducing copyright infringing images. They just generally choose not to for legal/moral reasons.