World Wars 1 & 2 happened, shattering the remaining sense of aesthetic unity we had that was followed by modernism which purity spiraled into the ubiquitous glass box, which was then followed by a post-modernist surface-level, purely negative rejection of modernism the post-modernists were unable to return to any pre-modern sense of aesthetics due to their ideological commitment to the ur modernist impulse of pride (…
To latch on to this great post there are a couple of other worthwhile discussion points: We're still in a nuclear war mental model. We can't build beautiful things if we think they'll be destroyed in a war. We still have a societal level PTSD from World War I, World War II, Korea, Vietnam, the Soviet Union, and other things. World War I veterans came back with horrific problems. That's why architects like Frank Lloyd…
The mid in fake midcentury modern
381–390 of 512 posts
Re: The mid in fake midcentury modern
#382Earlier quoted context omitted.
How is it that America can still be traumatised from the world wars architecturally but europe is not? I don't really buy the argument that america builds badly because of fear of destruction. It's more that we are an utterly utilitarian culture. We have nothing old, and cannot imagine that anything might become old. Our goals are to maximize profits while minimizing cost, so we end up building $10m houses out of shi…
> We have nothing old, and cannot imagine that anything might become old. Obviously wrong. America has an enormous amount of beautiful "old" architecture. Most streetcar suburbs are shockingly beautiful, from the utilitarian carriage houses all the way up to the mansions and large public buildings. It all predates WW1. The reason truly is psychological. At the elite level (public institutions, taste makers), it was a…
Sure, there are places like this. Desirable old neighborhoods with interesting houses and walkable infrastructure. But those are mostly from about 100 years ago or more. What's been happening more recently?
Re: The mid in fake midcentury modern
#383Earlier quoted context omitted.
I had a hard time taking this article seriously after seeing the first picture with the caption "new ugliness". The picture depicts art by KAWS, arguably a very successful modern artist - someone must think what he is doing is worthwhile. I personally don't like his art, but saying it's "ugly" is rather subjective..
Doesn't that assume that people only think beautiful art is "worthwhile"? People - in particular the sort of people who deeply care about art - may see value in ugly art, if the ugliness helps achieve the goals of the artwork.
Re: The mid in fake midcentury modern
#384Earlier quoted context omitted.
I had a hard time taking this article seriously after seeing the first picture with the caption "new ugliness". The picture depicts art by KAWS, arguably a very successful modern artist - someone must think what he is doing is worthwhile. I personally don't like his art, but saying it's "ugly" is rather subjective..
You're saying it as somehow "subjective" is bad. Of course it's subjective, and the whole point it a lot of modern art is subjectively perceived by most people as ugly, while being praised and promoted by "experts".
Re: The mid in fake midcentury modern
#385So, what is this person's idea of beauty? Ancient Greek/Roman architecture? French Second Empire style? Art Nouveau? People appreciate modern design because it's clean and simple, not gaudy or fussy.
Stewart Brand's book How Buildings Learn helped me see the beauty in ugly structures.
Re: The mid in fake midcentury modern
#386Earlier quoted context omitted.
>It seems more likely that brutalist architecture is uniquely terrible Interesting, it seems to me that brutalist architecture is actually pretty appealing aesthetically. I might go so far as to say that objective beauty and taste simply does not exist and anyone claiming that it does hasn't thought about it very hard yet.
You could go so far to claim that, but it’s exactly that point of view that produced so much objectively ugly, human-unfriendly architecture. Relativists replace the moral imperative of “good for everyone” with “interesting to people like me”, and think they’ve stumbled onto a more sophisticated or accurate view of the world, instead of just vapid sophistry.
Re: The mid in fake midcentury modern
#387This is the equivalent to "why does modern music suck" (said by every generation of the next generation's music) Scott Alexander posted something similar https://astralcodexten.substack.com/p/whither-tartaria And the response he got was arguably predictable..., others didn't agree that modern architecture is ugly. Sure there are some ugly buildings. But, for example, for me. I went to some 1929 building that I'm sure…
This is the equivalent to "why does modern music suck" (said by every generation of the next generation's music) At first I agreed with you but then I clicked the submission article and saw those ugly mouse statue things.
Lots of people seem to enjoy those "ugly mouse statue things".
Re: The mid in fake midcentury modern
#388Earlier quoted context omitted.
> Fascism via "vokisch" movements and ideas attempted to more or less co-opt and own romanticism, classicism, and other forms of non-"modernist" aesthetics. In my opinion, it's not so much that "fascism" (sort of a useless label in today's world) has co-opted traditional aesthetics, it's that the left has run away from the actual concept of beauty. As an example: look at the body positivity movement. Everybody, no ma…
"Body positivity" is not about labeling everything as beautiful but rather not labeling people who may not match traditional standards of beauty as "ugly."
Beauty of people is indeed subjective. Different ethnicities have different innate preferences.
Re: The mid in fake midcentury modern
#389Earlier quoted context omitted.
I'm in Europe (in Germany to be more precise), but believe you me, new buildings that I would describe as "beautiful" are few and far between here too. I think most of it is due to what I would call cookie cutter mentality. For most architects, a building is just a job. They don't realize that even the most unassuming building is something that may be used for 100 years and more, that will influence the lives of thou…
Most buildings in Greece are build by civil engineers. Architects are not needed and rarely involved. The result is very small houses with many rooms and "spaces" but all very small and ugly. For example, it's common to have 3 bedroom in 120m².
Re: The mid in fake midcentury modern
#390World Wars 1 & 2 happened, shattering the remaining sense of aesthetic unity we had that was followed by modernism which purity spiraled into the ubiquitous glass box, which was then followed by a post-modernist surface-level, purely negative rejection of modernism the post-modernists were unable to return to any pre-modern sense of aesthetics due to their ideological commitment to the ur modernist impulse of pride (…
>It is the pervading law of all things organic and inorganic, of all things physical and metaphysical, of all things human, and all things super-human, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function . This is the law. Emphasis mine. Louis Sullivan is quoted as saying this in 1896, prior to any world wars. I think you…
In fact, Chicago didn't descend into ugly modernity until well into the 50s and 60s, when Mies van der Rohe started erecting generic black monoliths like Federal Plaza[4]. But he had nothing to do with Burnham & Root, or Graham Anderson Probst & White, the two major influences in Chicago architecture up through the 1930s and both producing highly ornamented and humanist buildings their entire careers.
[1] https://en.wikipedia.org/wiki/Railway_Exchange_Building_(Chi...
[2] https://en.wikipedia.org/wiki/Chicago_Union_Station#/media/F...
[3] https://en.wikipedia.org/wiki/Chicago_Board_of_Trade_Buildin...
[4] https://en.wikipedia.org/wiki/Everett_McKinley_Dirksen_Unite...